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Wednesday, 27 January 2010 ,  Written by Andre Marc
Lamm LL2.1 Deluxe Preamplifier Review
Lamm Industries was founded just over 17 years ago. They are currently located in Brooklyn, New York, one of my old stomping grounds. The lead designer and namesake Vladmir Lamm has a legendary, uncompromising vision. Mr. Lamm has quite a reputation as a very technical designer, but also as a music lover. Lamm offers a family of tubed and hybrid preamplifiers and amplifiers that are all well reviewed, and lusted after by audiophiles world wide lucky enough to afford them. Lamm is known for using very expensive parts, creating unique, clean circuit paths, and for dispensing with anything that could possibly interfere with the purity of the signal.As a matter of fact, calling Vladamir Lamm a purist would be entirely accurate. His preamplifiers have no remote controls, fancy faceplates, or any feature that he would deem unnecessary and possibly detrimental ...
Wednesday, 09 December 2009 ,  Written by Andre Marc
Bryston BP6 Preamplifier and 2B SST Squared Amplifier Review
After having reviewed a series of tube based components from Manley Labs, I looked forward to getting a view from the other end of the spectrum when I took delivery of a solid state preamplifier and power amplifier from Bryston, a Canadian company that has been making pro audio and audiophile equipment for 40 years.  Their longevity is no accident, as they are known for making great sounding, reliable, stylish gear. They also back up their reputation with a 20 year warranty, virtually unheard of in the consumer audio market.Up for review is the Bryston 2B SST Squared, power amplifier, MSRP $2750, and the BP6 preamplifier, MSRP $1995. A volume controlling remote control is optional.  The 2B SST amplifier is rated at 100 watts per channel into 8 ohms, and 180 watts per channel into 4 ohms. Both units arrived ...
Monday, 28 September 2009 ,  Written by Andre Marc
Manley Neo-Classic 300B Preamplifier Review
In the high end audio world, tubed Hi-Fi components almost became extinct in the late 70’s, with issues of reliability, neutrality, and the very future of tube production being of major concern. There were a few manufacturers still plugging away, such as Audio Research and Quad, but at the same time some of the iconic producers of tube equipment started bringing solid state products to market.  But early solid state products had many detractors. Harsh sounding transistors in early designs were tough for tube proponents to take.  But low maintenance, well built, excellent sounding transistor designs eventually gained major acceptance.  Yet the “TuboPhile’ kept fighting the good fight. Companies like Conrad Johnson, Audio Research, Cary, and a host of others continued to design tube amplifiers, preamplifiers, and even cd players despite being out of favor. Thankfully, what is old is ...
Monday, 02 February 2009 ,  Written by Julianne Stilson
Plinius Tautoro Preamplifier
The Basics:Preamplifiers are essential elements in the audio chain for sound systems and home theaters. The Plinius Tautoro is on the top tier of high-end preamplifiers in with high –quality manufacturing and design. However, it is also on the top tier of price tags at an MSRP of $8,395.The Plinius Tautoro’s exceptional construction and design features simple front / side panels which are ergonomically sound. The source selection buttons are adequately lit and appropriately sized. The front panel also features a volume control wheel that is both big and tactile. You will also find a ¼” headphone jack that is, despite being traditionally standard, very rare in many of today’s models. Moreover, turning the Plinius Tautoro around, the rear panel has well-organized, high-quality WBT socketry.As a multi-source, superior system, the Plinius Tautoro features generous input and output options for easy, ...
Tuesday, 08 April 2008 ,  Written by AVRev.com
Conrad Johnson CT6 Composite Triode Stereo Preamplifier
Introduction Conrad Johnson is one of most well-known and respected names in the world of tubed audio gear. The CT6 preamplifier reviewed here is the result of trickle-down technology from the company’s famous ACT preamplifier, which itself descends from the legendary ART preamplifier. At $5,000, it is roughly a third of the price of the current ACT II preamplifier that shares its composite triode circuit design. For those of you interested in a technical description of this circuit, I recommend a look at the Conrad Johnson website, which provides more information on this circuit design. The Upside Turning on the CT6, I was surprised by the long wait for the unit to warm up, during which no control input is accepted.  I quickly learned to simply leave the unit on and muted in between a day’s listening sessions.
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