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Silver Cable Overview: Part One  Print E-mail
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Written by Andre Marc   
Wednesday, 10 February 2010
Article Index
Silver Cable Overview: Part One 
Richard Sachek Interview
Anthony Wynn Interview

Q & A with Anthony Wynn of Element Cable:

Q: Is there anything in your mind that could justify a pair of interconnects or a set of speaker cables costing $5000, $10,000, or even more?

"If you consider the overhead expenses, R&D, labor, advertising, markups by the manufacturer and dealer, and if the cable uses exotic materials such as Palladium, Gold, etc., it's easy to see how a pair of cable can be priced at a few thousand dollars. But no ,not $10,000 and more."

Q:
Understood. But if we isolate just R&D, materials, and labor, would you say that high six figure cables seem to have no basis in reality in their pricing?

"If there is a cable worthy of a high six figure price tag, I have not encountered it."

Q:
Why do you think many audiophiles prefer silver conductors over copper?

"Silver is the best electrical conductor. With silver, you get a more direct, detailed, and transparent sound. But, copper remains the most popular conductor choice with audiophiles. It's tough to say which makes a better cable. There are things copper does better than silver such as tonal colors, richness, and body. It really all depends on system synergy and the listener's preference. For this reason, Element Cable designs our Signature line with different "flavors" to meet the preferences of all audiophiles."


Q:
Very interesting, can you elaborate a bit on how you can fine tune cables from your Signature line to meet a customers specific needs?

"Every conductor has its own characteristics, with experience, one can alter these characteristics to a certain degree. We don't fine tune each pair of cable to each customer. What Element Cable Signature does is to recommend which of our product has the tonal characteristics the individual is looking for. For instance, if a client is looking specifically for a warm, soft, and laid-back sound, we have a recommendation that meets his needs."

Q: Your cables are light and easy to work with. Do you believe that low mass cables are better?

"I've heard excellent designs with low mass and high mass. I've experimented with high mass damping compound in the past with great results. So no, I don't believe a low mass cable is better, it all depends on the whole make up of the cable."

Q: Can you give us an idea of what your reference system consists of and what you generally use as a source..vinyl, digital, etc?

"My system consists of Avalon Ascendant speakers,  Audio Valve (Germany) Tube amps and preamps, Michell Engineering turntable, Morch arm, and ZYX cartridge combo. Phono is Tom Evans "The Groove". For digital I use Sony XA9000es. I also have a solid state system. We use both systems in our cable testing as well as systems belonging to our audiophile friends."    

Q: Lastly, Do you believe the economic environment we are hopefully emerging from has given small firms like yours an advantage in that price to  performance ratio has never been more important to audiophiles?

"No, I believe the current state of our economy has hurt us all, companies large and small.  I recently read somewhere a list of prominent audio companies that have been a part of our hobby for a long time going under. A number of small companies has gone under as well. I do believe our clients appreciate our price to performance ratio and will continue to invest in quality cables, especially as the economy improves."

Conclusion of Part I:


Ten or fifteen years ago, it would not have been possible for small and direct to consumer audio cable companies to offer the type of quality that both RS Cables and Element Cable are offering at their low prices. Obscenely low that is, compared to some of their competitors who distribute through a traditional dealer only network, and spend loads on expensive full page ads in audio magazines.  If you believe spending a ton on cables will guarantee better results, then there is no need to read on. But if you are open minded, I assure you will be shocked at the level of performances from designers like Richard Sachek and Anthony Wynn. Both are extremely well versed in cable theory, and have somehow figured out how to bring to market superb cables that do not compromise on materials or construction. Both offer money back guarantees, but I'd bet they get very few cables back.


RS Cables: http://rscables.com
Contact Information: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

Element Cable:  www.elementcable.com
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Reviewers Associated Equipment System 1:

  • CD Player: Naim CD5x with Flatcap 2X
  • Preamp: Audio Research SP16
  • Amplifier: Audio Research VS55, Perreaux Eloquence 150i.
  • Speaker: Harbeth Compact 7ES3
  • Cables: Kimber/QED/Acoustic Zen (AC)/Transparent (AC)
  • Accessories: Symposium Rollerblocks, Shakti Stone, Sound Anchors stands.

 
Reviewers Associated Equipment 2:

  • CD Player: Marantz 5003
  • Music Server: Squeezebox 3
  • DAC:CIA VDA-2 with XPS
  • Preamp: Belles Soloist 3
  • Amplifier: Revox A722
  • Speaker: Spendor S5e, Spendor S5R
  • Cables: Kimber/QED/Transparant/Shunyata(AC)/PS Audio(AC), Pangea Audio
  • Accessories: Atacama Stands
   Comments
Add New | Search
  
Ankrum  - Hear the difference?   |2010-02-11 17:37:53
I'm still waiting for a double blind study comparing cables.

I believe their
is a difference between fifteen cents per foot cable and two dollars per foot
cable. I've never seen a double blind comparison demonstrating any sonic
differences between $2 per foot cable and $100 per foot cable.

I'm open to
proof.
Flash Capitala  - Sorry, you need read this-   |2010-02-13 08:05:07
http://www.avguide.com/blog/guest-blog-its-time-ad mit-we-
Tommy  - Maybe a read for Flash Capitala as well...   |2010-02-19 01:30:20
Been there done that. Ego and pride of ownership can be a great placebo...

I
could post a dozen technical and/or white papers on the real science of cable
used with audio components, but I'll just leave a very basic page to ponder.


http://en.wikipedia.org/wiki/High-end_audio_cabl es


BTW, I bought countless
cables throughout the eighties into the nineties. Thinking I could easily
hear
differences, I eagerly participated in numerous organized DBT conducted by
well known loudspeaker and electronic manufacturers during the mid nineties.
After two plus years of testing various high-end vs. low cost generic cables, I
slowly realized I and the other participants were unable to consistently
identify any differences between reasonable gauged cable.

Transmission of
electrical signals for audio equipment is not mystical but getting peer reviewed
documentation from cable manufacturers, at best, is illusive.

Peace
Flash Capital  - Huh?   |2010-02-20 07:57:42
First, thanks for the useless, dead Wikipedia link. Real informative.

Secondly,
the the trick is to buy a cable with high quality conductors, high quality
construction, and high quality connectors. All of this commensurate with the
rest of your system. It does not mean spending thousands, as this review is
proof of.

You would not put Sears bargain tires on an Aston Martin, so why
would hook up your system to "cheap" wire?
Tommy  - Here you go Flash Capital ...   |2010-02-21 18:37:17
Sorry you had a hard time with my link. The Wikipedia link I provide is working
but the AVRev comment section causes odd breaks in the text. Notice the extra
gap in the word "cabl es". You can still get there from that page in
two clicks but to make it easier for you I'll post it
again.

http://en.wikipedia.org/wiki/High-end_audi o_cables.

Please check for
gaps because there no way to edit these post.

You lost me on how "You would
not put Sears bargain tires on an Aston Martin, so why would hook up your system
to "cheap" wire?" is in anyway relevant to this topic. I'd greatly
appreciate the technical/scientific correlation between the two from your
perspective. I'm assuming that we all agree that proper gauge and termination of
the cable, as well as correctly measured transmission properties, is already a
given.

BTW, I've spent the last 40+ years enjoying music along with the
equipment that records and reproduces it. I have even had the luxury of writing
about it. Here's a link to some of my comments and equipment review.


http://www.google.com/search?hl=en&client=firefo
x-a&hs=KQN&rls=org.mozilla%3Aen-US%3Aofficial&chan
nel=s&q=tom+garcia+avrev&btnG=Search&aq=f&aqi=&oq=

If the link doesn't work
for you then just google (Tom Garcia AVrev)and you'll get a few hits.

For
what it's worth, I still base certain purchases on "pride of ownership".
Audio cables just isn't one of them...

Best regards,

Thomas Garcia
Flash Capitala   |2010-02-22 07:34:35
Here is the thing Tom:

We can argue all day about price to performance ratio.
But the fact remains, and it is indisputable, that different cables sound
different. They were all properly terminated and had the correct gauge etc, with
no unusual electrical properties.

Last year I brought in 10 cables to audition
ranging from 100 to 1000 dollars. They all performed well, but were easily
distinguishable from each other. Differences in dielectric material, shielding,
connector material ALL affect the tonal balance.

You really don't think their
are differences in the way conductors are formed? And their quality? Solid core?
Stranded?

Pride of ownership of course is important, but would not the be the
determining factor for me.

If ALL cables sounded the same, do you think
Kimber, Shunyata, Cardas, etc would have been around for over 30 years now
selling snake oil? Do you think audiophiles are a foolish bunch in regards to
their hard earned cash?

I think not.

I will repeat, multi thousands are not
required to be spent, my sweet spot is around 500 for an IC and around 700 for a
speaker cable. That is less than 10% of the total value of my system. If you
want to spend less more power to you.
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