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Editor's rating: 
 4.1
 
Tuesday, 05 December 2006 |  Written by Allan Peach  | 
Jack Sparrow and his motley crew of scurvy pirates are back in “Pirates of the Caribbean: Dead Man’s Chest.” The sequel to 2003’s wonderful “Pirates of the Caribbean: The Curse of the Black Pearl,” tries hard to top its predecessor by upping the ante on special effects, subplots, and screen time devoted to the romantic leads. The result is an entertaining film, but a film that seems to miss much of the magic of the first adventure. “Pirates of the Caribbean: The Curse of the Black Pearl” at 143 minutes in length played like it was only 90 minutes long. “Dead Man’s Chest” at 150 minutes seems to go on forever. The pacing falters mainly because of the time devoted to the elaborate special effects and the added emphasis on the numerous minor characters and subplots of the script. The charm of the original “Pirates” centered mostly on the terrific performances of Johnny ...
Tuesday, 17 October 2006 |  Written by Dan Macintosh  | 
title: Blame It On The Fish: An Abstract Look At The 2003 Primus Tour De Fromage function popUp(URL,NAME) { amznwin=window.open(URL,NAME,'location=yes,scrollbars=yes,status=yes,toolbar=yes,resizable=yes,width=380,height=450,screenX=10,screenY=10,top=10,left=10'); amznwin.focus();} document.open(); document.write(""); document.close(); <br> studio: Prawn Song MPAA rating: NR starring (voices): Primus. DVD release year: 2006 film rating: Two Stars sound/picture rating: Three Stars reviewed by: Dan MacIntosh Primus bassist/leader Les Claypool is like a guy who talks a lot without saying much. Smart people are able to string together long and complicated sentences, filled with polysyllabic words that make you reach immediately for your thesaurus, yet still leave you unenlightened and unimpressed. Same goes for how Claypool works his instrument: Lotsa notes, minimal impact. Just as there is little point in talking if you’re not truly communicating anything noteworthy, there is no reason to play music if it doesn’t make an audience feel anything – positive or negative. With musical talk this cheap, is there a discernable purpose for Primus? I think not.
Tuesday, 03 October 2006 |  Written by Dan Macintosh  | 
title: The Little Mermaid (2-Disc Special Edition) function popUp(URL,NAME) { amznwin=window.open(URL,NAME,'location=yes,scrollbars=yes,status=yes,toolbar=yes,resizable=yes,width=380,height=450,screenX=10,screenY=10,top=10,left=10'); amznwin.focus();} document.open(); document.write(""); document.close(); &lt;br&gt; studio: Disney MPAA rating: G starring (voices): Rene Auberjonois, Christopher Daniel Barnes, Jodi Benson, Pat Carroll, Paddi Edwards, Buddy Hackett, Jason Marin, Kenneth Mars, Edie McClurg, Will Ryan, Ben Wright, Samuel E. Wright director: John Musker film release year: 1989 DVD release year: 2006 film rating: Four Stars sound/picture rating: Four Stars reviewed by: Dan MacIntosh Adults enjoy today’s animated films for a few primary reasons. One is star quality. You may not see Eddie Murphy or Mike Meyers on screen—in the case of the “Shrek” franchise—but you immediately recognize their distinctive voices. A second attraction is related to the first one. Newer animated films are funnier than the older ones, largely because the most hilarious people in Hollywood are sometimes attached to them. Rarer by far, however, is the animated film with high quality drama instead of humor. “The Little Mermaid” is one such exception.
Tuesday, 26 September 2006 |  Written by Mel Odom  | 
I’ve been fascinated by Bettie Page for years.  I can’t really remember where I first saw her images—hot poses that were somehow laced with self-deprecating humor as if she and her viewers were sharing a private joke.  I’ve always viewed her as sexy, but not a sex object.  Betty was always the kind of girl I felt certain I’d like to get to know.  And weirdly enough, it’s always seemed that getting to know her would be easier than getting to know Marilyn Monroe, who was a contemporary and attracting the same kind of male attention. There was always something of the girl-next-door about Bettie Page—a feeling that if you left your house at just the right moment you’d be able to spot her either arriving or departing—but only for a moment because she’d be gone while you were still trying ...
Tuesday, 12 September 2006 |  Written by Dan Macintosh  | 
title: Public Enemy - Manchester UK: MKLVFKWR function popUp(URL,NAME) { amznwin=window.open(URL,NAME,'location=yes,scrollbars=yes,status=yes,toolbar=yes,resizable=yes,width=380,height=450,screenX=10,screenY=10,top=10,left=10'); amznwin.focus();} document.open(); document.write(""); document.close(); <br> studio: Sony Pictures Video MPAA rating: Parental Advisory. Explicit Content starring: Public Enemy DVD release year: 2006 film rating: Three and a half Stars sound/picture rating: Three and a half Stars reviewed by: Dan MacIntosh Sportscasters often speak about momentum. It is a mysterious intangible, but it is undeniably real, nonetheless. When one team has momentum over another, it can do no wrong while their opponents can seemingly do nothing right. If it is a basketball game, the one squad with momentum on its side cannot miss a shot, while the other team cannot throw a pea in the ocean. Momentum applies to musical careers as well, with Public Enemy being a prime example of an act that had it but lost it. In the 90s, nobody in the rap world was hotter then Public Enemy. So hot were they, in fact, some even referred to them as the Black CNN. They were the act ...
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