Blu-ray reviews
This Month's Featured Equipment Reviews
ZenWave Cables and SurgeX ZenWave Edition Review
REDGUM BLACK RGi35ENR Integrated Amplifier Review
Linear Tube Audio MicroZOTL 2.0 Headphone Amp & Preamp Review
iFi Micro iUSB 3.0 & Gemini USB Cable Reviews
Marantz M-CR611 Network CD Receiver Review
10 Most Recent Blu-ray Reviews
Latest AV News
Blu-ray Software Forum Topics:
Most Popular Blu-ray Reviews
Past Blu-ray Software News
Polar Express, The: Presented in 3-D Print E-mail
Monday, 03 November 2008
Image“The Polar Express” is likely to become a perennial Christmas movie, if it hasn’t already. It will be going to be shown again and again to kids as the calendar winds down to Christmas. The storytelling is simple and heartfelt, and the computer generated art is beautiful. Add to that a breath-taking pace that will allow even adults to watch a repeat performance almost back-to-back almost immediately to review their favorite parts.

The story originally took shape as a 32-page book written and drawn by Chris Allsburg. Hollywood seems to be having a field day with 32-page kids’ books lately, because “Shrek” began the same way. To further enlighten you, Allsburg wrote and drew two other books that became movies, both of which were also 32-pagers: “Jumanji” and “Zathura”.

At 32 pages with pictures, the book was no doubt a great visual aid in the pitch to get the movie made. Allsburg is a gifted artist (sculpture as well as drawing), and has won the Caldecott Award for children’s fiction for “Jumanji” and “The Polar Express”, and the Caldecott Honor Medal for “The Garden of Abdul Gasazi”.

But it was director Robert Zemeckis and Tom Hanks who made sure the train left the station. Zemeckis co-wrote the movie with William Broyles, Jr., and Hanks stars as the Conductor, the adult version of the boy, the father, the snow hobo, Scrooge, and Santa Claus, giving each a different voice.

The imagery in the movie, even in this age of the computer, is striking and unique. Maybe it has something to do with the train, with the spacious cars the kids get to ride in, the feeling of hurtling across the frozen lands, over hill and dale, with all the adventures that occur along the way. Maybe it has to do with the over-the-top action of some of the characters—such as the hot chocolate servers that march into the train car and sing and perform amazing acrobatics. And maybe it has to do with that little bit of Christmas magic that everyone remembers around that time of year.

For the purposes of this review, I’ll stick with the tangible assets: such as Tom Hanks (on whom the Conductor’s three-dimensional image was created) and Zemeckis’s headlong pacing. And the knock-your-eyes-out visuals. The story begins in a modest house with the Boy (no name given) lying in bed and waiting on Christmas. At first we don’t know what his problem is, but we quickly figure out that he’s losing his belief in Christmas. He’s even begun to think Santa Claus isn’t real. Nevertheless, he’s lying in his bed waiting to hear Santa’s sleigh arrive.

Instead, with a loud clattering that sets the surround sound system to vibrating and the subwoofer to jumping at its traces like a nervous sled dog, the Polar Express arrives outside. The huge train looks fabulous onscreen, especially in widescreen.

Shocked, the Boy stumbles outside and stares at the train. The Conductor, who looks amazingly like Tom Hanks, steps down and talks with the Boy. He lets him know, more or less, that Santa has noticed the Boy isn’t as trusting of Christmas as he used to be. As a result, Santa has sent the Boy a personal invitation to journey to the North Pole to see for himself.

At first, the Boy refuses, even after he’s found a mysterious ticket in his pocket that he knows was not there a moment before. When the train pulls away, he runs after it and pulls himself aboard, giving in to his need to know.

Aboard the train, the Boy meets other kids a lot like himself, all struggling with believing in Christmas. One of the things the movie can get away with is the lack of names. Not a single character in the movie, other than Santa Claus, gets named. They’re all defined by the traits they exhibit or the functions they fulfill in the plot.

The Boy gets into trouble with the Conductor by pulling the emergency stop lever when another boy wants to ride the train after first refusing the offer. Once the Conductor realizes what the Boy has done, he relents. The next sequence of events, the serving of the hot chocolate, is a cornucopia of special effects and just what a wild imagination given no physical constraints can come up with. It’s a musical piece with impossible movements and choreography that has to be seen to be believed.

In short order, the Boy gets into further trouble. He tries to give the Girl her ticket back after she leaves it, but the wind rips it from his hand. The ticket’s journey overland before it rejoins the train is amazing, a breathtaking sweep of action and camera point-of-view that will thrill young hearts and old.

Back aboard the train, the Boy discovers that the Girl’s ticket has found its way back to the car. He rushes after the Conductor and the Girl, thinking that the Conductor is going to throw her from the train. Only seconds later, the Boy is walking across the tops of the train cars trying to reach the Conductor and the Girl. He encounters the Hobo, who is somehow—unbelievably—making coffee over an open fire. Then begins another sequence of events that keeps viewers on the edges of their seats although they’re pretty sure everything’s going to work out.

Before the train pulls in at the North Pole, the Boy and the audience have both been through several hair-raising adventures and blown away by the sheer imagination of the storytellers.

The video quality of this Blu-ray release of the film is presented on a BD-50 disc.  All the space is needed to fit both a 3-D and 2-D presentation of the film, plus lossless audio and a host of bonus features.  Luckily, the video quality does not suffer.  As a direct digital-to-digital transfer there is not a speck of dust or dirt.  The level of detail is incredible from background to foreground.  Colors are accurate, with the assumption it is intentionally pushed toward blue.  There were choices made in the original coloring and saturation of the film that would not have been my pick, however, in terms of the transfer, it is top notch.

The above really applies to the 2-D presentation.  The red/blue anaglyph 3-D presentation is terrific, leaving the video quality aside.  While not quite as good its studio predecessor, "Journey to the Center of the Earth," this film's 3-D is quite deep.  Architecture and backgrounds are incredibly rich and multi-dimensional.  The characters in the sequences suffer from a "third-eye" phenomenon.  The motion-capture seemingly prevents the red/blue images from being fully put back together.  When watched at a normal distance, characters appear to have a shadow, also known as seeing double.  However, if watched from a farther distance, the image appears correctly.  Also, it is very important with this film that the viewing room remain very dark.  There is some softness present in 3-D images that extend far out from the foreground.  Overall, a great 3-D presentation.  The train ride down the 179 degree train track is awe-inspiring.

Warner has upgraded the Dolby Digital Plus 5.1 audio track on the previous HD DVD release to a Dolby TrueHD 5.1 track.  The soundscape is truly wonderful.  The surround channels are given a bit more clarity than in the Dolby Digital Plus edition.  The discrete effects and panning are enveloping.  The LFE channel also receives benefits from the TrueHD track.  The bass extends deeper and supplements all of the effects and music.  Dialogue is crisp and clear.  Dynamics are also superior to the prior releases.  The soundtrack may be a bit strong for the children, but it is a great presentation.

The disc comes packed with extras. The special effects piece on “You Look Familiar: The Many Polar Faces of Tom Hanks” is informative and fun. "True Inspirations" the profile of author Chris Van Allsburg offers a lot of extra insight as to the original book. Josh Groban’s journey to bring “Believe” to fruition as a song is well chronicled. “Meet the Snow Angels” has various movie crew members talking about their best Christmases.  "A Genuine Ticket to Ride" is a collection of five featurettes that provide informative overviews.  "Flurry of Effects" presents five motion-capture sessions.  Lastly there is a deleted Smokey and Steamer song and a theatrical trailer.

There’s something magic about Christmas. That time of year brings a lot of people together. “The Polar Express” (along with “It’s A Wonderful Life” starring James Stewart) is one of those perfect Christmas movies. It’s made even better if you have kids to share it with while drinking hot chocolate and waiting for Santa to come.  And now that it is presented in 3-D the fun only increases.  With enough pairs of glasses for a whole family, the movie experience with surely be enjoyable this holiday.

Like this article? Bookmark and share with any of the sites below.
Digg!Reddit!!Google!StumbleUpon!Yahoo!Free social bookmarking plugins and extensions for Joomla! websites!
HDTV Guide Advert

  home theater news  |  equipment reviews 
  blu-ray reviews  |  dvd  |  theatrical reviews  
  music download reviews  |  music disc reviews
  contact  |  about-us  |  careers   |  brands 
  RSS   |  AVRev Forums
  front page  |  virtual tours  |  dealer locator
  how to features  |   lifestyle & design articles
  Want Your Home Theater Featured on MHT?
   CE Partners: HDD  |  HDF  |  VGT  |  SD  |  DVD
  Advertise with Us | Specs | Disclaimer | Sponsors
  privacy policy | cookie policy | terms of use
  909 N. Sepulveda Blvd. El Segundo, CA 90245
  Ads: 310.280.4476 | Contact Us
  Content: 310.280.4575 | Mike Flacy