Anthony Gallo Acoustics Reference AV On-wall Speaker System
Sunday, 01 October 2006
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Introduction The
days of floor-standing speakers are numbered. I’m sure this statement
is going to be met with a barrage of e-mails to the contrary, but alas,
it’s true. The end may not be tomorrow or the next day, but it is
coming. When that day comes, there will be two schools of thought:
embracing the growing trend of satellite/subwoofer or on-wall/in-wall
speaker systems and not embracing it. To all those who haven’t gotten
with the program: you’ll only have yourself to blame. And here’s why.
While home theater is a booming business with seemingly everyone
wanting and/or having some form of AV system in their homes, whether
it’s a dedicated room or a living room system, one thing remains
constant: it’s the more lifestyle-oriented products, specifically flat
panel displays and pint-sized speakers, that are truly driving the
marketplace. And why shouldn’t they? More often than not, satellite
speakers are better-looking, more budget-friendly and fit within a
broader range of system parameters without taking up or becoming the
focal point of the room in which they reside. To make matters better or
worse (depending on which side of the fence you’re on), technology has
gotten to the point where these speakers are beginning to sound as good
if not better than their floor-standing counterparts. I’m not saying
that every satellite/subwoofer combo or on-wall/in-wall speaker system
is fantastic. In fact, a lot of them are still rather
horrible-sounding. However, there are a number of highly reputable
manufacturers, including Anthony Gallo Acoustics, Definitive
Technology, Morel and Paradigm, to name a few, that have the proper
formula of style and substance and are on the cusp of giving the once
untouchable floor-standing speakers a serious run for their money. I
use the running analogy loosely, for once consumers discover these
gems, you’d better believe the race for the finish line is going to be
a quick one.
One such gem is the new Reference AV Speaker system from the
ever-popular Anthony Gallo Acoustics. The concept of small speakers
isn’t new to Anthony Gallo. Indeed, they’ve built their entire company
on the shoulders of some of the smallest speakers available on the
market today. Unlike companies like Bose, Gallo’s satellite/subwoofer
systems actually sound good. Scratch that, they sound great. Gallo
isn’t the only manufacturer building small speakers, but they are
arguably the most successful. While the new Reference AV speakers
aren’t as compact as their Nucleus Micro siblings, they are still
relatively small and quite stylish, yet another Gallo signature.
The Reference AV speakers are an on-wall or tabletop design (via
optional table stands for $200), retailing for $1,200 each and
measuring in at a little over 25 inches tall by six inches wide and six
inches deep, tipping the scales at a respectable 23 pounds each. The
Reference AV speaker’s above average weight is due large in part to the
speaker’s attractive aluminum and stainless steel construction. The
main speakers themselves are somewhat cylindrical in shape, with a
cage-like grille bowing over the four bass/midrange drivers and
tweeter. The grill itself is somewhat transparent, as you can still see
the drivers behind the perforated metal sheeting, giving the Reference
AVs a stylish albeit distinctive modern look. The Reference AVs come in
a variety of finishes, which consist of matte black, matte white, or
silver-gray. My review samples were silver-gray with matching
silver-gray subs, which I found integrated into my Pottery Barn meets
DWR listening room quite nicely. Now would be a good time to point out
that the entire Reference AV system consists of five seemingly
identical speakers, with the center channel varying ever so slightly,
the tweeter being positioned horizontally as opposed to vertically.
Speaking of the tweeter, it’s probably the first thing potential buyers
are going to notice, in that it’s quite unlike any other tweeter I’ve
come across. The tweeter, like the speakers themselves, is cylindrical
in shape and is made up of a film-like material Anthony Gallo calls
Piezo. The basic concept behind the tweeter isn’t unlike an
electrostatic diaphragm from the likes of MartinLogan, in that it’s
very fast, very articulate and seemingly free from box-like resonances.
That’s where the similarities stop. Where MartinLogan electrostatic
speakers can be a bit tricky as far as placement goes, due to their
limited sound dispersion, the Reference AV’s tweeter dispersion is
rated at a whopping 300 degrees, due in part to the tweeter’s curved
shape. Apart from the tweeter, the Reference AV speaker also has four
four-inch bass/midrange drivers made of carbon fiber, with neodymium
magnets behind them. The Reference AV speakers have a stated in-room
frequency response of 55Hz to 35kHz at 88dB efficiency into a four- or
eight-ohm load. Turning the speakers around, you’ll find the Reference
AV’s included mounting bracket and single pair of recessed gold plated
five-way binding posts. The mounting bracket is rather ingenious, as it
places the speakers an inch or two out from the wall, which allows for
potential buyers to take advantage of a variety of speaker cables
without punching excess holes in their walls. Also, Gallo includes the
necessary hardware to mount the Reference speakers to the wall, but
I’ll get to that later.
As
with most lifestyle or satellite speaker combos, the need for a
separate subwoofer isn’t really an option so much as it is essential.
The Reference AV system is no different. Anthony Gallo Acoustics
recommends their TR-2 subwoofer. I must say, subwoofers are becoming
more and more of a visual statement, moving past the old days of
looking big and boxy. The TR-2, with its tube-like shape and diminutive
size, is no exception to this trend. Retailing for $700, the TR-2
measures in at 11 inches wide, or diameter, by 12 inches tall and
13-and-a-half inches deep. It weighs a surprising 36 pounds, given its
solid steel construction, and comes in either a black or silver finish.
The TR-2 features a 250-watt internal power amplifier with a frequency
response of 22Hz to 180Hz. Taking a look on the back of the TR-2, I
found the usual host of controls and connection options. For starters,
there is a small knob for subwoofer volume and another for crossover
frequency adjustment. The TR-2’s crossover frequency is completely
variable through the sub’s five-way binding post inputs and fixed at
80Hz through its high level or LFE input, which you can use in tandem
with your surround sound processor or receiver. There is a Bass EQ
switch, which can be set to 0 (which I did for the duration of the
review) or toggled between +3dB or +6dB to give the lower regions an
added “bump” if you desire. Lastly, there is a three-way power switch
that can toggle between auto, on and off, as well as a detachable power
cord.
Set-up
I set up the Reference AV speakers in my new dedicated home theater,
which features a 120-inch projection screen video system and some
pretty solid but not insanely expensive electronics. For the duration
of the review, I mounted the main speakers on either side of my
projection screen with the center channel resting just below the bottom
edge. I mounted the rears on the side walls just behind the main
listening position with the tweeters at approximately ear level. I
connected the Reference AV speakers to my Outlaw Audio 970
preamp/processor and 7200 amplifier (review forthcoming) via Monster M
Series speaker cable. I set up the TR-2 subwoofer using its LFE input,
with the crossover setting falling to my 970 preamp/processor. Gallo
sent me two TR-2 subwoofers for this review and I experimented with
having both in operation with rather impressive results. However, I
couldn’t help but try to get the most out of a single TR-2, for I felt
that a single sub set-up would be more in line with the needs of
potential buyers. Keep in mind that the ability to easily and
affordably include more than one sub into your multi-channel system is
something the TR-2 makes easily possible, and if you have the means, I
strongly recommend giving two subs a whirl, for the overall sonic
presentation will benefit from it. For multi-channel music and movies,
I used my Toshiba XA-1 HD DVD player in tandem with my Panasonic
AE-900U HD LCD projector, with my trusty Denon 3910 Universal player
handling all two-channel music. All power filtering and cabling came by
way of Monster Cable.
A quick note on mounting; the Reference AV speakers are easy enough to
mount and I applaud Gallo for including the requisite drywall anchors
to help in mounting when a stud isn’t present. However, the drywall
anchors I received with my review samples were a bit defective, in that
the screws were too long for the anchor casing and were ultimately
unusable, which forced me to use my own screws that I had on hand. It’s
a minor oversight that resulted in momentary inconvenience. Truth be
told, I would have gone with my own drywall anchors to begin with had I
not been in such a hurry. As with anything, patience is a virtue and I
can not stress enough to adhere to proper mounting and safety
procedures when positioning the Reference AV speakers, as the last
thing you want is for your new speakers to come crashing down around
you in the middle of a movie. Lastly, you’ll want to make sure the
tweeters are positioned as close as possible to ear level; while the
Reference AV’s horizontal dispersion is good, its vertical dispersion
(in regards to the tweeter) is not. In a little under two hours, I had
everything done and mounted and was ready to enjoy the show.