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#139 | |
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Join Date: May 2008
Location: Pacific Northwest
Posts: 45
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#140 | |
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Member
Join Date: Apr 2008
Location: Philadelphia
Posts: 68
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#141 |
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Super Member
Join Date: Jun 2007
Location: USA
Posts: 118
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I didn't say you had. I inquired as to whether we should give your subjective opinion any greater weight than his. This is particularly pertinent given the FACT that you did not even consider high-end units and therefore have no basis for a similar comparison.
Last edited by faberryman; 09-01-2008 at 04:12 PM.. |
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#142 | |
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Member
Join Date: Apr 2008
Location: Philadelphia
Posts: 68
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With the right mix of source formats, for me, at least, the Integra is arguably competitve with some much more expensive pre/pro's. Perhaps I have not made the basis for my own enthusiasm for the Integra clear, though I have tried here and there in prior postings. I am an 80% classical music listener. My previous system was 2-channel with no SACD. Though my stereo was high end and cost over $50K, and although I have heard much, much more expensive and prestigious 2-channel systems, the Integra with Audyssey (now upgraded to Audyssey Pro) was a revelation. With multichannel SACD’s or DVD-A’s, I find the Integra to provide the best, most realistic musical sound I have ever heard anywhere. There may be better, but I have not yet heard it Forgive me for using a $169 Oppo player. That seems to have created some controversy. I believe there are only 4 SACD/DVD-A players on the market that will output hi rez multichannel via HDMI to the pre/pro, including the Oppo 980. I think this is extremely important sonically, since it eliminates extra D-A, A-D conversions, analog connectors and cables. I will soon be auditioning what is, I think, the highest priced, HDMI-out SACD machine on the market which is a Pioneer Elite DV 58 at all of $500. Also, I do not yet own a Blu Ray player, as I await music in this medium to come to fruition and the technology to mature. So, my excitement and enthusiasm is really just about music reproduction in hi rez multichannel, as opposed to 2-channel vinyl and CD’s. I have a huge collection of 2-channel music going back 50 years and very good equipment to play it on. Movie sound is just a bonus I use occasionally. While the Integra is more than sonically satisfying to me on movies, I am not interested enough in it to compare it to other pre/pro’s in that regard. In general, I do not think I have a good enough basis in real life to determine whether something sounds more faithful to the original than something else in movie sound. I do not think anybody does, except the guy who did the audio mix for the movie. So, music – accurately recreating the sound of acoustic instruments in real space, plus that elusive emotional involvement factor – is the sonic criterion I use. My feeling is that if this is done well, everything else will fall into place sonically. I have a real life basis for music, because I go to many live concerts. In fact, it was live SACD’s of Philadelphia Orchestra concerts I had attended that convinced me that hi rez multichannel played via HDMI on my Integra with Audyssey EQ was better than even the most expensive and revered 2-channel sources I had ever heard. There is, of course, tremendous subjectivity in this view, and it involves potentially tricky issues of acoustic memory. But, this is how I have been evaluating musical sound for 50 years. As a footnote, and since I am baring my soul here, I will concede perhaps a certain potential prejudice against Classe. I respect and admire their analog-domain products – amps, preamps, etc. As I was considering the Classe 600 last year, I had some email exchanges with Dave Nauber, a key VP at Classe about the 600’s architecture and where it was going. I think it’s fair to say that Nauber led me down a garden path about what was going to happen in HT. It’s when I finally figured out HDMI, lossless codecs, etc, that I realized buying a 600 would have been a big mistake. Perhaps I still harbor some unconscious vendetta against Classe for this, but I try not to. I still do not particularly like the architecture of the 800 in many ways that I think are objective and rational. But, it probably sounds really terrific with the right source formats. Does that help you understand where I am coming from? |
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#143 | ||
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Super Member
Join Date: Dec 2007
Location: CA
Posts: 714
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Having said this, I want to hear both units before making a decision on spending my hard earn money. I have a few Classé amps and think they work very well. I also have an old Integra Research RD-C7 and it works fine but I wanted to get a new pre/pro with HDMi 1.3 and DTS Master Audio as well as Dolby Digital Tru HD as I am a big movie buff. I wished high end companies would be less snobs when it come to technologies from other established firms. I guess they figure if you can spend 8K for a pre/pro you can fork an other $2500 for Audyssey pro if you really want it! You know what is interesting is that they had in the SSP-600 an Automated EQ system as well. I guess they are trying to cut corners. Quote:
Classé uses Texas instrument 64 bit DSP chip where as Integra uses three TI 32-Bit Processing DSP Chips. I think that Classé is using a lot more powerful processing which of course does'nt mean it is better but still. Again I am looking to hear both and make a decision for myself. Last edited by wes; 09-02-2008 at 09:25 AM.. |
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#144 | |
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Member
Join Date: May 2008
Location: Pacific Northwest
Posts: 45
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