Introduction MartinLogan
is a company known for making high-end electrostatic speakers, a field
which they have dominated for many years. Audio Revolution has reviewed
many of their products over the years due to their value and
competitive entry price into the true high end of music and theater
reproduction. Up until recently, owners of MartinLogan speakers have
been forced to find a subwoofer to complement their speakers from the
other manufacturers. This all changed with MartinLogan’s
much-anticipated release of the Descent subwoofer, which retails for
$2,795.
MartinLogan spent approximately eight years in development of this
offering. I recall seeing a prototype at least three years ago and was
quite excited when I learned a copy of the finished product would be
heading my way. The release of a subwoofer by MartinLogan is a
significant step into new territory, as the electrostatic speakers the
company is known for are notoriously difficult to blend with a
subwoofer. This is due to the speaker’s speed and detail, traits not
normally found in a subwoofer, whose primary job is to move large
volumes of air, more brute force than a finesse job.
The question at hand: can the Descent keep up with the speakers it has been designed to complement?
MartinLogan didn’t invent electrostatic speakers. However, the company
was the first to make them user-friendly and to supply full-range
speakers in a reasonable size that would fit in contemporary homes.
MartinLogan achieved this with their hybrid designs, combining the
electrostatic panels with conventional bass drivers. This gave the
speakers the detail and quickness we all love in the electrostatic
panels, and the efficiency and impact of conventional drivers. The
problem with this is that electrostatic panels are lightning fast as
they have minimal mass, and conventional drivers can be slower, which
can cause a blending issue. In early MartinLogan speakers like the
famous CLS, you could sometimes hear a discontinuity between the high-
and midrange frequencies and that of the low frequency due to this
issue. Over the years, MartinLogan has corrected this and now have
beautifully integrated hybrid electrostatic speakers. Yet matching
someone else’s sub is a whole other issue. Arguably, with the launch of
the Descent, it is an issue you no longer need to worry about.
The Descent is the first subwoofer and the biggest of the three
subwoofers currently in MartinLogan’s line. Despite weighing 95 pounds,
the Descent is only 21 inches high, 20 inches wide and 18.25 inches
deep. When viewed from the top, this fairly compact package is shaped
like a hexagon. It has six panels, three smaller and three larger. The
three larger panels are set 120 degrees apart from one another,
supporting a 10-inch aluminum alloy driver in each, with one facing
forward. Above the forward-facing driver, hidden by the grille cloth,
is a simple control panel with a four-position phase switch, power
switch, a level control, a two-position low pass filter control, a
level control and, lastly, a switch to control the illuminated “M” logo
at the top of the grille. The small back panel hosts the connections,
an IEC power cord receptacle, single-ended stereo inputs, balanced and
single-ended LFE inputs and a single-ended output to loop to an
additional subwoofer. The top panel of the Descent is interchangeable
and is available in a variety of beautiful wood finishes. The whole
package is compact and attractive enough to be mistaken for an end
table, as it was by several visitors to my home. Even before I heard a
peep from the Descent in terms of music and movies, it was earning a
positive review from my girlfriend as it replaced the huge black box
that had previously served the sub frequencies. The Technology There
is no question that MartinLogan is one of the industry’s true
innovators and the Descent upholds this tradition. In an effort to
minimize unwanted sonic resonances that will color the sound of any
speaker and, most notably, will cloud the sound of your sub
information, MartinLogan has incorporated what they call “Balanced
Force” technology into the equation. Three drivers are placed 120
degrees apart in equal phase. Because they are in exact opposition, the
drivers essentially oppose each other’s forces, causing resonate
cancellation. Additionally, this serves to make the cabinet stronger,
as all forces work against one another.
This
concept was born in MartinLogan’s $70,000 Statement E2 speakers. The
Balanced Force configuration was found to reduce cabinet noise and bass
smearing or fuzziness by giving the drivers a more stable and quiet
platform for their operation. The wood utilized in the cabinet
construction is an especially dense Canadian version of MDF known as
Ranger Board. The end result is a very quiet and inert cabinet.
MartinLogan doesn’t stop there in making sure the drivers are
accurately controlled. The amplifier is capable of 400 watts RMS with
800-watt peaks and is connected to the drivers through a servo circuit.
The servo circuit constantly measures the actual movement of the
drivers and compares their movement to the incoming signal, making the
necessary adjustments to insure that the output of the drivers matches
the signal. This is said to result in a three-to-tenfold reduction in
distortion over a traditional dynamic driver circuit. The Descent has a
rated frequency response of 20 – 150 Hz, +/- 3 dB.
Set-up The
Descent was easy to set up in my home theater. I physically placed the
unit close to the front wall, between my MartinLogan Theater center
channel and Odyssey right channel. I connected the Descent to my
theater system’s processor via its single-ended LFE input. I adjusted
the level using the processor’s test tones and a sound pressure level
meter.
For those who are mortally afraid of instruction
manuals, MartinLogan has a quick set-up card that you will find hanging
off the front panel. Less than a minute’s worth of reading will provide
you with enough information to get the Descent up and running. While it
is not necessary, I strongly recommend reading the well-written owner’s
manual, as it gives good advice about placement and settings.