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Halcro SSP-100 AV Preamplifier/Processor Print E-mail
Wednesday, 01 November 2006
Article Index
Halcro SSP-100 AV Preamplifier/Processor
Page 2
Page 3

Music and Movies
I had difficulty with the HDMI connections. With the first sample, I could not get the SSP-100 to lock on either the audio or video signals coming from my HD Tivo; it and would only lock onto the audio signal from my Marantz DV-9600. The second sample worked flawlessly with the Marantz, but only sporadically with my Toshiba HD DVD player. I ended up running the Toshiba’s HDMI output directly to my Marantz VP-11S1 1080p projector and connected the Toshiba to the SSP-100 via digital coaxial cable.

I watched Phantom of the Opera (Warner Home Video) and experimented with various cable arrangements. In addition to running the video directly to the projector via HDMI, I ran component cables from the player to the projector, both directly and through the SSP-100. The combination of the HD DVD player and VP-11S1 can produce some of the most detailed and accurate images available in a home theater. While the direct component video connection was not quite as sharp as the direct HDMI connection, it was identical to the component video connection being switched through the SSP-100. What this means is that the Halcro was capable of switching a 1080i component video signal with no visible degradation, which is all I can ask for from a switcher.

In addition to watching Phantom of the Opera, I also listened to it; after all, it is a musical. (I have seen at least four live productions of Phantom and am quite familiar with its music.) Many of the scenes are sonically complex, with multiple vocal tracks and numerous instruments. The Halcro was able to reproduce each portion of the soundtrack with astounding amounts of clarity and detail. The vocals were all clear, full-bodied and powerful, while remaining distinct from one another. The instruments, particularly the organ, were also reproduced with clarity and great weight, but without any signs of over-emphasis.

Being impressed with the Halcro’s ability to wring the most out of a musical soundtrack, I wanted to see how it did with a fast-paced action flick, so I played the gun battle from Heat (Warner Home Video). The SSP-100’s ability to clearly reproduce the individual sounds was quite good, but what really blew me away were the dynamics. Many of the better processors possess the ability and clarity to distinguish at least most of the sonic cues, but the Halcro also had an ease and resolution that was eye-opening.

The first sample of the SSP-100 had a slightly higher noise floor than the second sample. With the first sample, when the volume was turned up, I could hear noise coming from speakers that were not active, such as the center or surround channels, when the SSP-100 is set to stereo. I could only hear the noise when I was within two or three feet of the speakers. When I got the second sample, I also received Monster Cable’s HTS 5100 MKII power conditioner around the same time. When I plugged the second SSP-100 into the HTS 5100 MKII, the noise floor dropped dramatically and the dynamic range increased from good to great. I highly recommend experimenting with power conditioners if you have any background noise in your system; in this case, the improvement was substantial.

Continuing with movies, I watched The Chronicles of Narnia: The Lion, The Witch and The Wardrobe (Walt Disney Home Entertainment). Again, the complexities of the battle scenes were cleanly resolved, with a convincing amount of detail. The weight of the various impacts was palpable. Fights and explosions are fun, but dialogue remains the glue that holds it together. The SSP-100 did not disappoint with dialogue reproduction – the various voices were reproduced distinctly from one another and with clarity and presence making them believable.

Moving on to music, I wanted to see how the Halcro’s DACs held up. Using the Marantz DV-9600 as a transport, I connected it to the Halcro with a digital coaxial cable and also through my reference Perpetual Technologies DSP/DAC combination. I played Crystal Method’s Vegas (Outpost Records) and went straight to one of my favorite tracks, “Busy Child.” The deep and powerful synthesizer soundtrack has slightly more weight with the Halcro DACs. Listening to Shawn Mullins’ album Soul’s Core (Sony), I found the vocals to have slightly more warmth through the Perpetual Technologies DACs and slightly sharper imaging. The Halcro DACs seemed to be a bit more detailed and are extremely good, which will save users from needing to buy external DACs for their digital sources.

Moving on to 5.1 music, I listened to the Eagles’ Hell Freezes Over (DTS), which I have had in heavy rotation. I listened to it several times through both samples and both the Monster THX Select speaker system and my reference Canton Ergo system. The drum beat on “Hotel California” was solid and detailed. The guitar notes were reproduced with good timbre accuracy and were well balanced, making for a believable presentation. The vocal harmonies were likewise clean and palpable, with a good deal of presence.

As you should know by now, the SSP-100’s sonic capabilities are extraordinary. The unit’s video capabilities are what makes its feature set unique. The difference in video performance between the units was vast when it comes it HDMI. The first sample couldn’t lock onto HDMI signals from either the HD TiVo or Marantz DV-9600.With the Marantz, the Halcro would acknowledge only the audio signal. The second sample with the new firmware locked onto both the video and audio signals. I tried it with the Toshiba HD DVD player, known for its finicky HDMI connection, and could only get it to work a fraction of the time.

The Halcro’s video scaler did indeed work up to 1080p. Scaling S-Video or component video signals to a component video output yielded a good watchable image. When compared to the scaler in my VP-11S1, the Halcro’s scaler was softer. The Halcro literature references adjustments that I could not find access to or information about in the manual. Perhaps these adjustments, if they are indeed functional, would even further increase the picture quality. My only real complaint about audio or video quality is with the quality of the Halcro’s HDMI video outputs for signals that have been scaled or up-converted. These images had numerous distracting artifacts including pixilation and false contouring. I would not be surprised if these artifacts were connected to the general problems I described above with the HDMI format. Accordingly, I suspect that as future firmware updates become available and as the HDMI standards evolve, the Halcro’s HDMI video performance will greatly improve. Perhaps it is even wrong to fully blame Halcro for HDMI problems, because everyone is currently having problems with HDMI. After wiring his entire theater using a different AV preamp and switcher(s) with HDMI,’s publisher Jerry Del Colliano reverted back to component video in order to have better reliability and easier switching. Clearly, HDMI is the cutting edge of technology. For many, it is too sharp to touch but, luckily for Halcro clients, you have options that leave HDMI for the early adopters who have the patience to deal with the bumps in the road.


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