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This Month's Featured Equipment Reviews |
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Accessories
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Sunday, 01 October 2000
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Written by
Brian Kahn
Introduction
Headphones
are not a particularly glamorous product and are often overlooked by
many consumers. For years, I have paid practically no attention to
headphones or headphone amplifiers. I didn’t know what I was missing
but, after experiencing the best in headphones, I doubt I will ever be
without a pair of good headphones again.
I spent time
listening to two top-of-the-line dynamic headphones, the Grado RS-1s
and the Sennheiser HD-600’s. There are some more exotic designs,
including electrostatic headphones costing upwards of $10,000, but
these represent the top-of-the-line dynamic headphones from two
well-respected companies.
I turned to Tyll at Headroom, a company specializing in headphones and
headphone accessories, to get started on this article. I received a
quick lesson not only in headphones but also in headphone amplifiers. I
used Headroom’s "Maxed Out Home" headphone amplifier, as well as a
Grado Reference headphone amplifier, in my testing. The Headroom
amplifier has special circuitry that provides amazing imaging ...
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Sunday, 01 October 2000
,
Written by
Brian Kahn
Introduction
Headphones
are not a particularly glamorous product and are often overlooked by
many consumers. For years, I have paid practically no attention to
headphones or headphone amplifiers. I didn’t know what I was missing
but, after experiencing the best in headphones, I doubt I will ever be
without a pair of good headphones again.
I spent time
listening to two top-of-the-line dynamic headphones, the Grado RS-1s
and the Sennheiser HD-600’s. There are some more exotic designs,
including electrostatic headphones costing upwards of $10,000, but
these represent the top-of-the-line dynamic headphones from two
well-respected companies.
I turned to Tyll at Headroom, a company specializing in headphones and
headphone accessories, to get started on this article. I received a
quick lesson not only in headphones but also in headphone amplifiers. I
used Headroom’s "Maxed Out Home" headphone amplifier, as well as a
Grado Reference headphone amplifier, in my testing. The Headroom
amplifier has special circuitry that provides amazing imaging ...
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Sunday, 01 August 1999
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Written by
Kim Wilson
Introduction
From TMHLabs and the mind of Tomlinson Holman (creator of THX) comes a
set of powerful test discs that provide a series of test tones for the
calibration and performance measurement of two to 5.1 channel music and
theater systems. The test tones were generated in the digital domain by
computer programs that ensure accuracy and stability without actually
needing tremendously expensive and hard-to-use instruments. All editing
and mastering was conducted digitally, with no analog conversions along
the way. The finished discs are guaranteed to correctly represent the
original signals.
Most acousticians and installers will tell you they need at least an AC
voltmeter, an oscilloscope and a spectrum analyzer to do what this disc
series promises. These discs were designed to make system tests
simpler, requiring only a sound pressure level (SPL) meter that can be
purchased at Radio Shack, a stopwatch (on occasion) and a functioning
pair of ears. The Stereo and ...
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Monday, 01 February 1999
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Written by
John Sunier
Introduction
With
the growing dependence on digital sound from sources like Compact
Discs, DVD, DSS, Laserdisc, DAT, Mini Disc and other sources, the high
end audio and home theater industry has a newly found shortage of
digital inputs. You see, most A/V receivers and lower - to mid-priced
A/V preamps, can not accept more than one or two digital inputs.
Redesigning all of the A/V receivers on the market is going to take the
better part of a year, if not longer. So what do you do if you want to
have all of the best digital audio and video has to offer without
investing in a big dollar high end A/V preamp? Enter the MSB Digital
Director.
If you have already experimented with configurations of your DAC and CD
transport you probably realize that you can't just use any old audio
cable or adapters to route digital data streams from one component to
another. ...
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Thursday, 01 October 1998
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Written by
Bryan Southard
Introduction
For
those that have been participating in the sport of high-end music
reproduction for any period of time, the name Sonic Frontiers and high
quality digital playback is synonymous. Since Sonic Frontiers
inception, in late1989, they have had the industry’s attention with
several digital products that have been considered to be amongst the
very best. The opportunity to review the Processor 3 was met with
anxious anticipation.
The first question that came to mind was whether the industry would
tolerate another high priced digital front-end in this time of digital
uncertainty, alluding to the eminent appending change of digital
format. Much has been discussed in the past years about the change, and
much discussion is to follow. Lets take a look at their latest digital
flagship.
Sonic Frontiers has long operated under the philosophy that superior
parts provide the best opportunity for superior sounding products, and
apparently made no exceptions with the Processor 3. The overall ...
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