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Manley Neo-Classic SE/PP 300B Monoblock Amplifier Review  Print E-mail
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Written by Andre Marc   
Wednesday, 27 October 2010
Article Index
Manley Neo-Classic SE/PP 300B Monoblock Amplifier Review 
Listening Continued and Conclusion
Interview with Chris Dauray of Manley Labs


AVRev: Can you tell us what role you play at Manley and how you got started in a career in high end audio?

Chris Dauray: What role do I play? Well, we all wear many hats over here. I started out at Manley in the summer of 2003 while on summer break from college on the east coast. I was studying music - performance, composition, theory, and recording - and this was a family business already, so it was the logical choice for me. My grandfather (EveAnna's dad) used to own Ampeg back in the late '60s, so the behind-the-scenes of the music biz was already firmly implanted in me. That summer was the beginning of it all. I spent the following summers in Chino learning to solder, wind transformers, test tubes, and fix gear, and I moved to LA permanently in 2006 after I graduated from college.

So what do I do now...for the last few years I've been hand-building our microphones, and working with EveAnna extensively on our marketing and sales projects for both Hi-fi and Pro gear. Trade shows are a big part of it as well, and I'm moving towards doing the marketing and advertising thing full-time. This is partially because I really, really love fonts.

AVRev: Why do you think tube amps are still around and as considering solid state technology has advanced tremendously from its beginnings?

Chris Dauray: I think part of it is science, and part of it is culture. Science-wise: A vacuum tube is a more inherently linear device for voltage amplification than a transistor in a similar circuit. Transient content is better-preserved, because less global feedback is needed to correct for non-linearity. Also, the gigantic potential energy storage in the power supply of a tube amp gives these transients room to breathe. This transient content is where so much of the music is; overtones are what make up the texture and nuance of an instrument, and that texture is vital to accurate and musical sound reproduction. That's the short answer.

From a cultural standpoint, there's a certain allure to tubes that has not gone away - nor do I believe it will in the foreseeable future. Guitar players have always loved tubes because it's simply more FUN and engaging to play a guitar through a responsive tube amp. They clip gracefully (unlike solid-state circuits), and have a magic to them that may sometimes be intangible, but is almost always recognized. Plus, think of it this way - it takes no small amount of effort and money to build a good tube amp (quality parts are expensive!), so *generally* one can assume these manufacturers care about their product, and not just about how much money it's making them. I think people appreciate companies that really BELIEVE in what they do and have a REASON for why they do it.

AVRev: Manley has a reputation of making very fairly priced, superbly built gear. What is the secret?

Chris Dauray:  It's funny you should say that, because we (as a company) inhabit two very different worlds. In the realm of professional audio, we build some of the highest-quality, priciest gear available. In the hi-fi world, our equipment is FAR from the most expensive, though our quality standards remain the same.

It comes down to a philosophy: End users deserve honest, realistic pricing, and we try very hard to give them that. Our pricing structure is the same in both the hi-fi and pro markets - the pricing is fair for everyone. We make a little money, our distributors make a little money, and our dealers make a little money. We don't believe in monstrous markups and ridiculous margins. Our pro audio customers (who use our equipment to make a living) wouldn't tolerate it, so why should our hi-fi customers?

AVRev: Lastly, vinyl or digital? And What does your dream system look like?

Chris Dauray:  Definitely 50/50. I stream music and TV and movies at my house. I'm in the car for 2-3 hours a day (turns out LA has traffic?), and my iPhone is vital to my well-being. Carrying hundreds of albums in my pocket in lossless formats to enjoy in my car, at my desk, on a plane....it's priceless. Can't beat the convenience factor.

WITH THAT SAID: When I get home after a long day, the only thing I want to do is listen to my vinyl through my tube amp and my Tannoys and have a glass of wine. That is unwinding at its finest, bar none.

Dream system, eh? Well, I've currently got a Manley Stingray and some little Tannoys...honestly, I'm really quite content. I like simplicity. I suppose some day I'd like to upgrade to larger tube monoblocks and a pair of more powerful speakers. I do love those big Tannoy Churchills...but I need a bigger room first. :)


Specifications

  • Price: $7200 per pair
  • Vacuum Tubes: 2 x 300B (Output), 1 x 6SN7 (Driver), 1 x 6SL7 (Input), 2 x 5U4 (Rectifier)
  • Dimensions: W= 8.5, D= 23, H= 9 inches, Including projecting controls and parts
  • Minimum Mounting Surface Dimensions:  Feet Footprint = W= 7.5" D= 18"
  • Shipping Weight: 41 lbs.  Each.

Contact Info

Manley Laboratories, Inc.
13880 Magnolia Ave.
Chino, CA 91710 USA
www.manley.com
(909) 627-4256


Playlist

  • Seal-System:Warner Bros, 2007
  • Bert Jansch-Crimson Moon:Sanctuary, 2000
  • Robin Trower & Jack Bruce: BLT/Truce, BGO-1998
  • Johnny Mathis-The Ultimate Hits Collection: Columbia, 1998
  • Elvis Costello-when is was cruel:Island, 2002


Reviewer's Equipment

System 1:

  • CD Player: Naim CD5 XS with Flatcap 2X,
  • Preamp: Audio Research SP16, McIntosh MA6600 (Preamp secton)
  • Amplifier: Audio Research VS55,
  • Speaker: Harbeth Compact 7ES3, Audience 2 + 2
  • Cables: DH Labs, RS Cables, Kimber/QED/Acoustic Zen (AC)/Transparent (AC)/Element Cable, Shunyata, Pangea, Audience
  • Accessories: Symposium Rollerblocks, Shakti Stone, Sound Anchors stands, Timbernation platform, CablePro Noisetrapper


System 2:

  • CD Player: Marantz 5003
  • Music Server: Squeezebox 3
  • DAC: CIA VDA-2 with VAC-1 Power Supply
  • Tape Deck: Revox A77, Edirol 96/24 WAV recorder
  • Preamp: Belles Soloist 3
  • Amplifier: Belles Soloist 5
  • Speaker: Spendor S3/5R
  • Cables: Kimber/QED/Transparant/Shunyata(AC)/PS Audio(AC), Pangea Audio, RS Cables, Element Cables.
   Comments
Add New | Search
  
Kenny Adekoya  - LUXURY AUTOMOBILE CONSULTANT/AUDIOPHILE   |2010-11-01 16:08:29
HELLO CHRIS & EVEANNA.YOUR ANSWERS TO AVREV WERE RIGHT TO THE POINTS.I OWN THE
BIG MANLEY AMPS(NEO-CLASSIC 500'S AND THE THE WAVE PRE-AMP& THE STEELHEAD PHONO
STAGE. THESE ARE THE BEST AMPS,PREAMP AND PHONE STAGES I HAVE EVER LISTENED TO.
THESE AMPS MAKE MY MEADOWLARK NIGHTINGALES TAKE ME TO PLACES I NEVER IMAGINED.
THIS COMPANY MAKES ONE THE BEST IF NOT THE BEST TUBE AMPLIFIERS EVER.MANLEY AND
EVEANNA CAN DO NO WRONG IN THE HIFI WORLD. THIS JUST MY OPINION. REGARDS,KENNY
A.
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