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Editor's rating:
3.5
Tuesday, 15 November 2005
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Written by
John Sutton-Smith
“In sixty-nine I was twenty-one
And I called the road my own
I don't even know when that road
Turned onto the road I'm on....
You know I don't even know
What I'm hoping to find
Running into the sun
But I'm running behind.”
Jackson Browne was very much an unsung poet laureate of the heart and
soul of young America in the ‘70s, as exemplified by songs like “A
Child in These Hills’ and the elegant ecology anthem “Before the
Deluge.” Running On Empty, Browne’s fifth album, was in a sense the
culmination of his early songwriting burst of brilliance that had
started with “These Days” and evolved into remarkable albums like For
Everyman, Late for the Sky, and the commercial break-out The Pretender.
Here, however, though at the peak of his popularity, he was starting to
run a little thin on ideas.
Since his classic paean “Take It Easy,” cowritten with ...
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Editor's rating:
3.3
Sunday, 01 June 2008
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Written by
Matt Fink
It says a lot that when New York Magazine attempted to compile their list of the 10 greatest albums made by actors, they were only able to come up with three. So when Scarlett Johansson announced her plans to release an album, the groans were understandably audible. If the music of Eddie Murphy, Billy Bob Thornton, and Bruce Willis has taught us anything, it’s that despite some overlapping in the areas of performance and theatricality, music and acting are entirely different disciplines. Sure, there have been some – like Juliette Lewis or Minnie Driver – who have proven that actors can recognize and recreate the rudimentary clichés of songwriting, but the days of legitimate double threats such as Bing Crosby and Frank Sinatra are long gone. It seemed particularly odd for Johansson, an impeccably hip actress who has worked with ...
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Editor's rating:
3.8
Tuesday, 13 September 2005
,
Written by
Paul Lingas
Simple Minds holds a clear place in history, but it seems to be less a
place in musical history than it is a place in the history of popular
culture. Once Upon a Time and New Gold Dream are separate Simple Minds
albums that have each been re-released in a DTS DVD-Audio format. The
sound is very good, needless to say (more on that later), but I’ll
point out here that Once Upon a Time is the most famous Simple Minds
album, though it does not contain the most famous song by the group.
That song, and the place in popular history it holds, is titled “Don’t
You (Forget About Me),” the distinctively Simple Minds-sounding track
that the movie “The Breakfast Club” made famous. That song does not
appear on either of these albums, though, and I fear that these
remarkable recordings of what was once a very promising though
under-realized group ...
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Editor's rating:
3.5
Tuesday, 13 September 2005
,
Written by
Paul Lingas
Simple Minds holds a clear place in history, but it seems to be less a
place in musical history than it is a place in the history of popular
culture. Once Upon a Time and New Gold Dream are separate Simple Minds
albums that have each been re-released in a DTS DVD-Audio format. The
sound is very good, needless to say (more on that later), but I’ll
point out here that Once Upon a Time is the most famous Simple Minds
album, though it does not contain the most famous song by the group.
That song, and the place in popular history it holds, is titled “Don’t
You (Forget About Me),” the distinctively Simple Minds-sounding track
that the movie “The Breakfast Club” made famous. That song does not
appear on either of these albums, though, and I fear that these
remarkable recordings of what was once a very promising though
under-realized group ...
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Editor's rating:
4.3
Tuesday, 10 January 2006
,
Written by
John Sutton-Smith
Aah, the yelp, the giddy-up, the rhythmic stutter. How unexpectedly
refreshing it is to hear the Talking Heads again after all these years
– a band whose work has been disturbingly off the radar screen in
comparison to the depth and breadth of their influence ever since, even
today in the likes of Bloc Party, Arcade Fire and others.
When the Heads arrived at NY’s CBGB’s and on college radio with the
zany, “look out ma, I’m going crazy” high-pitched squeals of “Psycho
Killer,” it was a wild sensory ride for the mind and body, and an
arty-alternative to the Ramones’ and the U.K.’s anti-intellectual punk
insurgence.
Inducted into the Rock and Roll Hall of Fame in 2002, the band – David
Byrne, Chris Frantz, Tina Weymouth and ex-Modern lover Jerry Harrison –
is now celebrating their 30th anniversary with a deluxe DualDisc
upgrade of their catalogue, featuring new DVD-Audio Surround Sound
mixes ...
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