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Tuesday, 01 June 2004 ,  Written by Ben Shyman
Morel Octwin 5.2M Loudspeakers
Introduction Founded in Israel during the mid-1970s, Morel is very well known for manufacturing ultra-high quality drivers for other loudspeaker manufacturers. Their physical transducers are found in loudspeakers manufactured all over the world, including many award-winning models. While some audio enthusiasts have never heard of Morel as a driver manufacturer, they undoubtedly have heard Morel speakers as part of another speaker system. Now aggressively marketing specialty home and car speakers in the U.S. and around the world, Morel produces more than just raw drivers; they manufacture top-notch loudspeakers that range from truly affordable systems that compete with the likes of Bose, Energy Definitive Technology and Paradigm, as well as higher-end systems that run with a more snooty, high-priced crowd like Revel, B&W and Wilson. Morel’s Octwin 5.2M loudspeakers are in a class of products that Morel calls Music Deco, which targets listening connoisseurs who also seek edgy, modern aesthetics. The Octwin 5.2M loudspeaker system consists of two Octave ...
Thursday, 01 April 2004 ,  Written by Jerry Del Colliano
Meridian 861 Version 4 AV Preamplifier
Introduction A lot of promises are made by high end audio-video companies. The highest performance, the best value, the latest features and best of all products that are “future-proof.” I hate to break it to the industry, but there is no such concept as a future-proof AV component in any category – preamps, speakers, sources, etc. The closest I have found to something future-proof so far is Meridian’s flagship AV preamp, the 861. Now in its fourth version, Meridian’s 861 boasts even more features in its single chassis, including automated room correction and a direct, proprietary digital connection between their DVD-Audio/Video players and the preamp. The Meridian 861 is a vastly powerful AV preamp that can be configured any number of ways. It has balanced outputs, unbalanced inputs, component video cards, digital input cards and a powerfull new DSP card that facilitates Meridian Room Correction in conjunction with the new version 4 Meridian software. The pricing ...
Thursday, 01 January 2004 ,  Written by Brian Kahn
MartinLogan Descent Subwoofer
Introduction MartinLogan is a company known for making high-end electrostatic speakers, a field which they have dominated for many years. Audio Revolution has reviewed many of their products over the years due to their value and competitive entry price into the true high end of music and theater reproduction. Up until recently, owners of MartinLogan speakers have been forced to find a subwoofer to complement their speakers from the other manufacturers. This all changed with MartinLogan’s much-anticipated release of the Descent subwoofer, which retails for $2,795. MartinLogan spent approximately eight years in development of this offering. I recall seeing a prototype at least three years ago and was quite excited when I learned a copy of the finished product would be heading my way. The release of a subwoofer by MartinLogan is a significant step into new territory, as the electrostatic speakers the company is known for are notoriously difficult to blend with a subwoofer. This is ...
Saturday, 01 November 2003 ,  Written by Thomas Garcia
Mirage OMNI Series Speaker System
Introduction In the never-ending search for the perfect loudspeaker system, there are a number of approaches that a manufacturer can take during the engineering and design process of a new product. At minimum, the majority of loudspeaker designers would agree that certain prerequisites, such as low distortion and a relatively flat, smooth frequency response, are fundamental criteria for creating a good sounding speaker. How each manufacturer attempts to achieve this end goal varies tremendously. Direct radiators, dipoles, bipoles, and point-source loudspeakers are but a few of the options available, each creating their own unique dispersion pattern and interaction within the listening environment. All are intended to decipher the musical and sound experience as accurately as possible. The question of which engineering technique is best suited to recreate the original performance in our own listening environments has been, and will continue to be, a hot topic of debate, greatly influenced by personal preference. Mirage has a definite idea of ...
Wednesday, 01 October 2003 ,  Written by Bryan Southard
Monitor Audio FB 212 Subwoofer
Introduction The decision as to which subwoofer to buy is a difficult one to make for most AV enthusiasts. On the surface, they all look pretty much the same, cubed in shape, with a very common array of connections and adjustments. Sure, they vary in size, but not dramatically so for the most part. One problem is that you can go down to your local retailer and audition them solo, yet this evaluation is nearly impossible as, under these conditions, the subwoofers emit little more than a rumble that emulates a bad day on California’s San Andreas Fault. Most people simply purchase a sub as part of a package or one that the retailer says is the best match for their system, then go home and brag about the amount of watts that the subwoofer possesses, like a badge of honor. The fact is that size and watts provide little in the way ...
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