| Weizhi PRS-6 Power Distributor Review |
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| Home Theater AC Power AC Power | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Written by Todd Whitesel | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Wednesday, 02 March 2011 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Ask audiophiles what the most difficult part of a system to control is, and many will probably answer the power supply. A few decades ago, such a response would be rare and likely viewed with great suspicion. Slowly, folks began accepting the premise that clean and consistent power was a logical first step toward higher fidelity. The problem was how to get it. In most households, the battle to share power never stops. Toasters and microwave ovens joust with clock radios and TVs and hair dryers and more, all putting demands on the AC power supply. Take a look at all the appliances and devices plugged into your outlets and you'll quickly understand why power conditioners and distributors were developed. Then consider that you share power with neighbors who have their own devices plugged into the grid and the problem becomes more apparent. Any self-respecting chef would never begin a dish without the very best ingredients, but for economic reasons some of us have to choose between saffron and turmeric. One is the real deal; the other an approximation. And that analogy I found myself repeating during my time with the Weizhi PRS-6 Power Distributor at the head of my audio system. What I thought I knew about my home kit was just partly true. The PRS-6 showed me it's better. ![]() It Ain't Easy Being Neutral Good power products are notable for what they don't do – noticeably affect or change the sound of recording. The highest compliment to the PRS-6 I can offer is that it makes everything better by passing on the power and getting out of the way. It's sort of like the first time I watched an NFL game on high definition. Even though I had seen countless games before – and been to my share of live events – I was seeing something that was new. The clarity and detail were astonishing compared to old analog broadcasts. It doesn't take a golden set of ears to hear the difference when the Weizhi's in a system. Music opens and breathes in a different dimension. Everything is more immediate, substantial and detailed. There's a sense of power without any strain. Components that might have a slight hiccup here and there are golden-throated, singing in their purest voices. It improves everything by not pushing its own personality into the mix, while it reigns in any temptation that a component might have to go slightly over the top just to be heard. One obvious area of improvement is the utter silence from which music emerges. This is the “black background” so beloved in audio circles; what I found with the PRS-6 is that music just seemed to come forth naturally and organically, as if nothing was even there. One might think that a $3,200 power conditioner needs a very upscale power cable for peak performance. This may be so, but the PRS-6 had obvious sonic benefits with even a generic $10, 16-gauge cord. Swapping that out with my RS Audio Kevlar Starchord ($179) brought better dimension and scale to everything. Eventually, I settled in with Voodoo Cable's Fire Dragon Power Cord ($550). This cryogenic-treated 8 AWG cable looks like something from the Amazon wilds, but it worked beautifully with the Weizhi, bringing an even better sense of soundstage and transparency. And that's where the PRS-6 fully shines – in its effortless transparency. Plug any component in and hear it; truly hear it. Ask audiophiles what the most difficult part of a system to control is, and many will probably answer the power supply. A few decades ago, such a response would be rare and likely viewed with great suspicion. Slowly, folks began accepting the premise that clean and consistent power was a logical first step toward higher fidelity. The problem was how to get it. In most households, the battle to share power never stops. Toasters and microwave ovens joust with clock radios and TVs and hair dryers and more, all putting demands on the AC power supply. Take a look at all the appliances and devices plugged into your outlets and you'll quickly understand why power conditioners and distributors were developed. Then consider that you share power with neighbors who have their own devices plugged into the grid and the problem becomes more apparent. Any self-respecting chef would never begin a dish without the very best ingredients, but for economic reasons some of us have to choose between saffron and turmeric. One is the real deal; the other an approximation. And that analogy I found myself repeating during my time with the Weizhi PRS-6 Power Distributor at the head of my audio system. What I thought I knew about my home kit was just partly true. The PRS-6 showed me it's better. ![]() It Ain't Easy Being Neutral Good power products are notable for what they don't do – noticeably affect or change the sound of recording. The highest compliment to the PRS-6 I can offer is that it makes everything better by passing on the power and getting out of the way. It's sort of like the first time I watched an NFL game on high definition. Even though I had seen countless games before – and been to my share of live events – I was seeing something that was new. The clarity and detail were astonishing compared to old analog broadcasts. It doesn't take a golden set of ears to hear the difference when the Weizhi's in a system. Music opens and breathes in a different dimension. Everything is more immediate, substantial and detailed. There's a sense of power without any strain. Components that might have a slight hiccup here and there are golden-throated, singing in their purest voices. It improves everything by not pushing its own personality into the mix, while it reigns in any temptation that a component might have to go slightly over the top just to be heard. One obvious area of improvement is the utter silence from which music emerges. This is the “black background” so beloved in audio circles; what I found with the PRS-6 is that music just seemed to come forth naturally and organically, as if nothing was even there. One might think that a $3,200 power conditioner needs a very upscale power cable for peak performance. This may be so, but the PRS-6 had obvious sonic benefits with even a generic $10, 16-gauge cord. Swapping that out with my RS Audio Kevlar Starchord ($179) brought better dimension and scale to everything. Eventually, I settled in with Voodoo Cable's Fire Dragon Power Cord ($550). This cryogenic-treated 8 AWG cable looks like something from the Amazon wilds, but it worked beautifully with the Weizhi, bringing an even better sense of soundstage and transparency. And that's where the PRS-6 fully shines – in its effortless transparency. Plug any component in and hear it; truly hear it. System SetupGrant Fidelity A-348 Integrated Tube Amplifier Cary Audio CD 500 CD Player Emotiva Audio ERC-1 CD Player Pro-Ject RPM 5.1 turntable Parasound Zphono Preamplifier Snell Type K loudspeakers PENAUDIO Rebel 3 loudspeakers Weizhi PRS-6 Power Distributor Voodoo Cable Fire Dragon Power Cable RS Audio Cables Kevlar Starchord Power Cable RS Audio Cables Illume Silver Interconnects RS Audio Cables Illume Silver Loudspeaker Cables
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