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Drama
Wednesday, 22 April 1998 |
Written by
Abbie Bernstein
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title:
A Thousand Acres
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studio:
Touchtone Pictures
starring:
Michelle Pfeiffer, Jessica Lange, Jason Robards,
Jennifer Jason Leigh, Colin Firth, Keith Carradine, Kevin Anderson, Pat Hingle
film rating:
Three stars
reviewed by:
Abbie Bernstein
"A Thousand Acres" is an ambitious if not always successful
re-imagining of Shakespeare's "King Lear," set in the present on an
Iowa farm and told from the point of view of the two eldest daughters,
here called Ginny (Jessica Lange) and Rose (Michelle Pfeiffer).
Director Jocelyn Moorhouse ("How to Make an American Quilt") creates a
good sense of environment overall, starting with a striking
cloud-scudded sky in Chapter Two, but this film is definitely aimed at
drama buffs rather than technophiles
Tuesday, 07 April 1998 |
Written by
Abbie Bernstein
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title:
Boogie Nights
function popUp(URL,NAME) {
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studio:
New Line Home Video
MPAA rating:
R
starring:
Mark
Wahlberg, Julianne Moore, Burt Reynolds, Don Cheadle, John C. Reilly,
William H. Macy, Heather Graham, Nicole Parker, Philip Seymour Hoffman
release year:
1997
film rating:
Four stars
sound/picture:
Four stars
reviewed by:
Abbie Bernstein
If you start out with your sound system cranked to a decent level,
'Boogie Nights' will give you a jolt the instant the opening titles
start. Something that's a taste of what's to come--if you came of age
in the '70s, the soundtrack is wall-to-wall nostalgia.
Writer/director Paul Thomas Anderson has created a kind of intimate
epic with 'Boogie Nights.' It's an oddly endearing and nonjudgmental
comedy/drama set in the L.A. porno film industry of the mid-'70s and
early '80s; a soap opera that is alternately funny and sad about an
extended family-by-choice of skin flick makers and stars. Their biggest
collective sin, in the film's view, may be their chronic inability to
comprehend how the world works ...
Wednesday, 11 March 1998 |
Written by
Abbie Bernstein
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title:
The Trial
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document.open();
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studio:
Fox Lorber Home Video/Image Entertainment
starring:
Kyle MacLachlan, Anthony Hopkins, Jason Robards
release year:
1992
reviewed by:
Abbie Bernstein
The Austrian writer Franz Kafka is so well known for his particular
brand of dread of mysterious persecution that the word 'Kafkaesque' has
become part of the common vernacular. Director David Jones and
playwright/screenwriter Harold Pinter have turned Kafka's creepy novel
'The Trial' into a movie that is as bizarre and arbitrary as the events
it depicts. Although the film was made in 1992, 'The Trial' looks and
sounds uncannily like a product of the '60s. Indeed, Patrick McGoohan's
'Prisoner' would not be out of place in these surroundings, though
doubtless he'd do a better job against his adversaries than does Kyle
MacLachlan's smug Josef K.
Wednesday, 04 February 1998 |
Written by
Bill Warren
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title:
Sling Blade
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document.open();
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studio:
Miramax
MPAA rating:
R
starring:
Billy Bob Thornton, Dwight Yoakam, J.T. Walsh, John Ritter, Lucas Black, Natalie Canerday, Robert Duvall
release year:
1996
reviewed by:
Bill Warren
Forward up to just about any chapter heading on 'Sling Blade' and
chances are you'll find a scene that works as its own stand-alone story
as well as it fits into the film as a whole. Director/writer/star Billy
Bob Thornton won the 1996 Academy Award for Best Adapted Screenplay
(from his own stage play) and it's not hard to see why. Thornton is a
filmmaker who knows how to create suspense and characterization without
raising his voice.
Wednesday, 26 March 1997 |
Written by
Abbie Bernstein
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title:
Goodfellas
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studio:
Warner Home Video
MPAA rating:
R
starring:
Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco, Paul Sorvino
release year:
1990
film rating:
Five Stars
sound/picture:
Four Stars
reviewed by:
Abbie Bernstein
Unless something unexpected drops out of the sky between now and Dec.
31, ‘GoodFellas’ will rule forever as the single best film about
organized crime to come out of the ‘90s. Indeed, it is one of the best
films ever on the subject, making us feel as though we’ve lived through
the outrageous events along with the characters. Director Martin
Scorsese has explored the themes and characters of ‘GoodFellas’ before
and since, but never with such immediacy. He manages to make these
people thoroughly understandable without romanticizing them; we get why
they are who they are without wanting to be them. It’s a tougher
dynamic than it may sound, but Scorsese makes it work so that it hangs
in the memory in a manner normally reserved for our ...
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