|
This Month's Featured Equipment Reviews |
|
|
|
Past DVD Hardware / Software News |
|
|
|
DVD Movie Disc Reviews
Categories in section: DVD Movie Disc Reviews
Tuesday, 22 September 1998 |
Written by
Abbie Bernstein
|
title:
Mercury Rising
function popUp(URL,NAME) {
amznwin=window.open(URL,NAME,'location=yes,scrollbars=yes,status=yes,toolbar=yes,resizable=yes,width=380,height=450,screenX=10,screenY=10,top=10,left=10');
amznwin.focus();}
document.open();
document.write("");
document.close(); <br>
studio:
Universal Studios/Imagine Home Video
MPAA rating:
R
starring:
Bruce Willis, Alec Baldwin, Chi McBride, Kim Dickens
film rating:
Three Stars
release year:
1998
reviewed by:
Abbie Bernstein
‘Mercury Rising’ got an undeserved bad rap in its theatrical release.
It is actually a proficient, personable and swift-flowing thriller that
makes time for grace notes without sacrificing pacing.
Bruce Willis stars as FBI Agent Art Jeffries, who lands a seemingly
routine (albeit sad) assignment: tracking down an autistic
nine-year-old boy, Simon Lynch (Miko Hughes), who is missing from the
scene of what looks like the murder/suicide of his parents. What we
know that Art doesn’t -- yet -- is that little Simon, almost entirely
trapped inside his own mind, has managed to crack the NSA Mercury code.
U.S. Government security honcho Kudrow (Alec Baldwin) sees Simon’s
code-deciphering ability as an intolerable threat. When Art locates
Simon, the child cannot communicate what happened, much less who’s
responsible. Soon enough, Art realizes that ...
Tuesday, 25 August 1998 |
Written by
Abbie Bernstein
|
title:
Mean Streets
function popUp(URL,NAME) {
amznwin=window.open(URL,NAME,'location=yes,scrollbars=yes,status=yes,toolbar=yes,resizable=yes,width=380,height=450,screenX=10,screenY=10,top=10,left=10');
amznwin.focus();}
document.open();
document.write("");
document.close(); <br>
studio:
Warner Bros Home Video
MPAA rating:
R
starring:
Robert De Niro, Harvey Keitel, David Proval, Amy Robinson
release year:
1973
film rating:
Five Stars
reviewed by:
Abbie Bernstein
When I told a friend I'd been asked to review 'Mean Streets' on DVD,
she was incredulous. "What can you say about 'Mean Streets' at this
late date? It's a fantastic movie, it's seminal, watch it, the end?' "
She has a point. Although all three had worked before, 'Mean Streets'
launched the careers of director Martin Scorsese and actors Harvey
Keitel and Robert De Niro. Along with 'The Godfather,' it is one of the
most influential, written-about gangster films ever. Actually, since
"The Godfather" is opulent and operatic and 'Mean Streets' is set in
working- (and stealing-) class Little Italy, New York and is laced with
the rock music of its day, the latter is the more accessible of the
two. Since most budding filmmakers have relatively limited ...
Wednesday, 19 August 1998 |
Written by
Bill Warren
|
title:
Fletch
function popUp(URL,NAME) {
amznwin=window.open(URL,NAME,'location=yes,scrollbars=yes,status=yes,toolbar=yes,resizable=yes,width=380,height=450,screenX=10,screenY=10,top=10,left=10');
amznwin.focus();}
document.open();
document.write("");
document.close();
studio:
Universal Home Video
MPAA rating:
PG
starring:
Chevy Chase, Dana Wheeler-Nicholson, Joe Don Baker, Tim Matheson, Richard Libertini, M. Emmet Walsh, Geena Davis, George Wendt
release year:
1985
film rating:
Four Stars
reviewed by:
Bill Warren
Gregory McDonald held back selling Hollywood the rights to his "Fletch"
until Chevy Chase and others began coaxing him with the promise that
the film would be faithful to the novel. And surprisingly enough,
Fletch (but not Fletch Lives) really does follow the McDonald style
reasonably closely. Even Chase plays about two-thirds of the movie
straight, keeping the wisecracks in line with Fletch's ironically
playful character. In the other third, Chase insists on trotting out
his clumsy gags -- completely out of character for Fletch -- and
tossing in lame, off-target wisecracks. Enjoy the film for what it does
right, which is most of it, and forgive it for the blunders -- which,
unfortunately, dominated the sequel. (A planned third in ...
Monday, 17 August 1998 |
Written by
Bill Warren
|
title:
The War Wagon
function popUp(URL,NAME) {
amznwin=window.open(URL,NAME,'location=yes,scrollbars=yes,status=yes,toolbar=yes,resizable=yes,width=380,height=450,screenX=10,screenY=10,top=10,left=10');
amznwin.focus();}
document.open();
document.write("");
document.close();
studio:
Universal Home Video
MPAA rating:
NR
starring:
John Wayne, Kirk Douglas, Howard Keel, Robert Walker, Keenan Wynn, Bruce Cabot, Joanna Barnes, Bruce Dern, Gene Evans.
release year:
1967
film rating:
Three and a half stars
reviewed by:
Bill Warren
For a while, it looked like Burt Kennedy might become one of the major
Western figures; a few he wrote for Randolph Scott are still considered
some of the best A-minus Westerns of the 1950s. He began directing in
1961, and his THE ROUNDERS (1964) showed real promise. He did a good,
workmanlike job with THE WAR WAGON, an entertaining but hardly
innovative adventure of the sort that John Wayne turned out for several
decades. However, Kennedy never really worked on this level again, and
THE WAR WAGON tends to be undeservedly overlooked by Western buffs.
Wednesday, 12 August 1998 |
Written by
Bill Warren
|
title:
The Four Musketeers
function popUp(URL,NAME) {
amznwin=window.open(URL,NAME,'location=yes,scrollbars=yes,status=yes,toolbar=yes,resizable=yes,width=380,height=450,screenX=10,screenY=10,top=10,left=10');
amznwin.focus();}
document.open();
document.write("");
document.close();
studio:
Fox Lorber Home Video
MPAA rating:
PG
starring:
Michael
York, Oliver Reed, Richard Chamberlain, Frank Finlay, Faye Dunaway,
Raquel Welch, Christopher Lee, Charlton Heston, Geraldine Chaplin, Roy
Kinnear, Jean-Pierre Cassel, Simon Ward
release year:
1974
film rating:
Four stars
reviewed by:
Bill Warren
When director Richard Lester and screenwriter George Macdonald Fraser
(author of the Flashman books) turned Alexandre Dumas' classic The
Three Musketeers into a movie for the Salkinds (a father and son
producing team), the original intent was to make a lengthy epic. They
followed the original novel faithfully, adding more overt comedy
elements and lots of period gadgetry. Like Dumas' novel, the film was
to evolve naturally from a lighthearted swashbuckler to a much more
serious adventure. A spirited, talented cast was hired, and location
work in Spain took advantage of the countryside, castles and old
cities. So far so good.
|
|