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This Month's Featured Equipment Reviews |
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Past DVD Hardware / Software News |
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Military-War
Tuesday, 10 December 2002 |
Written by
Tara O'Shea
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title:
K-19 The Widowmaker
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studio:
Paramount Home Entertainment
MPAA rating:
PG-13
starring:
Harrison Ford, Liam Neeson, Peter Sarsgaard, Ravil Isyanov
release year:
2002
film rating:
Four Stars
sound/picture:
Four Stars
reviewed by:
Tara O'Shea
In 1961, the Soviets launched their first nuclear submarine, the K-19,
against the advice of the ship's captain, Mikhail Polenin (Liam
Neeson). The construction and launch was rushed, the ship outfitted
with inferior parts, and the crew believed the mission to be cursed.
The Navy assigns Captain Alexei Vostrikov (Harrison Ford, who also
served as an executive producer) to command the boat's shakedown
cruise, with the plan of launching a test missile in the Arctic before
moving to a strategic spot within striking distance of the United
States.
Tuesday, 09 July 2002 |
Written by
Mel Odom
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title:
Hart's War
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studio:
MGM Home Entertainment
MPAA rating:
R
starring:
Bruce Willis, Colin Farrell, Terence Howard, Marcel Iures
release year:
2002
film rating:
Four Stars
sound/picture:
Four Stars
reviewed by:
Mel Odom
“Hart’s War” is one of the most compelling character-driven movies to
come along in years. Bruce Willis and Colin Farrell star as American
prisoners of war in a German P.O.W. camp during the final months of
World War II. As Col. McNamara and Lieut. Thomas Hart, respectively,
the two create onscreen presences that are larger than life. While
facing the hardships of the prison camp, McNamara and Hart deal with
their own private agendas as well, and each in his own way finds a
means of carrying on the war — even when these methods involve battling
each other.
Tuesday, 02 July 2002 |
Written by
Mel Odom
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title:
Pearl Harbor (Vista Series Director's Cut)
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studio:
Touchstone Pictures
MPAA rating:
R
starring:
Ben Affleck, Josh Hartnett, Kate Beckinsale
release year:
2001
film rating:
Three Stars
sound/picture:
Four Stars
reviewed by:
Mel Odom
“Pearl Harbor” is essentially the story of two buddies, Rafe McCawley
(Ben Affleck) and Danny Walker (Josh Hartnett), and the military nurse
(Kate Beckinsale) who is the love of their lives, played out against
the horror that was the Japanese attack on the Hawaiian Islands on
December 7, 1941. The story of this friendship, the loss and accidental
betrayal of love, and the courage needed by the men who faced the
devastation of the American military base provides the thread that
pulls together a dozen different stories and give the movie its scope.
However, the different story arcs get somewhat tangled and at times
lost in the choreography of the battle and in the emotional fallout
after the attack.
Tuesday, 21 May 2002 |
Written by
Bill Warren
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title:
The Thin Red Line
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studio:
20th Century Fox Home Video
MPAA rating:
R
starring:
Jim
Caviezel, Ben Chaplin, Sean Penn, Elias Koteas, Nick Nolte, John
Cusack, Woody Harrelson, George Clooney, John Savage, John C. Reilly,
John Travolta
release year:
1998
film rating:
Four and a half stars
reviewed by:
Bill Warren
Terence Malick's THE THIN RED LINE is a unique war movie, a genuine art
film, deeply personal, a dreamlike meditation on war, cerebral and
unsentimental. In many ways, it's more like a musical composition than
a movie; the way it is structured overall, as well as the clear
decision to tell the story in movements rather than by conventional
narrative are only two of the factors that set this film apart from all
other war movies.
Tuesday, 14 August 2001 |
Written by
Bill Warren
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title:
Enemy At The Gates
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studio:
Paramount Home Video
MPAA rating:
R
starring:
Jude Law, Joseph Fiennes, Rachel Weisz, Bob Hoskins, Ed Harris, Ron Perlman, Eva Mattes, Gabriel Marshall-Thomson
release year:
2001
film rating:
Three stars
sound/picture:
Three stars
reviewed by:
Bill Warren
With a cast this good and production values this rich, "Enemy at the
Gates" should have been much better than it is. Director Jean-Jacques
Annaud cowrote the script with Alain Godard, and they work overtime to
convince us that they are not pro-Communist. This fastidious
readjustment of the political material keeps getting in the way of
what's going on, as does the infusion of a romance into wartime
material. Finally, Annaud leans far too heavily on the stylistic
precedent of "Saving Private Ryan" and not enough on the setting and
time.
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