Introduction
Conrad Johnson is one of most well-known and respected names in the world of tubed audio gear. The CT6 preamplifier reviewed here is the result of trickle-down technology from the company’s famous ACT preamplifier, which itself descends from the legendary ART preamplifier. At $5,000, it is roughly a third of the price of the current ACT II preamplifier that shares its composite triode circuit design. For those of you interested in a technical description of this circuit, I recommend a look at the Conrad Johnson website, which provides more information on this circuit design.
The Upside
Turning on the CT6, I was surprised by the long wait for the unit to warm up, during which no control input is accepted. I quickly learned to simply leave the unit on and muted in between a day’s listening sessions.
Friday, 01 June 2007
,
Written by
Jerry Del Colliano
Introduction
I
have owned various Krell amplifiers in my reference systems over the
years, each providing hours upon hours of listening joy. Recently,
Krell has released a new top-of-the-line lineup of gear under the
Evolution moniker that speaks to those for a need for the best of the
best and a willingness to pay for it. The review system under
evaluation is comprised of a $10,000 Krell Evolution 505 SACD player
with 24-bit 192 DACs, a $15,000 Krell Evolution 202 two-chassis stereo
preamp and the monstrous Krell Evolution 900 monaural amplifiers at
$20,000 each, or $40,000 for the stereo pair as reviewed. My review
samples are done in Krell’s signature silver finish, which is
breathtakingly beautiful out of the rack and poised on a simple table
as it is installed in my reference system.
Set-up
To
start, it is important to note that the Krell Evolution 900 power amps
are nothing short of huge. With a travel ...
Introduction
Ask
someone who was into audio in the early days of high end for the names
of their favorite high-end audio brands and McIntosh is bound to be
mentioned in their first breath. McIntosh has been an icon in the
high-end audio world for over 50 years. McIntosh components have long
been recognizable by their elegant black glass faceplates, silver
trimmed knobs and blue back-lighting. McIntosh’s newest and least
expensive preamplifier, the C220, combines the Old World luxury
McIntosh is so well known for with modern performance features, all
without breaking the bank.
The C220 is a full-featured, tube-based stereo
preamplifier that retails for a reasonable $3,300. Some may categorize
the C220 as a purist design, as it makes no accommodations for
multi-channel or home theater integration as most $3,000 preamps do.
However, to consider the C220 a simple stereo preamplifier would be to
severely underestimate it. As you will see below, the C220 is ...
Thursday, 01 January 2004
,
Written by
Augie Bettencourt
Introduction
Krell
built its reputation on building big, powerful amplifiers with massive
amounts of power reserves, tremendous transient response and
bullet-proof build quality. Although the Krell name is best known for
its amplifiers, Krell has also built preamplifiers since its beginnings
in 1980. The Krell KCT preamplifier is the finest preamplifier Krell
has to offer and is the result of the development of Krell’s best
amplifier, the Krell Master Reference Amplifier. The question for many
well-heeled audio enthusiasts is, does a well-engineered amplifier
design translate into equally well-engineered preamplifier design?
As I unboxed the Krell KCT preamplifier, the cliché “built like a tank”
was the first thought that came to mind. The Krell KCT is a visually
striking piece of equipment, with a great sense of industrial design
and ergonomics.
At $8,500, this preamp is immensely expensive although priced
comparably or less than other “statement” preamplifier offerings such
as Mark Levinson No. 32 (about $12,000) or ...
Introduction
It
was only a short while ago that specialty audio retailers were filled
with high-performance two-channel stereo gear and very little (if any)
space was devoted to multi-channel surround products. Today is just the
opposite, with the overwhelming amount of available new gear
encompassing the multi-channel music and movie arena. Even though these
new multi-channel setups can play everything from movies to the newest
digital music formats, and even your older CD collection, there are
still consumers who are disinterested in surround media, looking for a
traditionally simple stereo sound system. Anthem Electronics is a
company that has long prided itself in delivering value and performance
to cost conscience consumers and may have just the ticket for
multi-channel holdouts. The TLP 1 Preamplifier is a full-featured,
solid state, remote-controlled stereo preamplifier with a host of
features, including an AM/FM tuner and tone controls, attributes that
are rarely found in stereo preamps. The Anthem TLP 1 ...