Introduction Cello
Stradivari Legends are a $7000, 3-way dynamic loudspeaker system
inspired by the cabinet style made famous by the legendary AR3
loudspeakers of the mid 1960's. Cello, the brainchild of Mr. Mark
Levinson since 1984, builds rounded corner, exotic wood finished
loudspeakers that utilize a highly efficient crossover with a
compliment of three Dyn Audio drivers (a 1 inch tweeter, a 3 inch dome
mid range and a 12 inch woofer). The cabinet is dampened by the
internal use of a thin, green composite also used by NASA space
shuttles, thus knocking on the cabinet is a futile exercise in that it
lacks any significant resonance.
Legends
are 26.5 inches tall, 14 inches wide and 12 inches deep, thus they need
the help of a Cello/Lovan six prong, lead shot filled ($700) speaker
stand to fit into a standard audio or theater system. Cello showrooms
will make custom angled Legends that can either sit on the floor or
mount to the ceiling, or they will build you a kit that will retrofit
Legends directly into your wall. Whether you want your Legends painted
in a custom color, housed in a super exotic wood finish or completely
hidden in the wall, Cello Ltd. and the Cello dealers can provide you a
solution.
Hooking up Legends necessitates the use
of one of two varieties of Cellostring cables or using some sort of
jumper system to accommodate for standard high end cables on the
tri-wire connections for the loudspeaker. Cellostring CS II cables are
priced at $555 for 3 meters and Cellostring CS III, their best grade of
speaker cable, is priced at $2000 for 3 meters. I used Cellostring CS
II over my Transparent Reference speaker cables on my Legends primarily
because the Cellostrings are perfectly angled to fit the recessed
terminal of the Legends. Cellostrings use no networks or other types of
signal augmentation in the cables. The idea is that if you want to
change the sound of your system for a recording you would use either a
Palette Preamp or an Audio Palette tone control.
Cello
Stradivari Legends are one of the single best loudspeakers I have ever
heard. They are incredibly dynamic (94 dB efficient) but never
overpowering. They can play at huge volumes for rock or home theater
material and rarely distract you from the emotional content of the
performance.
My
reference system represents somewhat of a political problem based on
the fact that I use all Madrigal electronics including a Mark Levinson
No. 333 amplifier, a Mark Levinson No. 38s preamp, and a Mark Levinson
No. 36s DAC with Transparent interconnects and a Theta Data Basic II CD
Transport. The politics refer to the fact that Mr. Levinson and Mark
Levinson electronics used to be one until 1982 but are now in no way
associated. Cello Stradivari Legends are ideally accompanied by the
"Cello Baby" system including the $9500 Cello Duet 350 amplifier and
the $8500 Cello Palette Preamp (and tone control). I have heard the
Cello Baby system many times and it is quite impressive, perhaps
slightly more impressive than my system because of the fact that Cello
gear is optimally designed to work in unison, from DAC to speakers and
room treatments.
The real power of Legends is the fact that they can be used to achieve
Cello performance without having a blockbuster budget. The results you
can achieve with Cello Stradivari Legends and an Aragon or Anthem
amplification system can be astonishing without breaking the bank. Is
it as good as a Cello Baby system? Of course not, however this downward
compatibility makes the Legends a great value in that you can outline a
sensible upgrade path to the promised land of all Cello without having
to take all of the steps at once. The Cello showrooms are also very
generous when trading up Cello "component" products like Legends to
Cello Reference products. They will frequently return to you, 100
percent of what you paid towards a reference upgrade.
The Sound Cello
equipment is used in some of the world's most exclusive, high dollar
mastering studios. One might argue you can't get closer to music or
film soundtrack in playback as mastering engineers at Sony Music New
York, Image Entertainment and Pope Music use Cello systems (including
Cello loudspeakers) to make some of the world's best sounding platinum
records and film soundtracks.
Pope
Music's Mozart No. 25 in G Minor (kv 183) is an excellent example of a
Cello mastered reference cut. Other than on the Cello Reference System
have I never heard a Mozart performance sound more convincingly
realistic than on this cut via the Legends. The strings were
dynamically detailed with a tonal balance that made it possible for me
to truly suspend my disbelief.
"Angel
of Mercy" by Captain Luke is the most compelling cut from the Tim Duffy
recorded and Mark Levinson mastered, Music Makers Foundation Patron's
Sampler CD. Tim Duffy, on location with a DAT machine and a $90 mic has
befriended and recorded the last of the American, living blues legends
and released their music on a number of CDs starting with this sampler.
This cut absolutely floored me the first time I played it. The presence
on Captain Luke's voice is like no high end system you can buy. The
timbre of Captain Luke's voice is filled with a harmonic content. This
is the kind of sound normally, reserved only for live performances, not
stereo playback. In this case you may ask the age old question, "It
live or Cello?"
Ricky
Lee Jones' "Dat Dere" from the Pop Pop album (Geffen) tested how the
Legends could do with a multi-track, multi-mic, non-Cello studio
recording and the Legends did very, very well. The percussive elements
of the track were placed specifically across the soundstage and had a
three dimentionality to them that is rare to find in a loudspeaker. On
lesser systems one cannot hear the vocal harmonies in this cut; however
with the Cello Stradivari Legends you can not only hear them, but
easily discern each different vocal part.
To
test a large ensemble piece I selected Lyle Lovitt's "Church Song" from
his Joshua Judges Ruth album (MCA). This cut just took these speakers
over the top. The depth of field in the soundstage and resolution with
the choir and backup musicians was unprecedented in my system. The
piano tone, the tightness of the standup bass and the presence on
Lyle's vocals--plus the overall resolution on this cut--elevates the
Cello Stradivari Legend to a high level of performance that few
loudspeakers have ever achieved.
Conclusion
Cello
Stradivari Legends far from perfect. I don't like the fact that the
Legends are a $7000 speaker system that need $700 stands which provide
no serious way to adhere the speaker to the stand. Blue Tac, that
gooey, silly putty-esq, hardware store solution, is great for
geologically stable systems, but for my system in West Hollywood, I
need to keep my fingers crossed, hoping for a minimum of seismic
activity. Also, if you have small children crawling around the house,
you can forget Legends, one little push and you will have to test out
your Cello lifetime limited warranty. A solution to this dilemma is to
step up to the Stradivari Legend's bigger brother, the Cello Stradivari
Premier ($12,000), which is a floor standing version of the Legend
which is far more stable, needing no stand and providing deeper bass.
In
comparison to other high dollar, high performance loudspeakers that sit
on stands like Wilson Cubs, Revels, Sonus Fabers and B&W's, the
Legends aesthetically fall way short. The competition has color matched
and stylized stands that gives a much nicer uniform look and adhere to
the loudspeaker in a much more efficient way. Additionally, the
tri-wire speaker terminals are great if your using Cellostring cables,
but if your are working your way out of a high end system that uses
high quality cables towards the promised land of Cello you may not be
able to justify an additional $555 (or up to $2000) for speaker cables
on top of the $7700 investment you made to get the speakers and stands.
Currently, there are
only two Cello showrooms where you can audition Legends, New York with
Mark Levinson and Los Angeles with Joe Cali. However, Cello is opening
up more showrooms reportedly in Houston, Miami, San Francisco, and
elsewhere. You may have to travel to hear the Legends or at least
coerce Mark or Joe to have a pair sent to you for audition. Either way
it is well worth it.
All
nitpicking aside, The Cello Stradivari Legends are one of the most high
performance and flexible loudspeakers ever built. The Cello dealers
will bend over backwards to make your system perform to the highest
level your budget can afford. Whatever it takes they will do it, be it
room treatments, custom finishes or providing you with the demo of your
life at a Cello showroom. The value of the Legends is high in that
these speakers allow you the ability to work your way into a true Cello
system at your own pace. You can add a Palette Preamp and Duet 350 at
your when your ready, based on the fact that Legends will perform well
even with non-Cello electronics. If your considering speakers in the
$8000 price range, I highly recommend you fly, drive, walk or take a
taxi to an authorized Cello dealer to audition the Legends.
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