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This Month's Featured Equipment Reviews |
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Saturday, 01 November 2003
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Written by
Thomas Garcia
Introduction
In
the never-ending search for the perfect loudspeaker system, there are a
number of approaches that a manufacturer can take during the
engineering and design process of a new product. At minimum, the
majority of loudspeaker designers would agree that certain
prerequisites, such as low distortion and a relatively flat, smooth
frequency response, are fundamental criteria for creating a good
sounding speaker. How each manufacturer attempts to achieve this end
goal varies tremendously. Direct radiators, dipoles, bipoles, and
point-source loudspeakers are but a few of the options available, each
creating their own unique dispersion pattern and interaction within the
listening environment. All are intended to decipher the musical and
sound experience as accurately as possible. The question of which
engineering technique is best suited to recreate the original
performance in our own listening environments has been, and will
continue to be, a hot topic of debate, greatly influenced by personal
preference.
Mirage has a definite idea of ...
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Wednesday, 01 October 2003
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Written by
Bryan Southard
Introduction
The
decision as to which subwoofer to buy is a difficult one to make for
most AV enthusiasts. On the surface, they all look pretty much the
same, cubed in shape, with a very common array of connections and
adjustments. Sure, they vary in size, but not dramatically so for the
most part. One problem is that you can go down to your local retailer
and audition them solo, yet this evaluation is nearly impossible as,
under these conditions, the subwoofers emit little more than a rumble
that emulates a bad day on California’s San Andreas Fault. Most people
simply purchase a sub as part of a package or one that the retailer
says is the best match for their system, then go home and brag about
the amount of watts that the subwoofer possesses, like a badge of
honor. The fact is that size and watts provide little in the way ...
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Monday, 01 September 2003
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Written by
Bryan Southard
Introduction
There’s
no more important nor complicated component in your A/V system than
that of the surround-sound preamp. It is the controls, processor and
distribution center of your entire music and movie playback system. A
high-performance A/V preamp can make your system sound like an
audiophile’s most racy dream while controlling the increasingly complex
sources of your system with ease. A poor sounding AV preamp, and they
are out there on the market, can make music sound like cats scratching
on an aluminum door. A poorly thought-out AV preamp will leave you
wishing you had the inputs needed to allow you to keep up with the
latest in AV technology like DVD-Audio, SACD, HDTV, component video
switching and beyond.
Meridian Audio is renowned for manufacturing audio/video components
that perform at the very highest levels, competing directly with the
likes of Mark Levinson, Krell, Lexicon, Theta and others that aspire to
make the finest AV gear on ...
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Monday, 01 September 2003
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Written by
Brian Kahn
Introduction
The
MartinLogan Odyssey is a moderately large hybrid electrostatic
loudspeaker, joining the company’s lineup between the much-respected
Ascent i and Prodigy speakers. The $6,495 Odyssey features
MartinLogan’s latest generation stat panel and leverage's the
proprietary ForceForward™ dual woofers that originated in the Prodigies.
The Odyssey is a large speaker at 67 inches tall, 13 inches wide and 27
inches deep, weighing 105 pounds. The driver array consists of the same
48-inch electrostatic line source panel as in the Ascent “i”. The
woofer section is vastly different from the Ascent and much closer to
the Prodigy. The Odyssey utilizes one 10-inch and one eight-inch
driver, configured in the ForceForward™ design. The Odyssey’s
appearance follows the theme of other speakers in the MartinLogan line,
with a wood-trimmed electrostatic panel above the black finished woofer
cabinet. Like many of the speakers in the line, various wood finishes
are available to fit your room decor. The one new visual ...
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Friday, 01 August 2003
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Written by
Augie Bettencourt
Introduction
A
large part of the experience of watching a movie at your local theater
is derived from viewing film-quality images on a very big screen.
Otherwise, nearly everyone would merely wait for the film to be
released on video and watch it at home on their trusty 27-inch
television sets at home. The audio portions of home theater systems
have steadily improved over the last 10 years, and many of us now own
audio equipment with the latest Dolby and DTS technology that rival (if
not surpass) the sound of many commercial theaters. Yet affordable
video projection has lagged somewhat behind until just recently.
CRT (cathode ray tube) projectors have been around for years and can
project film-like images with wonderful lush colors and excellent
contrast, but can cost upwards of $50,000. Luckily for those of us
without a 1/2 share of a NetJet, digital video projectors are making
significant inroads into the high-end ...
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