|Totem Dreamcatcher Review|
|Home Theater Loudspeakers Bookshelf/Monitor Loudspeakers|
|Written by Andre Marc|
|Monday, 12 September 2011|
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Totem Acoustic is based in Montreal, Canada. The company was founded in 1987, and makes a complete line of well reviewed loudspeakers ranging from in wall to full range floor standers. I had heard much about Totem products, but up until recently I have not had an opportunity to spend any time with them. That all changed when I got the chance to review a pair of the Totem Dreamcatchers, the smallest speaker in the line. The Dreamcatchers retail for $575 for the standard finishes Mahogany and Black Ash, with additional cost for premium finishes, which include Cherry and Satin White.
The Dreamcatchers are indeed small, yet very attractive. They measure 5.1” x 11.3 “ x 7.1” and weigh around ten pounds each. They are two way and, interestingly, bi-wirable. There is also a rear-firing port. The 1" titanium dome tweete made by German Acoustik, works with a 4" Scan-Speak woofer. The speaker is rated at 4 ohms, sensitivity is around 87 db, and frequency response is a surprising 57Hz–25kHz. According to Totem, the Dreamcatchers offer the following features: “high-performance, acoustical finish, large-gauge air core coils, high-level point source imaging, full mono-shell, hand-assembled chassis,lock mitered cabinet joints,exclusive, hardwired crossover, solid twin-pair, gold-plated terminals, and no-compromise drivers.”
Set Up & Listening:
Totem recommends 40 to 50 hours of break in time, and strongly suggests listening without the attractive, supplied grilles. I adhered to the recommendations above. Initial set up took all of five minutes. I used Kimber speaker cable, positioned the speakers in the classic triangular listener to speaker configuration, with a hint of toe in. What first struck me about the Dreamcatchers' sound was their luscious midrange. Although some could characterize it as on the warm side, I have truly not heard such lifelike mids from speakers at this price point. The music, no matter what genre, was seductively present in the room. Not scaled down, thin, or lacking in body.
High frequencies were smooth, detailed, and superbly integrated. Instruments like cymbals, acoustic guitars, and snare drum were nicely rendered, without a hint of unnatural sizzle. Maybe the most interesting aspect of the performance was low frequency extension. Even though the Dreamcatchers are pretty small speakers, there was legitimate, believable bass weight in a medium sized room. On cuts from David Bowie’s seminal Ziggy Stardust, the glammed out psychedelic power of the band was amazingly powerful and rocking. The same applies to Bowie disciples U2 and their most current work, No Line On the Horizon. Although the scale was a bit smaller in the greater scheme of things, the band sounded big and bold. Vocals and electric guitars were particularly well served by the Dreamcatchers.
One aspect of the Dreamcatchers performance that was interesting was that they were enjoyable to listen to regardless of listening position. Of course, sitting in the sweet spot produced the best balance, but sitting off axis produced surprisingly satisfying results, and even more so when they were not toed in. The cabinets also surprised me with their lack of resonance, although I did not push them beyond reasonable volume levels.