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This Month's Featured Equipment Reviews |
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Past DVD Hardware / Software News |
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Drama
Tuesday, 18 May 1999 |
Written by
Abbie Bernstein
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title:
Power
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studio:
Warner Home Video
MPAA rating:
R
starring:
Richard Gere, Julie Christie, Gene Hackman, Denzel Washington
release year:
1986
film rating:
Three Stars
reviewed by:
Abbie Bernstein
Sleaziness and absurdity are in the eye of the beholder. There are, in
fact, quite a bit of both in the 1986 drama ‘Power,’ but at the time,
the filmmakers could hardly have foreseen real-life events that would
make the world they depict look comparatively fair, rational and
well-balanced.
Monday, 17 May 1999 |
Written by
Abbie Bernstein
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title:
With Honors
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studio:
Warner Home Video
starring:
Joe Pesci, Brendan Fraser, Moira Kelly, Patrick Dempsey
release year:
1994
film rating:
Three Stars
sound/picture:
Three Stars
reviewed by:
Abbie Bernstein
‘With Honors’ is a Harvard-set comedy/drama that examines the unlikely
bond that grows between political science senior Monty Kessler (Brendan
Fraser), a nose-to-the-grindstone type, and the 50ish, homeless Simon
Wilder (Joe Pesci). Through an accident, Simon gets hold of the only
copy of Monty’s thesis, which he holds for ransom: one page for every
favor Monty provides. These include niceties like glazed donuts and
clean underwear. Eventually, Simon winds up camped out in front of
Monty’s dorm house. Monty’s roommates (Moira Kelly, Patrick Dempsey and
Josh Hamilton) react with varying degrees of humor, compassion and
outright horror. Monty inevitably picks up a few life lessons from
Simon, while the long-alienated Simon rediscovers the value of
friendship and trust.
Tuesday, 27 April 1999 |
Written by
Abbie Bernstein
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title:
Boys On The Side
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studio:
Warner Home Video
MPAA rating:
R
starring:
Whoopi Goldberg, Mary-Louise Parker, Drew Barrymore
release year:
1995
film rating:
Three stars
sound/picture:
Three stars
reviewed by:
Abbie Bernstein
‘Boys on the Side’ is an offbeat comedy/drama that overall works
despite flaws that would sink another film crafted by less skilled
hands. It doesn’t quite ring true, but it is consistently entertaining
and generally good-hearted.
Jane (Whoopi Goldberg) is a worldly, cynical, lesbian struggling singer
who resolves to move from New York to L.A. Robin (Mary-Louise Parker),
the woman who responds to Jane’s ad for a traveling companion, is a
determinedly cheerful realtor and heterosexual Carpenter’s fan who
would seem to be Jane’s antithesis. En route, they pick up Jane’s pal
Holly (Drew Barrymore), who in the course of fleeing an abusive
boyfriend takes more decisive action than intended. The trio stop in
Arizona, where the nature of their trajectories and relationships keep
them in place, especially Jane, who has fallen ...
Tuesday, 30 March 1999 |
Written by
Abbie Bernstein
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title:
The Betsy
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studio:
Warner Home Video
MPAA rating:
R
starring:
Laurence Olivier, Robert Duvall, Tommy Lee Jones, Katherine Ross
release year:
1978
film rating:
Two Stars
reviewed by:
Abbie Bernstein
‘The Betsy’ is one of those rare films that benefits from being
modified from the widescreen to full-screen aspect ratio. It’s
difficult to imagine what this movie played like on the big screen.
Adapted from Harold Robbins’ novel by screenwriters William Bast and
Walter Bernstein and directed by Daniel Petrie, ‘The Betsy’ resembles
nothing so much as an extra-long, better-acted episode of ‘Dynasty.’
Actually, it’s the other way round as ‘The Betsy’ was made in 1978 and
‘Dynasty’ and its ilk didn’t show up until the ‘80s. However, the style
and subject matter both seem more familiar from nighttime soap opera
than from films of any era.
‘The Betsy,’ believe it or not, is what aging Detroit auto mogul Loren
Hardeman Sr. (Laurence Olivier) plans to call a new car ...
Tuesday, 30 March 1999 |
Written by
Abbie Bernstein
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title:
The Ten Commandments
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studio:
Paramount Home Video
MPAA rating:
G
starring:
Charlton Heston, Yul Brynner, Anne Baxter, Edward G. Robinson
release year:
1956
film rating:
Three Stars
reviewed by:
Abbie Bernstein
‘The Ten Commandments’ is epic in ambition, in scope and -- at three
hours, 40 minutes -- in length. It pretty much epitomizes what modern
audiences think of when ‘50s Biblical tales are mentioned. It’s got
huge crowds (real extras, not CGI), bright colors, a reverential mood
and a campiness factor that probably was evident even in first release,
let alone over 40 years after the fact.
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