HD DVD Movie Disc Reviews
Categories in section: HD DVD Movie Disc Reviews
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Wednesday, 01 November 2006 |
Written by
Bill Warren
|
Universal had high hopes for “Doom.” An international consortium was
put together to make this moderately expensive movie, based on a home
video game wildly popular the world over. But the movie tanked at the
box office—has ANY movie based on a video game done particularly well?
It’s possible that they tend to make their money in ancillary
markets—that is, on video.
But even if that’s true, if a customer has a choice between a standard
DVD of the movie and this high-definition DVD, there’s no compelling
reason to go with the more expensive disc, as high-definition adds very
little to this movie—which needs all the help it can get.
Occasionally, studios have fun playing with their logos, as when with
movies with winter setting, we see the logo covered in snow. Universal
has had more fun with the image BEHIND the logo—the Earth itself. (So
shouldn’t the name be Planetary rather than ...
Wednesday, 01 November 2006 |
Written by
Darren Gross
|
England- 1944. Major Reisman (Marvin) a smart but insubordinate
trouble-maker is forcefully given a difficult and politically
uncomfortable mission by General Worden (Borgnine): take a group of
military prisoners who are on death row or have long-term prison
sentences and build them into a capable team. Once the group is
together, they’ll be given a high-risk mission to go behind German
lines and destroy a chateau that is frequented by German generals.
Reisman is able to build the unstable group (with much flack from his
superior officers) into a cohesive unit through his leadership skills
and the offer of commuted sentences to the team. As the group heads off
on their mission, a few loose cannons (particularly Telly Savalas as a
wacko who thinks his violence toward women is dictated by God) threaten
to ruin the entire enterprise.
Director Aldrich’s extremely popular war film boasts one of the most
impressive big-name male casts in ...
Wednesday, 01 November 2006 |
Written by
Darren Gross
|
When this remake of “Willy Wonka and the Chocolate Factory” was
announced a couple of years ago, the idea was met with much
consternation. The 1971 original has become a much-beloved family
favorite and a few generations have grown up with its deliciously
twisted story, charming heart and memorable songs. How could a remake
in the cold corporate world of the ‘00s even begin to compare? The easy
answer is simple- by returning to Roald Dahl’s original book (and
title) and visualizing parts of the story that were a technically
impossible to do 30 years ago. Apart from that, Burton filters the
story through his personal vision and gives it a completely odd ball
charm that frequently catches you off-guard.
Reclusive, brilliant candy magnate Willy Wonka (Johnny Depp) has kept
himself locked away in his candy factory for decades. Unseen by the
public for years, the world goes Wonka-crazy when a worldwide
sweepstakes is ...
Wednesday, 01 November 2006 |
Written by
Darren Gross
|
When Warners decided to restart the Batman movie franchise, they
clearly brought the right people aboard. Director Christopher Nolan
(and screenwriter David Goyer)’s depiction of Batman’s origin and early
days is a near-perfect work and an astounding technical, visual and
dramatic feat. Utilizing Nolan’s flair for playing with narrative time
(as seen in “Memento” and his current release “The Prestige”), “Batman
Begins” relates the story of a young Bruce Wayne, son of wealthy
parents who, traumatized by an experience in a cave full of bats and
the murder of his parents by a mugger, evolves into a one-man crusader
of justice.
Bale is perfectly cast as the haunted, driven and resourceful Wayne and
the main strength of the film is in allowing a significant portion of
the film to focus on his character with a degree of depth. Instead of
it being about Batman, who is also Bruce Wayne, it’s a film ...
Sunday, 01 October 2006 |
Written by
Mel Odom
|
After the 9/11 attack, a book came out that changed the face of
American espionage in the Middle East. In See No Evil, author Robert
Baer accused the Central Intelligence Agency of relying too heavily on
technological spying devices instead of dealing with flesh-and-blood
“assets” (the people they seduce, bribe, blackmail, and brainwash to
help them manage intelligence). The CIA’s response was that it was too
hard to train people to speak Farsi and the other languages involved in
that volatile area, and it was equally as hard to get agents into the
area without getting them killed.
The book was praised and castigated almost equally. However, there was
no refuting the fact that the United States had been caught flatfooted
by a terrorist aggressor and that shouldn’t have happened. The book
became an overnight bestseller and caught the attention of film
director, Stephen Gaghan.
Gaghan wrote the screenplay for Stephen Soderbergh’s “Traffic”, their
take ...
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