Introduction This DVD player/Dolby Digital receiver combo offers an integrated all-in-one box solution offered at a list price of $499.99.
When I first heard of the DVS3000, and was subsequently assigned to
review the product, I thought that it was just a matter of time before
we started seeing this type of unit arriving on the home theater scene.
I wondered what would be next: mini-stack/executive-style systems?
Probably. For now, we'll concentrate on present-day activities
involving the DVS3000, also known as Power3.
To begin by describing a few of its basic features, the DVS3000's
integrated receiver offers a 200-watt amplifier section, which breaks
down to 40 watts per channel. The amplifier has a frequency response
rating of 10 Hz - 20 kHz, with a signal to noise ratio of 72 dB, with
total harmonic distortion of 0.07%. As far as audio processing goes,
the DVS3000 delivers 24-bit/96 kHz playback and a Dolby Digital decoder
for 5.1 signal processing applications, as well as a Dolby ProLogic
decoder. The video section offers 500 lines of video resolution and
utilizes a 10-bit video digital-to-analog converter. In addition, this
unit contains a 27 MHz digital filter. For those of you new to the
world of DVD, the picture quality is more than twice the resolution you
get from standard VHS video. The unit is compatible with DVD, CD and
video CD formats, hence the Power3 nickname.
The DVS3000's front panel is clean and concise, containing a power
on/off button, standby lamp, and play/pause – skip/search buttons. Also
included are the DVD, VCR and AUX (TV) buttons. Volume and disc tray
controls are also included. The back panel hosts the following inputs:
composite VCR input and RCA aux input pairs (right and left). The
output section contains five channel output terminals (right and left
mains, center, right and left surround), subwoofer pre-out (for
connecting to a powered subwoofer), composite audio/video output and
S-Video output.
Sensory Science also includes a multi-brand remote control that has
been coded to control some of the more popular components on the market.
Evaluation After
reviewing the main features and specifications, I decided to hook up
the DVS3000 in my office. Setting the unit up was a no-brainer. I used
the Mirage AVS-Series for speaker reference. This is a compact
five-channel home theater system that includes a powered subwoofer. I
patched in my Proscan VCR into the VCR inputs, the audio outs from my
cable box into the aux pairs input and took the S-video and audio/video
output to my Sony TV. All in all, it took all of 10 minutes. I think my
mother-in-law could have done it in 20 minutes.
I began
reviewing software from the analog side of the home theater food chain,
namely the Dolby ProLogic applications. If you're anything like me, you
have a collection of VHS tapes from yester-year. I though I would start
things off with one of my favorites, ‘The Shawshank Redemption’ (Warner
Bros.). The sound wasn't the 5.1 digital quality that I've grown
accustomed to in the past few years, but it was still pretty accurate.
In the opening scene, Tim Robbins' character unwraps a pistol he is
hiding in a rag. I could hear the bullets shifting position as he
reached for a pint of bourbon. One problem: I had to lean on the volume
pretty hard to catch these nuances. Could there be a power shortage
within the amplifier section? It was now time to move up the home
theater chain to see how big a bite the digital processing section
would have during DVD playback.
My
first DVD sampling is one of my favorites for putting systems to the
test, ‘Saving Private Ryan’ (Dreamworks/Paramount). The unit kept pace
as the soldiers stormed the Dog Green Sector of Omaha Beach – bombs’
bursting red glare and all that stuff. If you haven't seen this movie,
skip the next couple of lines. Towards the end of the movie, a
"tank-busting" plane swoops overhead. The visual performance of the
DVS3000 under attack was indeed satisfying. However, the extreme detail
that I have found while reviewing separate components was missing in
action, specifically at lower listening levels. Keeping with the
wartime motif, I slid in ‘Three Kings’ (Warner Bros.). This movie
incorporates a variety of visual styles. The unit reproduced the
contrasting optical features with relative ease and stability.
It
was now time for the two-channel application. I decided my first
selection would be Everclear's ‘Songs From An American Movie’
(Emd/Capitol). The silky tonal, Cranberries-like sound of the Van
Morrison cover "Brown-Eyed Girl" was pretty clean and fairly
natural-sounding, but only fairly. Once again, the detail faded at
lower listening levels - even cranked up, the sound was a little thin.
Shifting gears from the somewhat retro style of Everclear, I turned to
Macy Gray's ‘On How Life Is’ (Sony/Epic). From the funky syncopation on
the cut "Why Didn't You Call Me" to the ever-popular ballad "I try,"
the DVS3000 sounded and performed well. However, when I removed the
disc, I noticed that it felt pretty warm. The unit tends to operate a
little on the hot side.
Even though you won't find some
of the bells, whistles and technical performance that you’d get with
more expensive separate components, the DVS3000 ships with a full
assortment of cables to get you started, even an S-video cable - very
thoughtful on Sensory Science's part. The documentation on the unit is
comprehensive and easy to follow, which makes hooking everything
together a snap. Just add speakers.
The Downside
Although I enjoyed playing around with the DVS3000, there are a few
drawbacks, or rather, I should say, a few vital ingredients missing.
First, in the amplification department, 40 watts per channel is a
little light. Most stand-alone receivers offer more power. Next, there
isn't a DTS decoder on board. In fact, there isn't a digital audio
input either. Therefore, if you wanted to expand your system to accept
s true DTS signal, there is no way to patch into a DTS decoder. Not
only that, if you wanted to hook up DSS, you'd be out of luck for a 5.1
feed. Finally, the DVS3000 does not have component output jacks. So if
you were planning to upgrade your TV to a HDTV, you wouldn't be able to
enjoy the full capability. However, there is a work-around solution for
this particular issue: move up a level to the DVS3100, which has
component outputs.
Conclusion
At first glance, I believed the DVS3000 might be a decent solution for
someone just entering the home theater market, but I was wrong. With
the lack of upgradability, I really can't advise it. Not only that, at
the unit's price point, you could afford to buy separate components
that are DTS compatible and more DSS friendly – not to mention more
powerful. For those of you who want to enter the home theater arena,
and are dead-set on going with an all-in-one unit, wait a little
longer. AudioRevolution.com has reported that in September, 2000, Sony
will be introducing a complete micro-system called the Dream System
that will be DTS compatible, has digital inputs and is packaged with a
tiny 5.1 speaker setup for $599.
At second glance, the DVS3000 could be used as a secondary source
application. It may be well suited for someone who already has gotten
their feet wet in the home theater pool and is looking for a second
unit, perhaps for a bedroom or even a dorm room.
Sensory Science has definitely found a niche with the DVS3000, even
though it might be a narrow one. To the high school graduating class of
2000, this may be the perfect gift from Mom and Dad. Past that, this
thing just isn't happening.
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