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Categories in section: Home Theater Preamplifiers
AV Preamps (48) Stereo Preamps (36)

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Monday, 01 September 2003 ,  Written by Bryan Southard
Meridian 568.2 Digital Surround Processor
Introduction There’s no more important nor complicated component in your A/V system than that of the surround-sound preamp. It is the controls, processor and distribution center of your entire music and movie playback system. A high-performance A/V preamp can make your system sound like an audiophile’s most racy dream while controlling the increasingly complex sources of your system with ease. A poor sounding AV preamp, and they are out there on the market, can make music sound like cats scratching on an aluminum door. A poorly thought-out AV preamp will leave you wishing you had the inputs needed to allow you to keep up with the latest in AV technology like DVD-Audio, SACD, HDTV, component video switching and beyond. Meridian Audio is renowned for manufacturing audio/video components that perform at the very highest levels, competing directly with the likes of Mark Levinson, Krell, Lexicon, Theta and others that aspire to make the finest AV gear on ...
Friday, 01 August 2003 ,  Written by Brian Kahn
Anthem TLP 1 Stereo Preamplifier
Introduction It was only a short while ago that specialty audio retailers were filled with high-performance two-channel stereo gear and very little (if any) space was devoted to multi-channel surround products. Today is just the opposite, with the overwhelming amount of available new gear encompassing the multi-channel music and movie arena. Even though these new multi-channel setups can play everything from movies to the newest digital music formats, and even your older CD collection, there are still consumers who are disinterested in surround media, looking for a traditionally simple stereo sound system. Anthem Electronics is a company that has long prided itself in delivering value and performance to cost conscience consumers and may have just the ticket for multi-channel holdouts. The TLP 1 Preamplifier is a full-featured, solid state, remote-controlled stereo preamplifier with a host of features, including an AM/FM tuner and tone controls, attributes that are rarely found in stereo preamps. The Anthem TLP 1 ...
Sunday, 01 June 2003 ,  Written by Thomas Garcia
Lexicon MC-12B Music and Cinema Processor
Introduction As a music and home theater enthusiast, I frequently find myself upgrading or modifying my system, either through improvements to the acoustics of the listening environment, or the replacement and/or augmentation of various pieces of equipment. Most of the time, these changes result in small to moderate levels of improvement that are not always monumental, generally more evolutionary rather than revolutionary. But every now and then, a rare piece of equipment crosses my path, making me reevaluate my overall approach to my system configuration and setup. One such recent addition has been the Lexicon MC-12B Music and Cinema Controller. Lexicon, a member of the Harman International conglomerate, has been a highly respected producer of both professional and consumer electronics over the past few decades. The MC-12B represents the current pinnacle achievement in music and cinema controllers offered by Lexicon. The MC-12B’s pedigree can be traced back to the original CP-1, which was in introduced in ...
Sunday, 01 June 2003 ,  Written by Ed Masterson
Linn Klimax Kontrol Stereo Preamplifier
Introduction The Klimax Kontrol preamplifier is the newest in Linn’s series of no-compromise audio products. Included in this series, you will find the Linn CD12 CD player, a product that transcends previously known levels of perfection, as well as the ultra-slick Klimax Twin stereo amplifier, both previously reviewed in Audio Revolution. The Linn Klimax Kontrol is a remote-controlled line-level stereo preamplifier that sells for the major league price of $10,000. The Kontrol measures 2.36 inches in height, 13.78 inches wide, 13.98 inches deep, and weighs 24 pounds. For such a diminutive package, the Kontrol packs a wallop when it comes to features. For I/O, the Kontrol accepts up to five inputs. Input One accepts balanced or single-ended connectors. Inputs Two through Four accept single-ended connections only. The fifth input is available via Linn’s proprietary Knekt connection. Output is available though either single-ended or balanced connections. The Kontrol features a unity gain function that is available on any input ...
Sunday, 01 June 2003 ,  Written by Jerry Del Colliano
Mark Levinson No. 40 AV Preamplifier
Introduction Since the glory days of high-end audio in the late 1970s, the Mark Levinson brand has been associated with the world’s finest and most expensive preamps. Back in the day, the Mark Levinson brand was established on stereo preamps like the Mark Levinson JC1, which cost easily three times more than its closest competitor and yet sold like hotcakes. In today’s market, Harman International’s Madrigal, the parent company of the Mark Levinson brand, resisted releasing a high-end AV preamp to the market until years after other competitors had launched their products. Until now, Madrigal AV preamps were pretty much limited to the Proceed AVP, which was a very effective component but didn’t have the all-out high-end approach of a Mark Levinson product. Today there is the Mark Levinson No. 40, which is a $30,000, dual-chassis AV preamp with a no-compromises design approach that takes the best Madrigal knows about stereo preamps, DACs, video switching ...
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