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Comedy
Wednesday, 07 October 1998 |
Written by
Abbie Bernstein
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title:
Doc Hollywood
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studio:
Warner Home Video
MPAA rating:
PG-13
starring:
Michael J. Fox, Julie Warner, David Ogden Stiers, Woody Harrelson, Barnard Hughes, Frances Sternhagen, George Hamilton
release year:
1991
film rating:
Three and a half stars
reviewed by:
Abbie Bernstein
Newly-minted Dr. Ben Stone (Michael J. Fox), on his way to what he sees
as the perfect life as a Beverly Hills plastic surgeon, is furious when
his beloved 1956 Porsche breaks down in Grady, South Carolina, squash
capitol of the south. Swerving to miss a cow, he's smashed the fence of
a local judge, who sentences him to 36 hours of community service in
the town's hospital. Stern nurse Packer (Eyde Byrde) cuts him no slack,
while ebullient mayor Nick Nicholson (David Ogden Stiers) tries to sell
him on the advantages of life in a small town, since crusty old Dr.
Hogue (Barnard Hughes) is clearly about to retire. And naturally,
there's a local beauty, ambulance driver Lou ...
Tuesday, 29 September 1998 |
Written by
Abbie Bernstein
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title:
My Giant
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studio:
Castle Rock
MPAA rating:
PG
starring:
Billy Crystal, Gheorghe Muresan, Kathleen Quinlan, Joanna Pacula
release year:
1998
film rating:
Two Stars
reviewed by:
Abbie Bernstein
Let us begin here with a note about film critics. Our profession
dictates that we have fairly extensive vocabularies; we should not have
to resort to name-calling. However, sometimes only a word like "lame"
will do.
Wednesday, 19 August 1998 |
Written by
Bill Warren
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title:
Fletch
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studio:
Universal Home Video
MPAA rating:
PG
starring:
Chevy Chase, Dana Wheeler-Nicholson, Joe Don Baker, Tim Matheson, Richard Libertini, M. Emmet Walsh, Geena Davis, George Wendt
release year:
1985
film rating:
Four Stars
reviewed by:
Bill Warren
Gregory McDonald held back selling Hollywood the rights to his "Fletch"
until Chevy Chase and others began coaxing him with the promise that
the film would be faithful to the novel. And surprisingly enough,
Fletch (but not Fletch Lives) really does follow the McDonald style
reasonably closely. Even Chase plays about two-thirds of the movie
straight, keeping the wisecracks in line with Fletch's ironically
playful character. In the other third, Chase insists on trotting out
his clumsy gags -- completely out of character for Fletch -- and
tossing in lame, off-target wisecracks. Enjoy the film for what it does
right, which is most of it, and forgive it for the blunders -- which,
unfortunately, dominated the sequel. (A planned third in ...
Tuesday, 19 May 1998 |
Written by
Abbie Bernstein
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title:
Grosse Pointe Blank
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studio:
Hollywood Pictures Home Video
starring:
John Cusack, Minnie Driver, Dan Aykroyd
release year:
1997
film rating:
Four stars
sound/picture:
Three stars
reviewed by:
Abbie Bernstein
Funny, friendly and sweet, 'Grosse Point Blank' is all the more
disarming because its hero's profession would seem to preclude all of
these attributes. After all, nice guy though he is, Martin Q. Blank
(John Cusack) is a professional hit man.
Wednesday, 29 April 1998 |
Written by
Abbie Bernstein
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title:
The Breakfast Club
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studio:
Universal Home Video
MPAA rating:
R
starring:
Emilio Estevez, Paul Gleason, Anthony Michael Hall, Judd Nelson, Molly Ringwald, Ally Sheedy
release year:
1985
film rating:
Three Stars
sound/picture:
Three Stars
reviewed by:
Abbie Bernstein
‘The Breakfast Club,’ as most folks know, is director/writer John
Hughes’ tale of five disparate high school students who bond during a
nine-hour Saturday detention period. Andy the jock (Emilio Estevez),
Brian the brain (Anthony Michael Hall), John the delinquent (Judd
Nelson), Claire the princess (Molly Ringwald) and Allison the kook
(Ally Sheedy) imagine they have nothing in common. However, as they
first pick on each other over perceived defects, slights and in
reaction to attacks, they start to open un and eventually bond.
‘The Breakfast Club’ touched a lot of people in its day – it gets three
stars for its undeniable effect on a large portion of the audience.
However, if one isn’t prepared to surrender to Hughes’ universe on its
own terms, ...
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