| How and Why To Build a Hush Box For Your Projector |
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| Home Theater Feature Articles Video Related Articles | |
| Written by Jerry Del Colliano | |
| Sunday, 01 February 2004 | |
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How and Why To Build a Hush Box For Your Projector By Jerry Del Colliano February 2004 As
long as video projectors have been in high-performance A/V systems, fan
noise has been an unwanted byproduct. In my early 20s, while working at
Cello Music and Film Los Angeles, Mark Levinson and the Cello design
team rigged a way to change the fan of the “Cello” (rebadged Ampro)
eight- and nine-inch CRT projectors that we sold. While this ultimately
became a service problem for Cello dealers, the reduced fan noise on
the projectors was warmly received by our well-heeled client base.Today, nearly 10 years after my days of designing and selling systems at Cello, digital projectors are fast becoming the king of the home video hill. While ultra-expensive CRT projectors still produce the absolute best video image, their cost, size, weight, need for service and pathetic resale values make the brighter, smaller and less expensive digital projectors far more desirable for all but the most extreme videophiles. One of the biggest advantages of digital projectors is their impressive brightness output, but that performance advantage comes at a price, and that price is heat. Almost every digital projector makes enough heat to require an internal cooling fan, and that fan cannot be shut off without risking the inside of your projector going Chernobyl. Adding to the complications is the throw distance of many D-ILA and DLP projectors, which often forces projector locations closer to your seating position than you would like. The solution to many of these new problems is a hush box, which in most cases consists of nicely designed cabinetry that goes around your projector with the goal of muffling some of its noise and keeping it running cool. The concept is simple, but the application isn’t always as easy as you might think. There are after-market companies that sell hush boxes, but they tend to be generic in design and large in size. I have yet to find a video company that makes a well-designed hush box specifically created to encompass a unique projector model. If you owned such a projector, buying a hush box from the manufacturer would be a no-brainer. In
designing my latest reference home theater and music playback system, I
made a dramatic design change three-quarters of the way through a full
renovation of my new house. I decided to move the orientation of the
room from the short wall to the long wall. The good news was that my
gigantic equipment rack could stay where it was and my seating position
would be further from the screen (making the digital video look more
filmlike). The bad news was that my projector and screen needed to be
moved. Not only did I have to punch holes in brand-new drywall to run a
beefy Transparent Reference RGB cable through my ceiling, I also had to
custom design new solutions for my Madrigal Imaging D-ILA projector and
Stewart Filmscreen 100-inch 4:3 screen. The front wall of my theater is
floor-to-ceiling A/V software storage, so I opted to have my
cabinet-maker build a soffet for me that extended an additional eight
inches beyond the software shelves. From there, a hatch was made on the
side of the screen soffet that allowed access to the screen for
adjustments and possible service. |
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As
long as video projectors have been in high-performance A/V systems, fan
noise has been an unwanted byproduct. In my early 20s, while working at
Cello Music and Film Los Angeles, Mark Levinson and the Cello design
team rigged a way to change the fan of the “Cello” (rebadged Ampro)
eight- and nine-inch CRT projectors that we sold. While this ultimately
became a service problem for Cello dealers, the reduced fan noise on
the projectors was warmly received by our well-heeled client base.
In
designing my latest reference home theater and music playback system, I
made a dramatic design change three-quarters of the way through a full
renovation of my new house. I decided to move the orientation of the
room from the short wall to the long wall. The good news was that my
gigantic equipment rack could stay where it was and my seating position
would be further from the screen (making the digital video look more
filmlike). The bad news was that my projector and screen needed to be
moved. Not only did I have to punch holes in brand-new drywall to run a
beefy Transparent Reference RGB cable through my ceiling, I also had to
custom design new solutions for my Madrigal Imaging D-ILA projector and
Stewart Filmscreen 100-inch 4:3 screen. The front wall of my theater is
floor-to-ceiling A/V software storage, so I opted to have my
cabinet-maker build a soffet for me that extended an additional eight
inches beyond the software shelves. From there, a hatch was made on the
side of the screen soffet that allowed access to the screen for
adjustments and possible service.

