Introduction The
DC-1 is the flagship digital controller from Lexicon, a long time
leader in digital processing technology. It is a combination
preamplifier, A/V switcher, D-to-A converter (24-bit Delta Sigma) and
digital processor whose design makes it possible to come in a variety
of configurations. A fully loaded DC-1 incorporates Dolby Digital, DTS
and THX processes.
The DC-1 continues to provide Pro
Logic along with other surround processes for videotapes, TV
programming and other source materials without DTS or Dolby Digital
encoding. Several DSP (digital signal processing) modes are provided
for adding ambience to stereo and monaural sources. All signal
processing, including filters, EQ and crossovers, are performed in the
digital domain.
The DC-1 also employs Lexicon's patented Logic 7 technology, which
takes as low as a two-channel signal and digitally processes it to
produce a discreet, multi-channel, full bandwidth surround signal.
Logic 7 is included on many of the DC-1's surround parameters and can
be enjoyed by listeners with as few as four loudspeakers.
Installation & Setup
It will probably take you at least an hour, possibly longer, to set up
the DC-1 properly. Even after your initial set-up, you'll probably
tweak your DC-1 several times before you get it exactly the way you
want it. If you've never used a sophisticated 5.1 processor before, you
may find the setup procedure initially awkward, but once you get a feel
for the four position keys on the remote that cycles through all of the
options, it should become less of a challenge.
While there are eight analog audio inputs, five video inputs (five
composite, three S-video) and four digital audio inputs (two toslink
and two coax), the DC-1 only has a total of eight, usable inputs. When
you go through the Input Configuration setup, assign each input a
specific `Audio In' and `Video In'. For example, assume you assign your
DVD player to the input labeled `AUX'. It makes sense that the
associated "Video In" will be the `AUX' video input. If you didn't want
to use the `AUX' analog audio input, then you are probably using one of
the four digital inputs. So for "Audio In", you might assign Coax-2.
For me, this part of the setup was a little confusing at first, but not
terribly difficult to figure out as the manual steps you through the
setup procedure quite effectively.
The inputs do have a factory assigned name, but they also have the
ability to be customized. Continuing with our example setup, if you
assign the name DVD to the `AUX' input, it will be displayed as DVD in
the LCD panel whenever you select the `AUX' input. Just make a note to
remember what names you've assigned to your inputs since the selection
buttons on the front panel and the remote are labeled only with the
factory assigned names.
Any input can be defined as a tape monitor, or blocked from the second
zone output. In addition, inputs can be configured to enable a 12v
trigger to activate external devices, such as projection screens,
lighting controllers or even drapes. Power control interconnects make
it possible to switch the entire system on or off with the press of a
single button.
The Speaker Configuration menu provides a wide range of adjustments
depending on speaker placement and room parameters. If you are not
using full range speakers, it's possible to set a crossover point to
redistribute low frequency information to separate subwoofers.
An essential function in the setup process is the Time Alignment
adjustment in the Listener Position. The Time Alignment setting
electronically aligns all of the loudspeakers in your system to ensure
accurate signal arrival times at the listening position. It was
necessary to measure the distance from the primary listening position
to the front of each speaker. These measurements were entered into the
DC-1 and the proper alignment was automatically calculated, resulting
in a smooth and balanced front speaker array. A specific effect can be
assigned to each input. Let's say you assign the effect labeled THX 5.1
to the input associated to the DVD player. Every time you play a DVD,
the system will automatically default to THX 5.1. Once the source
material is in playback, you can then change the effect to something
else if you prefer, by scrolling through the effects.
The DC-1 provides outputs for front, center, rear and side speakers,
plus a subwoofer. An internal test tone can be used to set the output
levels. An external noise test setting is also provided if you use some
other source, such as a test tone CD, for adjusting output levels.
Since Dolby Digital and DTS encoded soundtracks produce increased low
frequency signals, the DC-1 incorporates a subwoofer peak limiter to
prevent clipping.
Adding the LDD-1 The
LDD-I is a separate RF demodulator and a required add-on component if
you plan to play Dolby Digital encoded Laserdiscs. (Only Laserdiscs
require a RF demodulator to playback Dolby Digital encoded material.)
The separate component keeps potential RF interference out of the
preamp/processor's signal path, eliminating degradation of D-to-A
conversion and analog signals. Interfacing the LDD-1 with the DC-1 is
very simple and it automatically comes on when the DC-1 is fired up.
Dolby Digital and DTS Settings There
are several effects on the DC-1, relating to Dolby Digital and DTS
encoded sources. The 5.1 Two-Channel (AC-3) and DTS Two-Channel
settings mix the 5.1 information into two channels for stereo playback.
The DTS Music setting is best used for DTS encoded music recordings or
film soundtracks with heavy musical content. The same function, 5.1
Music, exists for Dolby Digital sources. The standard Dolby Digital and
DTS Film settings do not incorporate any Lexicon or THX enhancements.
The THX 5.1 (AC-3) and DTS THX 5.1 settings add THX enhancement,
incorporating the patented technologies of re-equalization, timbre
matching and decorrelation. Re-equalization prevents films from
sounding too bright and decorrelation increases spaciousness to
monaural rear channel effects. Timbre Matching, smoothes front to rear,
as well as split surround pans for a natural, continuous and cohesive
soundfield. THX processing is designed to compensate for the acoustical
differences between the original dubbing stage where the movie was
mixed and the typical home theater environment. The 5.1 Logic 7
combines Dolby Digital, THX features and Lexicon's proprietary Logic 7
matrix technology, which enhances the steering between the side and
rear speakers, for a fuller 360 degree soundfield. The DTS Logic 7
setting provides the same enhancement for DTS encoded sources.