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Eastern Electric Mini Max Supreme DAC Review
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SOtM sHP-100 Headphone Amplifier & DSD DAC Review
Marantz PM5005 Integrated Amplifier & CD5005 CD Player Review
Musical Fidelity M6si Integrated Amplifier Review
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AV Preamps (48) Stereo Preamps (38)

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Wednesday, 12 May 2010 ,  Written by Andre Marc
Benchmark DAC1 HDR Converter - Preamplifier Review
Benchmark Media has hit the 25 year mark, and has been an established name in broadcasting, pro audio, and more recently, in the home audiophile market. Audio engineers swear by their reliable, compact, and great sounding gear that works well in a variety of listening environments. Their products have included microphone preamps, DAC's, headphone amplifiers, and many other essential tools used in critical professional applications such as recording and mastering studios.Benchmark is based in Syracuse, New York, and their products are designed and built there.  Benchmark is committed to keeping it that way, unlike some of their competitors, who have gone offshore. They are known for customer service, employee and customer loyalty, as well as solid and fairly priced products. What sometimes gets overlooked is Benchmark's reputation for cutting edge technology.Benchmark DAC1: An EvolutionFor years, Benchmark was essentially a manufactuer ...
Wednesday, 27 January 2010 ,  Written by Andre Marc
Lamm LL2.1 Deluxe Preamplifier Review
Lamm Industries was founded just over 17 years ago. They are currently located in Brooklyn, New York, one of my old stomping grounds. The lead designer and namesake Vladmir Lamm has a legendary, uncompromising vision. Mr. Lamm has quite a reputation as a very technical designer, but also as a music lover. Lamm offers a family of tubed and hybrid preamplifiers and amplifiers that are all well reviewed, and lusted after by audiophiles world wide lucky enough to afford them. Lamm is known for using very expensive parts, creating unique, clean circuit paths, and for dispensing with anything that could possibly interfere with the purity of the signal.As a matter of fact, calling Vladamir Lamm a purist would be entirely accurate. His preamplifiers have no remote controls, fancy faceplates, or any feature that he would deem unnecessary and possibly detrimental ...
Wednesday, 09 December 2009 ,  Written by Andre Marc
Bryston BP6 Preamplifier and 2B SST Squared Amplifier Review
After having reviewed a series of tube based components from Manley Labs, I looked forward to getting a view from the other end of the spectrum when I took delivery of a solid state preamplifier and power amplifier from Bryston, a Canadian company that has been making pro audio and audiophile equipment for 40 years.  Their longevity is no accident, as they are known for making great sounding, reliable, stylish gear. They also back up their reputation with a 20 year warranty, virtually unheard of in the consumer audio market.Up for review is the Bryston 2B SST Squared, power amplifier, MSRP $2750, and the BP6 preamplifier, MSRP $1995. A volume controlling remote control is optional.  The 2B SST amplifier is rated at 100 watts per channel into 8 ohms, and 180 watts per channel into 4 ohms. Both units arrived ...
Monday, 28 September 2009 ,  Written by Andre Marc
Manley Neo-Classic 300B Preamplifier Review
In the high end audio world, tubed Hi-Fi components almost became extinct in the late 70’s, with issues of reliability, neutrality, and the very future of tube production being of major concern. There were a few manufacturers still plugging away, such as Audio Research and Quad, but at the same time some of the iconic producers of tube equipment started bringing solid state products to market.  But early solid state products had many detractors. Harsh sounding transistors in early designs were tough for tube proponents to take.  But low maintenance, well built, excellent sounding transistor designs eventually gained major acceptance.  Yet the “TuboPhile’ kept fighting the good fight. Companies like Conrad Johnson, Audio Research, Cary, and a host of others continued to design tube amplifiers, preamplifiers, and even cd players despite being out of favor. Thankfully, what is old is ...
Tuesday, 07 April 2009 ,  Written by Robert Mead
Rotel RSP-1570 7.1 Processor/Preamplifier
The multi-functionality of any decent a/v receiver on the market today must be the most prominent and fundamental element when a consumer considers purchasing an a/v receiver for their living room or bedroom. Some consumers want a great 7.1 surround processor that will replicate the exact and precise DTS theater sound found at the local multiplex. But some others might want to purchase an a/v receiver that replicates the delicate nuances of pure stereo sound only, not wanting to listen to any surround mode whatsoever that would corrupt the pure audio that the original studio engineer that worked on the CD wanted to capture for prosperity. That kind of “audio purist” that puts 2-channel clear stereo sound ahead of the latest DTS surround mode when looking for a new a/v receiver is what Rotel’s sound engineers are always striving to ...
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