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Mystery-Suspense
Tuesday, 14 December 1999 |
Written by
Bill Warren
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title:
Extreme Measures
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studio:
Warner Home Video
MPAA rating:
R
starring:
Hugh
Grant, Gene Hackman, Sarah Jessica Parker, David Morse, Bill Nunn, John
Toles-Bey, Paul Guilfoyle, Debra Monk, David Cronenberg
release year:
1996
film rating:
Two and a half stars
reviewed by:
Bill Warren
"Extreme Measures" is a well-made, well-cast medical thriller very
(VERY) much in the "Coma" vein. Hugh Grant makes as an appealing a hero
in a suspense movie as he does a leading man in romantic comedies, and
we're engaged by his personality from the beginning. (The movie was
produced by Elizabeth Hurley, his longtime girlfriend.) Michael Apted
knows how to contrast suspenseful scenes with action, taut sequences
with comic ones, and maintains a tight focus on the story from
beginning to end -- there are no side issues in Tony Gilroy's script at
all.
Tuesday, 14 December 1999 |
Written by
Bill Warren
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title:
Dead Calm
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studio:
Warner Bros. Home Video
MPAA rating:
R
starring:
Sam Neill, Nicole Kidman, Billy Zane
release year:
1989
film rating:
Four Stars
reviewed by:
Bill Warren
This Australian thriller was released in the United States with little
fanfare -- but to acclaim and a lot of jangled nerves. It helped
establish Sam Neill and Nicole Kidman as boxoffice names (though it
didn't do the same for Billy Zane), and brought director Philip Noyce
to the U.S. Up here from Down Under, Noyce has alternated good with
less-good movies; his first American-financed movie was the
little-known BLIND FURY, with Rutger Hauer, but that was followed by
PATRIOT GAMES. But then that was followed by SLIVER, a mediocre flop --
but he bounced back with CLEAR AND PRESENT DANGER in 1994. Since then,
his footing has been somewhat slippery, although 1999's THE BONE
COLLECTOR wasn't bad. He's scheduled to direct the next in the Jack
Ryan series.
Tuesday, 14 December 1999 |
Written by
Bill Warren
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title:
Running Time
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studio:
Anchor Bay Home Entertainment
MPAA rating:
Unrated
starring:
Bruce Campbell, Jeremy Roberts, Anita Barone, Stan Davis, Gordon Jennison, Art LeFleur, Dana Craig, Curtis Taylor.
release year:
1997
film rating:
Four stars
reviewed by:
Bill Warren
Movies are occasionally designed to take place in "real time;" that is,
the story takes place in the same time it takes to watch it. Two
obvious examples are "Twelve Angry Men" and "Nick of Time". Far rarer
are those movies that also seem to be taking place without any editing
at all, as if the movie was one long take.
Tuesday, 16 November 1999 |
Written by
Bill Warren
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title:
Bird With the Crystal Plumage
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studio:
VCI Home Video
MPAA rating:
Unrated Version
starring:
Tony Musante, Suzy Kendall, Enrico Maria Salerno, Eva Renzi, Umberto Raho, Raf Valenti, Mario Adorf, Reggie Nalder
release year:
1970
film rating:
Four stars
reviewed by:
Bill Warren
This was the first movie from Dario Argento as a director, and remains
probably his most successful movie on an international scale. Intensely
suspenseful, beautifully photographed (by the great Vittorio Storaro),
with strong violence and a surprising twist, 'Bird with the Crystal
Plumage' established Argento with one stroke, and, outside of Italy at
least, introduced the giallo subgenre of suspense.
Giallo, which simply means "yellow," came from the covers of a series
of thriller novels on which that color predominated. The term carried
over to this string of vivid, stylish suspense/horror movies. Argento
himself did several more, such as 'Four Flies on Gray Velvet' and the
outstanding 'Deep Red' (numbers turn up in the titles of many of ...
Tuesday, 02 November 1999 |
Written by
Abbie Bernstein
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title:
Poison Ivy 3: The New Seduction
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studio:
New Line Home Video
MPAA rating:
Unrated & R Versions
starring:
Jaime Pressly, Michael Des Barres, Megan Edwards, Greg Vaughan
release year:
1997
film rating:
Two Stars
reviewed by:
Abbie Bernstein
Quality in films can be a relative thing. Take, for example, ‘Poison
Ivy: The New Seduction,’ the third in the ‘Poison Ivy’ series. Judged
by normal standards, it’s a predictable, substandard sexploitation
thriller. However, compared to its immediate predecessor ‘Poison Ivy
2,’ ‘The New Seduction’ looks like Alfred Hitchcock’s ‘Psycho.’
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