I
had mixed feelings after my first few listens to the Deftones’ new
album ‘White Pony.’ I’m a Deftones fan and have been following them
since they first started as a garage band in my hometown of Sacramento,
CA, way back in the early ‘90s. I always knew that if any band from
Sacto was going to make it, it would be Deftones. Taking much
inspiration from Bad Brains, they were one of the first acts to fuse
hardcore music and rap. Soon thereafter, the Deftones were branded with
the "rap metal" label. Yes, singer Chino Moreno can flow with the best
of them and he did just that on their first album ‘Adrenaline,’ but
with their next album, ‘Around the Fur,’ and now with ‘White Pony,’ it
is clear that Chino and the Deftones have moved on to new sonic
territory.
‘White Pony’ is an album that is as jarring and brutal as it is soft
and sensitive, and that can be a bit unnerving. The Deftones have
always made music that has drastic changes in dynamics, which are taken
to new extremes on this album. Much more atmospheric and experimental
than their previous releases, ‘White Pony’ is one of those rare records
that gets better the more you listen to it. When I hear an album and
immediately enjoy it on all levels, I ultimately become bored with it
and it finds its way to the bottom of my CD pile. ‘White Pony’ did not
knock me off my feet at first, but after subsequent spins in my home
and car CD player, I began to understand the Deftones’ new sound and
direction. I now feel that this is by far the best album they have
released.
The song "Elite" features a relentless guitar riff and the sickest
guttural screaming vocals I’ve ever heard on an album. Then the album
shifts gears to the spacey laid-back trip-hop sounds of the song
"Teenager," which is the softest and most melodic song that Deftones
have ever recorded. I hate to try to define the sound of a band that I
feel is truly unique, but to get an idea of what the Deftones sound
like, think Smashing Pumpkins (before their superstardom) with some
Jane’s Addiction, PJ Harvey and Weezer thrown in there.
I don’t hear a song on ‘White Pony’ that will launch the Deftones into
superstar status yet, but I doubt that was ever the band’s goal on this
album. They never sugarcoat the music to spoon-feed it to their
listeners. I applaud their record company, Maverick Records, for
obviously leaving most, if not all, of the creative control in the
hands of the band and their producer Terry Date (Soundgarden, White
Zombie, Pantera).
CDs have had "bonus" enhanced material for quite a while, but ‘White
Pony’ is one of the first CDs with enhanced material that truly adds
value to the album. There are photos of the band, a video clip of them
practicing for their upcoming tour, lyrics, a link to a hidden Deftones
website and, last but not least, a hilarious yet simple version of
Pac-Man where you must navigate a little white pony through mazes and
not get eaten by the Deftones. As MP3s gain in popularity, it is these
extras that will keep people going to the record store or buying albums
online. ‘White Pony’ is one that I think you should consider.
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