SACD
Tuesday, 20 January 2004 |
Written by
Jerry Del Colliano
|
artist:
Isaac Hayes
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album:
Motion Picture Soundtrack To Shaft
format:
Hybrid Stereo SACD
label:
Stax Records
release year:
2003
performance:
10
sound
8.5
reviewed by:
Jerry Del Colliano
I admit that I often dream of being “the black private dick who’s the
sex machine to all the chicks.” Who doesn’t? When Isaac Hayes was
tagged to compose a soundtrack for the blaxplotation film “Shaft,”
starring Richard Roundtree, I don’t think there was any way he could
have know how popular the project was going to be. I have taken the
time to watch the film some 20-plus years after its release and I can
tell you the music for the film passed the test of time exponentially
better than the slow plot of the movie.
Tuesday, 13 January 2004 |
Written by
Ben Shyman
|
artist:
The Quintet
album:
Jazz at Massey Hall
format:
SACD
label:
Fantasy Jazz Records
release year:
2003
performance:
9.5
sound
4.5 (archival recording)
reviewed by:
Ben Shyman
The Quintet’s Jazz at Massey Hall has frequently been called The
Greatest Jazz Concert Ever. And with a Giants-of-Jazz-type lineup,
including Charlie “Chan” Parker (alto saxophone), Dizzy Gillespie
(trumpet), Bud Powell (piano), Max Roach (drums) and Charlie Mingus
(bass), it is hard to disagree. A quintessential gathering of the most
accomplished jazz band leaders, composers and masters of the bebop era,
Jazz at Massey Hall is a must-own, not only for any jazz bop fan but
any serious music listener. The band was organized by Mingus at the
height of the bebop era for a special one-of-a-kind performance as a
benefit concert for the ailing Massey Hall and includes classics “Salt
Peanuts,” “Wee,” “A Night in Tunisia” and “Perdido.”
Tuesday, 28 October 2003 |
Written by
Dan Macintosh
|
artist:
Various Artists
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album:
Jazz Sexy
format:
Stereo Hybrid SACD
label:
Chesky Records
release year:
2003
performance:
8
sound
8
reviewed by:
Dan MacIntosh
Despite the striking photo of a woman disrobing on its cover, Jazz Sexy
is not at all an album of the most-sexy examples of jazz music known to
mankind. Instead, it is a selected sampling from Chesky Records. But
even though it’s not steamy enough to be kept behind the counter at
your local record shop, it’s nevertheless a fine CD, filled with
enjoyable straight jazz.
Tuesday, 30 September 2003 |
Written by
Ben Shyman
|
artist:
Thelonious Monk with John Coltrane
album:
Live In San Francisco
format:
SACD
label:
Fantasy Jazz Records
release year:
2004
performance:
7.5
sound
8
reviewed by:
Ben Shyman
A recording with Thelonious Monk and John Coltrane is rare. The two
musicians almost never record together because they were on different
record labels. But in the summer of 1957, Monk (piano) and Coltrane
(saxophone) put together a quartet with Wilbur Ware (bass) and Shadow
Wilson (drums) that played at New York’s famous Five Spot Café.
Tuesday, 30 September 2003 |
Written by
Joe Hageman
|
artist:
Dave Brubeck Quartet
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album:
Jazz at Oberlin
format:
SACD
label:
Fantasy Records
release year:
2003
performance:
8
sound
3
reviewed by:
Joe Hageman
Let me just get this out of the way. I’m not a jazz-phile, jazz-oholic,
or whatever you want to call it. I can’t wax poetic about this artist
or that artist, or who had the most influence on jazz newbies. Am I a
fan of jazz? Sure – who isn’t? Jazz is the type of music that you don’t
really need to be in the mood for to listen to.
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