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Past DVD Hardware / Software News |
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Western
Tuesday, 24 October 2000 |
Written by
Bill Warren
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title:
The Shooting
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studio:
VCI Home Video
MPAA rating:
G
starring:
Warren Oates, Millie Perkins, Will Hutchins, Jack Nicholson
release year:
1966
film rating:
Three-and-a-half stars
reviewed by:
Bill Warren
For the background on this film, see our review of 'Ride in the Whirlwind;'
the two films were made back-to-back by director Monte Hellman, who
coproduced with Jack Nicholson. They were shot on handsome, even
striking, locations near Kanab, Utah, with excellent cinematography by
Gregory Sandor. Roger Corman, who served as an uncredited
producer/executive producer, sold both films to another company --
which released them straight to television. They had no U.S. theatrical
release for many, many years.
Tuesday, 16 May 2000 |
Written by
Bill Warren
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title:
Butch Cassidy And The Sundance Kid
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studio:
20th Century-Fox Home Entertainment
MPAA rating:
PG
starring:
Paul
Newman, Robert Redford, Katharine Ross, Strother Martin, Henry Jones,
Jeff Corey, George Furth, Cloris Leachman, Ted Cassidy
release year:
1969
film rating:
Four and a half stars
sound/picture:
Four stars
reviewed by:
Bill Warren
Screenwriter William Goldman still thinks this should have the title on
his script: "The Sundance Kid and Butch Cassidy," and feels it's only
because Paul Newman, the bigger star, was cast as Butch that he got top
billing over Sundance. That may have been Fox's reason for the title
switch, but it was the right one to make. The rhythms of the words are
better, more pleasing, with Butch listed first, and though Goldman
tried to balance the movie evenly between his two outlaw friends, Butch
is the one we remember best.
Tuesday, 21 December 1999 |
Written by
Abbie Bernstein
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title:
Lone Star
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studio:
Warner Home Video
MPAA rating:
R
starring:
Chris Cooper, Kris Kristofferson, Elizabeth Pena, Joe Morton
release year:
1996
film rating:
Four Stars
reviewed by:
Abbie Bernstein
‘Lone Star’ tells us visually right up front in Chapter 1 that it’s
going to be full of unexpected details, giving us the kinds of deep,
verdant greens we associate with English forests – on the cacti growing
in the hills along the Texas/Mexico border. Filmmaker John Sayles likes
to tell specific stories within the context of presenting us with an
insightful portrait of a culture. ‘Lone Star’ carries on this
tradition, giving us a truly unpredictable murder mystery in the middle
of a wonderfully interwoven knot of character studies, played out
against the backdrop of changing social tides in the fictional town of
Frontera, Texas.
Tuesday, 13 April 1999 |
Written by
Bill Warren
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title:
Junior Bonner
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studio:
Anchor Bay Entertainment
MPAA rating:
NR
starring:
Steve McQueen, Robert Preston, Ida Lupino, Joe Don Baker, Ben Johnson, Barbara Leigh, Bill McKinney
release year:
1972
film rating:
Four and a half Stars
reviewed by:
Bill Warren
Sam Peckinpah's films are often violent, so much so that even years
after his death, he's still known best for his use of violence. But his
best movies, which means almost all of them, are really about the
characters and their emotions; even the stories are usually secondary.
Jeb Rosebrook's well-observed screenplay for Junior Bonner, in some
senses, doesn't even have a story, but Peckinpah's gentle, affectionate
treatment of the material makes this one of the best films of the 1970s
-- and one of the most overlooked. The only "violence" in the movie are
punches to two chins, a comic barroom brawl, and rodeo events; nobody
even has a gun, much less fires one.
Monday, 17 August 1998 |
Written by
Bill Warren
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title:
The War Wagon
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studio:
Universal Home Video
MPAA rating:
NR
starring:
John Wayne, Kirk Douglas, Howard Keel, Robert Walker, Keenan Wynn, Bruce Cabot, Joanna Barnes, Bruce Dern, Gene Evans.
release year:
1967
film rating:
Three and a half stars
reviewed by:
Bill Warren
For a while, it looked like Burt Kennedy might become one of the major
Western figures; a few he wrote for Randolph Scott are still considered
some of the best A-minus Westerns of the 1950s. He began directing in
1961, and his THE ROUNDERS (1964) showed real promise. He did a good,
workmanlike job with THE WAR WAGON, an entertaining but hardly
innovative adventure of the sort that John Wayne turned out for several
decades. However, Kennedy never really worked on this level again, and
THE WAR WAGON tends to be undeservedly overlooked by Western buffs.
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