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Reviewed: MusicScope Analysis Software by Xivero
Fluance XL7F Loudspeakers Review
Luminous Audio Axiom II Passive Preamp Review
Denon PMA-50 Integrated Amplifier Review
CLONES Audio 25iR Integrated Amplifier Review
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Home Theater Loudspeakers
Categories in section: Home Theater Loudspeakers
Bookshelf/Monitor Loudspeakers (35) Floorstanding Loudspeakers (65) In-wall Loudspeakers (6)
On-wall Loudspeakers (6) Speaker Systems (96) Subwoofers (36)

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Sunday, 01 February 2004 ,  Written by Bryan Southard
Linn Sizmik 12.45 Subwoofer
Introduction Reviewers at AudioRevolution.com literally fight over who gets the next Linn product for evaluation. The reason is simple: they manufacture ultra-high-quality, cutting-edge A/V components at the very top of the industry’s price scale. Linn Products is located on the serene outskirts of Glasgow, Scotland, where they develop, design and, even to this day, manufacture virtually all of their products in-house. Linn feels that this is the only reliable way to control the quality of the finished goods and ensure that their customers receive the very highest-level ownership experience possible. It all started some 30-odd years back when, in the vision of their founder, the LP12 record playback system was born. This was during a time when few knew or had the vision to see the benefit in perfecting the source component. Previously, manufacturers focused on other areas that they felt were more influential to good sound, like amps and preamps. We all know our ...
Thursday, 01 January 2004 ,  Written by Brian Kahn
MartinLogan Descent Subwoofer
Introduction MartinLogan is a company known for making high-end electrostatic speakers, a field which they have dominated for many years. Audio Revolution has reviewed many of their products over the years due to their value and competitive entry price into the true high end of music and theater reproduction. Up until recently, owners of MartinLogan speakers have been forced to find a subwoofer to complement their speakers from the other manufacturers. This all changed with MartinLogan’s much-anticipated release of the Descent subwoofer, which retails for $2,795. MartinLogan spent approximately eight years in development of this offering. I recall seeing a prototype at least three years ago and was quite excited when I learned a copy of the finished product would be heading my way. The release of a subwoofer by MartinLogan is a significant step into new territory, as the electrostatic speakers the company is known for are notoriously difficult to blend with a subwoofer. This is ...
Thursday, 01 January 2004 ,  Written by Christopher Zell, Ph.D.
Paradigm Studio 100 v.3 Home Theater Loudspeaker System
Introduction There are a number of very successful and highly respected loudspeaker designers and manufacturers who can trace their origins to the National Research Council (NRC) of Canada. Although Paradigm no longer uses the NRC testing facilities, their design philosophies have their roots in the groundbreaking research performed at the NRC in the 1980s, dealing with listener preferences and their relationships with various loudspeaker measurements and traits. The highly successful Paradigm Electronics Inc. is now one of the largest speaker manufacturers in the Western Hemisphere, with some of the most advanced and extensive test facilities anywhere. In the summer of 2003, Paradigm introduced the third iteration of their popular and acclaimed Reference Studio series, appropriately dubbed v.3. The complete home theater loudspeaker system reviewed here utilizes the Studio 100s ($2,200 per pair) as the cornerstone main loudspeakers, a single Studio CC-570 ($800 each) center channel, and a pair of Studio ADP-470 ($950 per pair) as rear surround ...
Saturday, 01 November 2003 ,  Written by Thomas Garcia
Mirage OMNI Series Speaker System
Introduction In the never-ending search for the perfect loudspeaker system, there are a number of approaches that a manufacturer can take during the engineering and design process of a new product. At minimum, the majority of loudspeaker designers would agree that certain prerequisites, such as low distortion and a relatively flat, smooth frequency response, are fundamental criteria for creating a good sounding speaker. How each manufacturer attempts to achieve this end goal varies tremendously. Direct radiators, dipoles, bipoles, and point-source loudspeakers are but a few of the options available, each creating their own unique dispersion pattern and interaction within the listening environment. All are intended to decipher the musical and sound experience as accurately as possible. The question of which engineering technique is best suited to recreate the original performance in our own listening environments has been, and will continue to be, a hot topic of debate, greatly influenced by personal preference. Mirage has a definite idea of ...
Wednesday, 01 October 2003 ,  Written by Bryan Southard
Monitor Audio FB 212 Subwoofer
Introduction The decision as to which subwoofer to buy is a difficult one to make for most AV enthusiasts. On the surface, they all look pretty much the same, cubed in shape, with a very common array of connections and adjustments. Sure, they vary in size, but not dramatically so for the most part. One problem is that you can go down to your local retailer and audition them solo, yet this evaluation is nearly impossible as, under these conditions, the subwoofers emit little more than a rumble that emulates a bad day on California’s San Andreas Fault. Most people simply purchase a sub as part of a package or one that the retailer says is the best match for their system, then go home and brag about the amount of watts that the subwoofer possesses, like a badge of honor. The fact is that size and watts provide little in the way ...
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