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This Month's Featured Equipment Reviews |
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Wednesday, 01 December 1999
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Written by
AVRev.com
The Audio Revolution is dedicated to bringing you the absolute
best in high performance music and film playback equipment along with
the most emotionally charged home video and music software. Our Best Of
1998 awards are reserved for the absolute best performers and consider
both performance, value and asthetic. Congratulations to the winners.
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Wednesday, 01 December 1999
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Written by
Greg Petan
Introduction
Trying
to find the right home theater speaker system can be an anxiety-ridden
process, but listening even once to the warm, dynamic and articulate
performance of the Atlantic Technology System 370 may be the audio
Prozac that will relieve your blues.
The 371LR and 373C
are sealed box designs consisting of two 6 inch coated composite
graphite woofers, two 3-inch composite graphite midrange drivers and a
1-inch silk-dome tweeter arranged in a D'appolito configuration. The
rear surrounds, deemed "TwinPolar," have their two 5-1/4-inch composite
graphite woofers and two inch silk dome tweeters mounted on two sides
of a triangular cabinet. Both speakers have frequency responses of
80Hz-20kHz. The 372PBM subwoofer is powered by a 275-watt amp that can
drive the 15-inch-high excursion cone to a peak SPL of 108dB with a
frequency response of 25Hz-500Hz. The System 370 retails for $4,300
without the optional floor pedestals.
Performance
One
of the biggest challenges faced by a manufacturer is to ...
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Friday, 01 October 1999
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Written by
Brian Kahn
Introduction
The
MCA5 is the first five-channel amplifier from Anthem. It is part of
their new MCA series and retails for $1,399. Unlike the majority of
products in the Sonic Frontiers and Anthem lines, the MCA series is
solid state. The MCA series of multi-channel amplifiers offers 200
watts per channel in two-, three- and five-channel configurations.
The description below applies to all three amplifiers in the series
unless otherwise noted. The back panel contains single-ended and
balanced inputs for each channel, an iec standard power cord socket and
a DC relay trigger socket and switch to control the auto-on circuitry.
This switch lets you choose from three different modes, manual on,
trigger and auto on. In the auto on mode, the amplifier switches itself
on after sensing an input signal. The sleek and deep chassis is well
finished and is a bit unusual as you can see through the top and out
the bottom ...
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Saturday, 01 May 1999
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Written by
Kim Wilson
Introduction
A home theater’s central nervous system is the digital processor,
serving as preamp, digital surround decoder, D-to-A converter (DAC) and
switcher. Audio Design Associates (ADA), a company that specializes in
custom installation, manufactures a line of high performance components
and the Cinema Reference is their most comprehensive and versatile
processor to date, incorporating both Dolby Digital and DTS decoders
along with THX enhancements.
As manufacturers firmly entrench themselves in the DVD revolution,
Laserdiscs are already virtually a footnote in A/V history. While the
majority of processors require the purchase of additional outboard gear
to play Dolby-encoded Laserdiscs, the Cinema Reference actually houses
the often-elusive RF Demodulator. Functioning as a sophisticated
preamp/switcher, this processor is loaded with a wide assortment of
inputs and outputs, insuring future expandability as digital products
continue to emerge.
High-quality components, superior sonic performance and advanced
features tend to drive the price up on processors, and so it is with
the Cinema Reference. At ...
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Friday, 01 January 1999
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Written by
Bryan Southard
Introduction
The Audio Research LS15 Line Level Preamp has been in existence since the middle of 1996. It’s an
all new design which theoretically replaces the former LS2B Mk II in
the Audio Research line. I say theoretically because although it took
the spot of the former, and much-respected LS2, it is very different in
many ways.
The LS15 is priced at the midpoint in the Audio Research line at $2995,
and comes with a handy remote control, something that was an additional
$500 option for the LS2.
Its basic makeup is an all-tube gain using four 6922 twin triode tubes.
It incorporates a fully differential zero feedback; balanced circuit
with electronically regulated high and low-voltage power supplies.
The LS15 has a large array of input/output options. These options
include balanced inputs, as well as direct balanced inputs, for best
signal purity. This path bypasses switching electronics, and allows for
the most direct and cleanest ...
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