DVD-Audio
Tuesday, 25 September 2001 |
Written by
Richard Elen
|
artist:
Jonatha Brooke
album:
Steady Pull
format: DVD-Audio
label: Bad Dog Records
release year: 2001
performance: 9
sound 9
reviewed by: Richard Elen
The latest album from Jonatha Brooke was a real killer on CD. Now that it’s out on DVD, with 5.1 and stereo mixes on a DVD-Video and a DVD-Audio side, it’s made all the more incredible. This release is on Brooke’s own Bad Dog Records label and it’s quite astonishing in many ways. How on earth did she manage to put a project like this together, for example? And how on earth is it that such a brilliant artist and such an exceptional album have not excited the slightest bit of label support? This lady should be signed to a major label and should be one of the most popular artists in the land, and it is a sad commentary on the state of the U.S. ...
Friday, 21 September 2001 |
Written by
Richard Elen
|
artist:
Willie Nelson
album:
Night and Day
format:
DVD-Audio
label:
Surroundedby Entertainment
release year:
2001
performance:
9
sound
9
reviewed by:
Richard Elen
Most
manufacturers of DVD-Audio discs go to great lengths to make their
releases as accessible as possible. These efforts extend to, for
example, including a DVD-Video side to create a "DVD Universal A/V"
disc that will play on any machine with a "DVD" logo on it. My
traditional view has always been that if you have the room on the disc,
this IS EXACTLY what you should do, so that the discs will be
compatible with any DVD player and don’t oblige the consumer to rush
out and buy a new player. The same philosophy informs the SACD hybrid
disc, which has a Red Book CD layer to allow the disc to play on a
standard CD player.
Tuesday, 18 September 2001 |
Written by
Brian Kahn
|
artist:
Nashville Big Band Jazz Ensemble
album:
Big Band Christmas Vol. 2
format:
DVD-Audio
label:
DTS
release year:
2002
performance:
7
sound
8
reviewed by:
Brian Kahn
The
first two tracks of “Big Band Christmas” start off sounding like the
opening band for a late-night television show. I was waiting for a host
to jump out on the screen. I first thought this to be a bit cheesy and
then thought back to the era of the big bands and how they were used as
introductory devices in television’s infancy. The second track, “It
Came Upon A Midnight Clear,” after getting past the late-night
television-style introduction, comes into its own. I felt myself being
moved by the music, as the horns were particularly well rendered,
sounding much better than most recorded horns.
Tuesday, 04 September 2001 |
Written by
Richard Elen
|
artist:
Tchaikovsky
album:
1812 Overture Performed by Erich Kunzel; Cincinnati Pops Orchestra; Kiev Symphony Chorus; Children’s Choir of Greater Cincinnati
format:
DVD-A & Hybrid Multichannel SACD
label:
Chesky Records
release year:
2001
performance:
9
sound
10
reviewed by:
Richard Elen
Caution! DSD Cannons!
Telarc International made recording history in 1978 when they used
digital audio technology to record the 1812 Overture for an album that
essentially launched the company. The album – apparently the first
digitally recorded and mixed project – was a landmark in many ways.
With its live cannons and astonishing dynamic range, it quickly became
the ultimate demo disc – and the ultimate test for a home sound system.
Tuesday, 28 August 2001 |
Written by
Brian Kahn
|
Missy 'Misdemeanor' Elliot,
So Addictive (DVD-A),
Warner/Elektra Records, 2001
| Performance 7 | Sound 8 |
Missy
"Misdemeanor" Elliott’s latest album So Addictive is a funky and very
updated blend of hip-hop and R&B. Elliott continues to work with
Timbaland as mixer and producer. On So Addictive it appears that
Timbaland has overcome any blandness that some critics have accused him
of lately. So Addictive is a very unique-sounding album, featuring an
infectious beat and a bass line that manages to work well, combined
with futuristic strobe-like staccato rhythms.
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