Introduction When
Lexicon first introduced the RT-10 Universal Disc Player in 2003, it
was considered by many an ambitious project. Subsequently, the Proceed
Audio brand was discontinued and the Harman Specialty Group (HSG) was
formed. Harman International formed HSG on the cornerstone of three key
brands: Mark Levinson, Lexicon and Revel. The RT-10 would be
scrutinized by home theater industry experts and consumers alike, not
only because it was HSG’s first foray into source componentry – the
Mark Levinson brand did not and still does not manufacture a video
source component although the No. 51 will be available soon – but also
because it came on the heels of Proceed’s $6,000 PMDT universal
transport, which had a litany of reliability issues until it was
eventually discontinued. In addition, Lexicon would enter this
high-stakes reference-quality segment of the market by designing the
RT-10 as a hybrid player featuring two new technologies: Super Audio CD
(SACD) and DVD-Audio (DVD-A).
I reviewed the RT-10 in September 2003 for AVRev.com
and walked away impressed enough to keep it in my system, a place where
it has proudly resided for two-and-a-half years. As far as sound and
picture quality for a universal player were concerned, the RT-10 had no
equal at the time for its price, but the glaring omission of an RS-232
port and a grossly flawed front panel display kept it out of the ranks
of the elite. With a hefty price tag of $3,500, many consumers could
rightly have been disappointed with the RT-10. It took several years of
development, but Lexicon has introduced its replacement, the Lexicon
RT-20 Universal Disc Player ($4,995). Much like the RT-10, the RT-20
was designed to play all current formats of audio and video discs,
including but not limited to CD, CD-R, SACD, DVD-A, DVD-V and DVD-R.
The RT-20 even handles MP3 and JPEG formats. Andy Clark, director of marketing at HSG, explained to me that Lexicon
had three main goals with the RT-20: add RS-232 compatibility, add a
high-definition multimedia interface (HDMI) and improve the internal
design by incorporating better quality parts, most notably with respect
to the digital-to-analog converters (D/A). Engineers at HSG quickly
recognized that in order to meet their design goals, they could not opt
for a quick makeover of the RT-10, but rather would seek to completely
re-engineer the RT-20 from the ground up.
Aesthetically, the RT-20 is similar to its predecessor, maintaining the
brushed aluminum front panel and rugged chassis. In fact, before the
player is turned on, the front panel of the RT-20 looks almost the same
as the RT-10. Once I plugged the unit in, however, I was greeted by a
newly designed LED display, which replaces the flawed design of that on
the RT-10. Many of the biggest upgrades on the RT-20, however, are
inside and on the back of the player. Evidence that Lexicon
reengineered the RT-20 from the ground up is clear in the fact that the
rear panel of the RT-20 looks nothing like the RT-10. Not only has
Lexicon added new RS-232 and HDMI interfaces, but the standard
connectors for BNC and RCA component video, S-Video and analog and
digital audio outputs have all been dramatically moved from their
previous positions on the back of the RT-10. Other upgrades include
14-bit/216 MHz D/A video converters (from 12-bit/108 MHz previously)
and a far more user-friendly and functional array of set-up menus.
Set-up No
doubt, the most notable improvement to the RT-20 is its support for
HDMI. Arguably, HDMI is the future interface of high-definition
connectivity. In my view, the benefits of HDMI accrue to both content
providers, who can fully copy-protect their material, as well as to
consumers, who experience 100% digital video that is free of the
artifacts that are typically seen with digital-to-analog conversion.
For consumers without an HDMI input on their displays, the Lexicon
RT-20 has been equipped with state-of-the-art D/A video converters.
HDMI is the preferred set-up option, however, and the one which I
utilized for this evaluation. Since my Fujitsu Plasmavision has only a
single DVI input and I was looking to run multiple HDMI sources to my
display, I utilized a HDMI channel switcher from PureLink, model
HDS-21R ($299 from http://www.dtrovision.com/). I was pleased that the
PureLink switcher came with its own remote, is RS-232 compatible and
has a high bandwidth that ensures it can easily handle future
high-definition video. Using this switcher combined with HDMI cables
from PureLink and a DVI cable and HDMI-to-DVI adaptor from Transparent,
I was able to wire both the RT-20 and Scientific Atlanta 8300HD cable
box to my display, using HDMI. I wired the RT-20 for audio no
differently that I had the RT-10, using Transparent Cable interconnects
on the analog outputs for SACD and DVD-A, as well as AES/EBU digital
audio output to my Proceed AVP2.
I called upon the
services of Imaging Sciences Foundation calibration guru and recently
recruited AVRev.com staff writer, Kevin Miller (http://www.isftv.com/),
to tweak my plasma picture to perfection. With both my cable box and
the RT-20 utilizing the same DVI input on my plasma, it was necessary
to first calibrate the display for HDTV and then utilize the RT-20’s
complete suite of video calibration controls, which Lexicon calls its
Video Adjust feature, to calibrate the picture for watching DVD. With
Video Adjust, we were able to obtain exact control over chrominance,
brightness, noise reduction, gamma, hue, chroma and sharpness, as well
as black and white levels to obtain a properly calibrated picture for
both the cable box with HDTV and the RT-20 for DVD. While the obvious
drawback with this configuration is that my display remains
uncalibrated for analog television, this remains unimportant to me, as
I do not watch much analog television anyway.