If
the name Dave Navarro doesn’t sound familiar to you, then you need a
brief history lesson in alternative rock. As a founding member of
Jane’s Addiction, Navarro and bandmate Perry Farrell created one of the
bands that pioneered hard alternative rock music. Jane's Addiction has
been a huge influence on nearly all modern-day rockers. Navarro’s
guitar work impressed the Red Hot Chili Peppers so much that, in 1995,
he landed the gig as their replacement guitarist when John Fruciante
left the band. Navarro has since gone back to Jane’s Addiction, but
he’s had songs brewing in his head for many years that he’s wanted to
put on a solo album, and he’s finally realized that dream with his
first solo album, Trust No One.
I had no reason to doubt Navarro's musical talent, but I was surprised
to find that the guitar playing on Trust No One isn’t the best part of
this album -- the singing is. Navarro’s voice is incredibly confident
for his first solo album. He’s sung his fair share of backup vocals
with Jane's Addiction, but this is the first time I’ve heard Navarro up
in front and his voice shows no lack of confidence whatsoever. His
vocal tone is a bit like that of Soundgarden's Chris Cornell, with a
slightly softer edge.
If you are expecting any songs that sound like Jane’s Addiction, you
aren’t going to find them here. Jane’s drummer Steven Perkins lends a
hand on "Not For Nothing," but this song sounds more like distorted
Nine Inch Nails techno than Jane’s Addiction. The majority of the drum
parts on Trust No One are handled by studio musician extraordinaire
Matt Chamberlain, whose resume reads like a Who’s Who of music.
Chamberlain tears through Navarro’s simple arrangements with the ease
and style of a seasoned veteran.
Producer Jon Brion, who let Navarro borrow many of his eclectic music
instruments and studio gear for the album, plays guitar on the track
"Very Little Daylight." Always a sucker for bizarre sounds, Brion plays
a ring modulator guitar that adds a futuristic trippy texture to the
song. Brion also adds vocal texture and plays slide bass on the song
"Mourning Son."
All of the songs on Trust No One are original, except for a dark
grinding cover of "Venus in Furs" by the Velvet Underground. It’s a
song you may have heard before, but it sounds right at home sandwiched
in between Navarro’s own songs. He’s a slightly twisted guy and it
comes across in his songwriting. The lyrics are highly personal and
often disturbing, but not overrun with blatant obscenities. The song
"Hungry" seems to be the tale of his struggle with heroin addiction as
he sings, "Needle and tinfoil, I never thought that I’d be gone/Please
leave me here in the empty world, fall in love with the empty girl/If I
go outside I’ll feel much better/Let me hit myself, I’m starting to
feel." On the song "Everything," the lyrics get even more twisted. " I
wanna taste your saliva, I wish that you were my daughter, I wish that
I was your father, we could keep secrets." Track after track, Navarro
takes us on a wild ride to the darker side of life in short, pop-metal
bursts.
The album’s closer is a melodic acoustic guitar-driven song called
"Slow Motion Sickness." It brings the listener slowly back to the
surface after spending the previous 40 minutes swimming in the depths
of Navarro’s mind. Producer Brendan O’Brien (Pearl Jam, Rage Against
the Machine) lends a hand on this track with some keyboard work and
plays the song’s bass part.
Trust No One is filled with talented musicians and producers, so it’s
no surprise that the album sounds as good as, if not better than, most
modern rock albums. It’s not reference caliber sound and the
songwriting is a little simplistic, but Trust No One is a solo effort
that is surprisingly good. Navarro hasn’t yet bettered the band he came
from like Dave Grohl did with the Foo Fighters (Nirvana fans, spare me
your hate mail), but he has come close with his first try as a solo
artist.
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