Visitors
to Las Vegas usually enjoy a show or two while over there, but few
would likely consider bringing home audio CDs of what they’ve just
seen. However, since Nevada’s often cheesy ‘big town’ hasn’t witnessed
much resembling the aurally and visually adventurous show created by
Blue Man Group before, it makes sense that this particular outfit has
pioneered a recorded exception to this informal showbiz rule. The
Complex is a guest-list-loaded alternative dance/rock album, which
sounds just about as marvelous as Blue Man Group looks.
The Complex spends part of its time deconstructing the whole rock
concert experience. “Time To Start,” for example, is a percussive rock
track that instructs concertgoers on commonly expected audience
behaviors: “I’m at the club/I’m in the crowd all alone/I’m waiting for
the music to come on/’Cause once the song’s begun/The group is one/And
once the song is done/The group is gone.” Such lyrics almost read like
the naïve thoughts David Byrne used to spout back during his Talking
Heads days. “What Is Rock” is yet more words of
rock-concertgoing-wisdom, which comes off a little punky due to Arone
Dyer and Peter Moore’s vocal help. As proof that this group of
blue-colored musicians also knows its pop music history, “White Rabbit”
is included here as a darkly percussive Jefferson Airplane cover, with
guest vocals by Esthero. “I Feel Love” is another cover (this time with
a Donna Summer disco sex song), with Venus Hum on vocals.
Lyrically, there seems to be a lot of amateur psychology going on
within this disc, because when Blue Man Group are not playing concert
scene sociologists, they’re doing a little basic human behavioral
study. “Persona,” which is a slower, nearly balladesque track, has Josh
Haden on vocals describing the faces put on for the world. “Your
Attention” is seemingly about human communication or the lack thereof.
You can just barely hear Spaulding Gray speaking in the background
(listed as “words on the right”) on this hyper-percussive semi-funk
workout, which has a bit of an Eastern feel to it.
Sonically, this album is as much rock as it is dance music. “The
Current” is a trippy rocker, which has Avram Gleitsman singing as it
rolls along like a less anxious Nine Inch Nails number. “Up To The
Roof” is a driving rocker that features Tracy Bonham singing, and “The
Complex” is a slab of insistent rock. “Sing Along” stands out from the
pack, due to its loping, jazzy mood that borders on reggae, featuring
Dave Matthews’ semi-scatted vocal. “Piano Smasher,” a dance-y and
Gothic instrumental, also breaks a tad from form.
Blue Man Group may not have created the stepping stone to rock stardom
with this one release, but these gentlemen certainly haven’t
embarrassed themselves, either. Could this be goodbye Vegas Strip,
hello Sunset Strip?
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