Introduction I
think Ferris Bueller said it best when he said, “Life moves pretty
fast.” I must admit, Ferris’ statement was a bit lost on my then young
ears; however, more than a decade later, his words ring true.
Especially when it comes to the world of consumer electronics. It seems
like just the other day I was being sold on EDTV technology and
insanely long runs of component cable. High definition was just a dream
that was still years away. Then the days of yore turned into yesterday
and high definition was no longer just a dream. It was a whole
different animal, a beast really, and it was now walking among us. All
of a sudden, my once state-of-the-art system was nothing more than a
really expensive picture frame. Well, I upgraded and joined the HD
revolution. I bought the plasma. I got the digital cable. And with my
trusty component cables in hand, I prepared to enjoy all that HD had to
offer. That is, until I learned of HDMI.
But I was happy with component cables (at the time) and
invested heavily into equipment that was component-compatible. I bought
a component-compatible receiver that would not only switch between
multiple component capable sources, but even up-convert the once mighty
composite and S-Video signals to component as well. My DVD player had a
component video output, my VCR (yes, I said VCR) had a component output
– hell, everything I owned was component-compatible. I was dialed in …
at least for a minute. Sure, component cables tended to be bulky and a
bit unruly in tight spaces, but I didn’t care, because I had just
shelled out a whole lot of money for them, and now this new HDMI cable
shows up and I’m supposed to just ditch my trusty red, green and blue
friends? Making matters worse, none of my other gear, minus my new HD
plasma, was HDMI-compatible, either. I was at a loss. One simple cable
was single-handedly tearing my entire system, and world, apart. Before
I went to change everything, again, I took a closer look at this new
“dream” cable they called HDMI.
HDMI
or High Definition Multimedia Interface cables, once a thing of lore,
are now an industry-supported digital standard capable of passing a
truly uncompressed digital signal (both picture and sound) to any
number of modern digital audio/video components. It can handle all
current HD video signals and resolutions up to 1080p, as well as pass
uncompressed multi-channel music data simultaneously through a single
cable. HDMI is currently in its type A form (19-pin connector);
however, there are designs for a type B (29-pin connector) version that
will allow for higher than 1080p signals to be passed. But that’s for
another day, because many consumers haven’t even taken the leap to
HDMI, let alone 1080p-capable sets. One of the benefits of HDMI is that
it will keep the signal completely digital from start to finish,
resulting in a much clearer picture and/or surround sound experience. A
downside to this is technology is that it allows for the software and
entertainment companies to put harsher copy protection protocols on
their wares that at times can cause serious issues between various
HDMI-capable devices, resulting in a degraded experience or, worse, no
experience at all. These “handshake” or HDCP (High-Bandwidth Digital
Content Protection) issues have plagued a number of digital connectors
over the years, even the great HDMI, but it is getting better and over
time should be eliminated altogether.
Once I knew a
little more about HDMI, it seemed worth it to me to upgrade. So I did.
I upgraded everything. While this might have made sense to me, though
my wallet begged to differ, I can’t imagine it making sense to a lot of
consumers who may have just spent hundreds if not thousands on, say, a
receiver or surround sound controller with no HDMI compatibility. It’s
a much more realistic expectation for consumers to upgrade to HDMI
components over time, starting with the easiest and/or most inexpensive
options first, mainly digital set-top boxes and/or DVD players.
However, if your current HD set only has one HDMI input, this leaves
you in quite a pickle, unless of course you invest in an HDMI switcher.
Video switchers are nothing new. For years they have evolved from
composite video to S-video to even component-compatible. HDMI switching
was the next logical step. A few companies have stepped up to the plate
by creating such a device. One such manufacturer is Radiient.
Radiient’s HDMI switcher, the Select-4, has a few more things going for
it than the competition, mainly being designed by one of the very men
who helped pioneer and design HDMI itself, Jano Banks. It doesn’t hurt
that the Select-4 is also the brainchild of former DVDO Chairman and
video engineer David Buuck. Together, Buuck and Banks founded Radiient
in 2005 and have been creating numerous products, mainly loudspeakers,
for the budget-conscious consumer market ever since.
Features
The
Select-4 is a simple device, to say the least. Measuring in at just
under eight-and-a-half inches wide by five-and-a-half inches deep and a
little shy of two inches tall, there’s no mistaking the Select-4 for
anything but a switcher. It’s lightweight, roughly one pound, which
makes it even easier to place in an equipment rack. With a retail price
of $399.00 direct, it’s also a cost-efficient way to step up to HDMI
without having to pawn off the good china. Visually, the Select-4 is
pretty basic, while still slick-looking. There is a main power switch
off to the far left of the case, with four oval-shaped lights labeled
one through four resting below the Select-4’s remote control cradle.
Rounding out the Select-4’s faceplate is the toggle switch located in
the far right corner, which allows the user to quickly swap between any
of the four HDMI inputs. Turning my attention aft, I noticed the
Select-4’s RS-232 port, which allows the switcher to be integrated into
a bevy of automated control products and/or audio/video systems. Next
to the RS-232 port is the Select-4’s four HDMI inputs, with the single
HDMI output resting just to the right. Lastly, there is the Select-4’s
DC power input, which attaches the switcher to a wall-wart-style
plug/power supply that gives potential buyers plenty of leeway when it
comes to placing the Select-4 in their respective racks.
Inside,
the Select-4 boasts an impressive set of features, most notably full
HDCP support for all HD resolutions, including 1080p and UXGA. The
Select-4 can also switch between, repeat and/or boost (up to 100 feet)
the signal of any HDMI, HDMI/HDCP, DVI and DVI/HDCP-compatible cable.
The Select-4 can be used with any HDMI-capable device, ranging from
your standard DVD player to your PC.
Something
that came as a bit of a surprise was the inclusion of not one but two
remotes, which allow the consumer to switch effortlessly between HDMI
inputs from the comfort of a favorite listening chair or sofa. Focusing
on what Radiient refers to as the “standard” remote, I found it to be
rather cute. It actually reminded me of the old Krell remotes in that
it’s about the size of a credit card and maybe twice as thick,
featuring a simple green on/off switch and a select button. With the
standard remote, the user will have to press the select button a few
times to get to the appropriate input. However, if you’re looking for a
more direct approach, there’s always the “pro” remote. The pro remote
is the same size as the standard version, yet it provides a whole new
level of control. For starters, each of the four HDMI inputs is
directly selectable via the remote’s dedicated buttons. Also, there are
two buttons that allow you to cycle through the inputs either left to
right or right to left. There are also on/off buttons for the
Select-4’s auto-sensing circuit, which oddly enough would negate the
need for either of the remotes altogether, unless of course you’re a
reviewer and like to switch sources on the fly. There are also buttons
to turn your display on and off and, while these will not physically
cut the power to your plasma or LCD screen, they will stop the flow of
data to your display from the Select-4. Think of it a lot like putting
a kink in a garden hose; the water is still flowing, but nothing seems
to be coming out. Of the two remotes, I preferred the Select-4’s pro
version, but it’s always nice to have a back-up.