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This Month's Featured Equipment Reviews |
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Preamplifier Forum Topics: |
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Classic Preamplifier Reviews |
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Stereo Preamps
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Sunday, 01 June 2003
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Written by
Ed Masterson
Introduction
The
Klimax Kontrol preamplifier is the newest in Linn’s series of
no-compromise audio products. Included in this series, you will find
the Linn CD12 CD player, a product that transcends previously known
levels of perfection, as well as the ultra-slick Klimax Twin stereo
amplifier, both previously reviewed in Audio Revolution.
The
Linn Klimax Kontrol is a remote-controlled line-level stereo
preamplifier that sells for the major league price of $10,000. The
Kontrol measures 2.36 inches in height, 13.78 inches wide, 13.98 inches
deep, and weighs 24 pounds. For such a diminutive package, the Kontrol
packs a wallop when it comes to features. For I/O, the Kontrol accepts
up to five inputs. Input One accepts balanced or single-ended
connectors. Inputs Two through Four accept single-ended connections
only. The fifth input is available via Linn’s proprietary Knekt
connection. Output is available though either single-ended or balanced
connections. The Kontrol features a unity gain function that is
available on any input ...
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Sunday, 01 December 2002
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Written by
Brian Kahn
Introduction
Parasound
has been producing high-quality audio components at a reasonable price
for over 20 years. The new HALO line represents a dramatic improvement
in both appearance and performance for Parasound. The HALO series
represents a departure from Parasound’s traditional black box styling
and is clad in a silver brushed metal finish. Each component in the
series has a groove, forming an accent line across the bottom portion
of each unit. The end caps of each front panel are slightly off-color
from the panel itself. Each of the HALO components has a red "P" at the
top center that lights up when power is present. I give the front panel
the utter coolness award for its faint blue light emanating from behind
the buttons which forms like its namesake -- a halo effect.
The T 3 retails for $600 and is a full-featured tuner, measuring 17"
inches, by four-and-one-eighth inches in height, 13" inches ...
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Monday, 01 April 2002
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Written by
Bryan Southard
Introduction
When
Mark Levinson announced they would be introducing a $16,000 preamp
($18,500 with the phono section) there was a group of long time
loyalists who scurried to authorized dealers to put down deposits while
other audiophiles and music enthusiasts simply shook their heads in
amazement. $16,000 is a lot of money for a preamp even for the first
“Reference” preamp from Mark Levinson. I’d be lying to say I wasn’t
just a bit curious as to what Madrigal could do if cost was no object
and with the No. 32 clearly cost isn’t the concern – performance is.
With time and dramatic changes to my music system, the need (OK you can
call it a lust) for a reference preamp became evident. I arranged for a
review sample and then the fun began. After unpacking, careful
inspection revealed a beautifully designed and assembled product. The
No. 32 looks great with its twenty first ...
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Sunday, 01 July 2001
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Written by
Bryan Southard
Introduction
Many
audio/video enthusiasts find themselves in a position where their
desire for the ultimate A/V system exceeds their actual budget, finding
themselves perhaps an inheritance or two short of the money to actually
purchase their "perfect system." For those of us in this category, we
must carefully build our ultimate systems one piece at a time. There
has long been debate as to which product is best suited to build your
system around. If you don’t have a good power amplifier, you likely
can’t build your system around the speakers, as your dream speakers
might need more and better power. I don’t think anyone would dispute
the validity of building your system around your source equipment, such
as a CD player, but with imminent change to the digital format
(DVD-Audio, SACD), this might not be your best option right now. What
the next digital format will be is anybody’s guess. In my opinion, ...
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Sunday, 01 October 2000
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Written by
Bryan Southard
Introduction
As
I received the Sonographe SC26 preamplifier for review, I admittedly
looked upon this assignment with great uncertainty, knowing little what
to expect. Like many of you, I respect for the creator and parent of
the Sonegraphe SC26, Conrad Johnson. Few intimately familiar with fine
electronics are unaware of the success and respect that CJ has amassed,
with better than 20 years of experience in creating fine electronics.
One of Conrad Johnson’s latest, the highly touted ART preamplifier, is
considered by many to be the finest preamplifier ever made, priced as
such at a crisp $15,000. However, Conrad Johnson has long been known
for their tube amplifier and preamplifier products and although they
have produced solid-state electronics, they are much better known for
tube products such as the Premier Series amps and preamps.
Unpacked and ready for hook-up, the Sonographe SC26 looked much like
many of the Conrad Johnson pieces with which you may ...
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