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This Month's Featured Equipment Reviews |
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Past DVD Hardware / Software News |
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Drama
Tuesday, 21 December 1999 |
Written by
AV News
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title:
Total Eclipse
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document.open();
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studio:
New Line Home Video
MPAA rating:
R
starring:
Leonardo DiCaprio, David Thewlis, Roman Bohringer, Dominque Blanc
release year:
1995
film rating:
Two Stars
reviewed by:
Abbie Bernstein
If you want to play a really nasty trick on - or just test the loyalty
of - one of Leonardo DiCaprio’s more starry-eyed admirers, who knows
the young actor primarily from his work in ‘Titanic’ and ‘Romeo and
Juliet,’ suggest a viewing of ‘Total Eclipse.’ If said admirer is still
a fan after watching this film, you’ll know the admiration is based in
overall talent and not just personality, because here DiCaprio portrays
someone you wouldn’t mind having flattened by a falling piano.
Tuesday, 21 December 1999 |
Written by
Bill Warren
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title:
The Shawshank Redemption
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document.open();
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studio:
Warner Home Video
MPAA rating:
R
starring:
Tim Robbins, Morgan Freeman, Bob Gunton, William Sadler, Clancy Brown, Gil Bellows, James Whitmore, Mark Rolston, Jeffrey DeMunn
release year:
1994
film rating:
Four Stars
reviewed by:
Bill Warren
It's mystifying that Warners Home Video didn't add more extras to the
DVD of THE SHAWSHANK REDEMPTION. Although the movie wasn't a hit
theatrically, it has done well on video, got several Oscar notations,
won awards of other kinds, and on video, gained something even better:
it has become a genuinely beloved movie, often cited by regular
moviegoers (presumably the DVD market) as their favorite film of all
time. It's only logical, then, to have given this film special
treatment in the hottest new video format. But as they did with the
film theatrically, Warner Bros. has again dropped the ball.
Tuesday, 21 December 1999 |
Written by
Bill Warren
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title:
A Cry In The Dark
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document.open();
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studio:
Warner Bros. Home Video
MPAA rating:
PG-13
starring:
Meryl Streep, Sam Neill, Brian James, Charles "Bud" Tingwell, Dorothy Alison, Maurie Fields, Peter Hosking, Matthew Barker
release year:
1988
film rating:
Four stars
reviewed by:
Bill Warren
Partly because it was released when jokes were being made about Meryl
Streep trying on every accent available in English, A CRY IN THE DARK
was somewhat overlooked when it was released, and is rarely mentioned
today outside Australia, where the true story is set.
But it's an involving, almost haunting movie about justice gone wildly
wrong; Streep does do an Aussie accent, and does it perfectly. Her
performance is among her best, and co-star Sam Neill's may actually be
his best. It's the story, however, that makes A CRY IN THE DARK so
gripping.
Tuesday, 07 December 1999 |
Written by
Bill Warren
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title:
The Spitfire Grill
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amznwin.focus();}
document.open();
document.write("");
document.close();
studio:
Warner Bros. Home Video
MPAA rating:
PG-13
starring:
Alison
Elliott, Ellen Burstyn, Marcia Gay Harden, Will Patton, Kieron
Mulroney, Gailard Sartain, John M. Jackson, Louise De Cormier
release year:
1996
film rating:
Three and a half stars
reviewed by:
Bill Warren
Perhaps the best way to view THE SPITFIRE GRILL is as a movie version
of a small town legend. The acting and production values are very
strong, but the story feels simultaneously contrived and heart-felt, as
if this isn't the way things happened, but the way those who remembered
the events wished they had happened. Except, that is, for the movie's
badly misjudged ending, which demolishes one of the central themes of
its own story -- that redemption is possible without paying a terrible
price.
Tuesday, 30 November 1999 |
Written by
Abbie Bernstein
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title:
BLACK BEAUTY
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studio:
Warner Bros. Family Entertainment
starring:
Alan Cumming (voice), Sean Bean, David Thewlis, Jim Carter
release year:
1994
film rating:
Four Stars
sound/picture:
Three-and-a-Half Stars
reviewed by:
Abbie Bernstein
Director/screenwriter Caroline Thompson’s adaptation of Anna Sewell’s
classic 19th-century animal tale ‘Black Beauty’ remains one of the
unsung best pictures of 1994 and one of the best family films of the
‘90s. Loving, impassioned, beautiful to look at and faithful to the
source material, this version is the perfect cinematic mate to its
literary source. Thompason has adapted Sewell’s novel in a clean,
straightforward style while reveling unapologetically in the wonder of
horses.
Thompson daringly preserves Sewell’s manner of storytelling, with the
horse Black Beauty relating his saga in his own words. Although Beauty
does not converse with humans nor (in this film) with his fellow
beasts, he conveys his thoughts to us via voiceover. His attitude is so
warmly matter-of-fact, with a slight plaintive tinge now and then -
credit actor ...
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