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This Month's Featured Equipment Reviews |
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Past DVD Hardware / Software News |
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Alias - The Complete Third Season
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DVD TV Shows
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Written by Mel Odom
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Tuesday, 07 September 2004
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title:
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Alias - The Complete Third Season |
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studio:
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Buena Vista Home Entertainment |
| MPAA rating: |
TV 14 SLV |
| starring: |
Jennifer
Garner, Ron Rifkin, Michael Vartan, Carl Lumbly, Kevin Weisman, Melissa
George, Greg Grunberg, David Anders, Victor Garber |
| TV broadcast year: |
2003-2004 |
| DVD release year: |
2004 |
| film rating: |
Four Stars |
| sound/picture rating: |
Four Stars |
| reviewed by: |
Mel Odom |
Sydney Bristow (Jennifer Garner) is a CIA agent, a spy for the United
States government. In her career, she’s become a master of several
languages, an artist when it comes to disguise and role-playing, and a
kick-butt martial artist and firearms handler. She’s also made a number
of enemies. That legacy plays out in the most recent season collection
to hit DVD.
Created by J.J. Abrams, who also created “Felicity” and co-created
“Lost,” “Alias” has developed a loyal fan base and spawned a number of
websites, all devoted to figuring out which twist Sydney Bristow’s life
will take next. The series has maintained a high level of
characterization, action and conspiracy throughout its three-year run,
and seems to have enough material to keep running at least through a
five-year cycle and probably beyond.
In Season 1, Sydney discovered that the CIA branch she’d worked with
for years was actually a terrorist network cell called SD-6. The
Rambaldi artifacts (the work of a long-ago Da Vinci-like inventor) also
became a major factor in the behind-the-international-scenes clashes of
spy vs. spy. Created hundreds of years ago, the Rambaldi artifacts
could hold the key to saving or destroying the world, and a prophecy
and a portrait drawn by Rambaldi place Sydney Bristow at the heart of
the frantic treasure hunt that also balanced a fight between the CIA
and the terrorist network, as well as the warring cells of SD-6. Arvin
Sloane (Ron Rifkin), an old friend of the family, became Sydney’s
arch-enemy. Her relationship with Vaughn (Michael Vartan), who becomes
her CIA handler and love interest, is also set into place. The
partnership she has with Dixon (Carl Lumbly) and the tech ops role
filled by Marshall (Kevin Weisman) also take on shape and substance
that carry them through the series.
At the heart of the series, now gearing up to plunge into its fourth
season, the father-daughter relationship between Sydney and her father,
Jack (Victor Garber), maintains interest. Each of them fights for the
other on several different occasions, but a great deal of friction has
existed as well. For a time in the first season, Jack looks totally
responsible for the murder of Sydney’s fiancé. Even now, after having
placed their lives in the hands of the other, Sydney and Jack don’t
always agree on what needs to be done or how best to pursue a course of
action. Also, their independent natures push them into keeping their
game plans hidden at times even from each other.
Season 2 saw to the destruction of SD-6, the introduction of Sydney’s
mother (Lena Olin), who was thought dead and actually turns out to be a
spy for Russia, further mysterious developments concerning the Rambaldi
artifacts, and — a season shocker for the show’s devoted fans — Sydney
wakes up to discover that two years of her life are missing.
Season 3, Episode 1 opens up with Sydney’s explosive escape from Hong
Kong after finding out that she’s lost two years of her life and that
Vaughn has married because he thought she was dead. In Chapter 1, the
viewer is treated to meaty impacts of flesh on flesh and gunshots that
reverberate through the surround sound system. The fight sequences are
choreographed to the max, delivering stunning action bits that actually
out-Bonds many James Bond movies and gives a nod to Chinese action
flicks. The bells and racing engines during the transport to the
hospital resonate in the system, lending a real subtext to the anxiety
the long-time viewer is already experiencing regarding Sydney’s fate.
Sydney finds out Vaughn has quit the CIA and that her father has been
in lockup for a year following her disappearance. The new player on the
block after SD-6 was destroyed is now an organization called the
Covenant. Sydney sets about getting into the present assignment through
bluff and bluster, and works to set her father free. Chapter 6 gets
especially tense with the heartbeat slo-mo sequence where Sydney
charges forward firing her pistol and the constant barrage of gunshots.
Sydney also finds out Arvin Sloane has now become the chairman of a
major humanitarian organization. Sloane claims to have been altered by
a message he got through one of the Rambaldi artifacts. Chapter 8
features the driving music that underscores the tension and action that
pervades the entire series. The face-off she has with the villain while
in a sexy outfit in Chapter 9 is the epitome of what “Alias” is about
when it comes to action and adventure. At the end of this episode,
Sydney blackmails the NSC to achieve her father’s freedom, then finds
out Jack Bristow has video footage of Sydney killing a man.
Episode 2 opens with a daring and brilliant kidnapping that John Woo
could have directed for a “Mission: Impossible” film. The explosive
detonations from the elevator getting ripped free of its moorings then
hauled out of the shaft by a cargo helicopter power through the
subwoofer. Then the rotorwash of the helo fades as it flies away. A
touching moment of CIA colleague Weiss (Greg Grunberg) helping Sydney
into her new apartment gets back to the emotional values of her
everyday life. The screams of the kidnap victims in Chapter 3 are
chilling. The door slams, silent and still. Sydney also finds out that
she isn’t the only CIA agent who has experienced lost time. Chapter 4’s
discovery of the murder victim’s head in the box will trigger
unfortunate reactions within today’s audience, given terrorist
activities in the news, but at the time the DVD was made, the issue was
not so sensitive. Sark (David Anders), Sydney’s mortal enemy, is also
reintroduced in this episode. The remaining victim is supposed to be
traded for Sark. Chapter 7 features the trade, and driving music kicks
in to pump the sequence to full life, thumping through the surround
sound system. The exchange is a fiasco but Sark gets away, discovering
that his future is intertwined with that of the Covenant. Sydney also
talks Vaughn into coming back to the CIA. Chapter 9 throbs with the
nightclub scene that serves as a prelude to a disastrous confrontation
for Sydney in Chapter 10. At the end of the episode, Sydney comes
face-to-face with Vaughn’s wife, Lauren (Melissa George).
Episode 3 picks up the pace in Chapter 2 with satellite fallout that
strikes the earth. The impacts reverberate through the surround sound
system and hammer the subwoofer. The Patsy Cline music in Chapter 3
ties Sydney’s pain over losing Vaughn to the confusion in having to
deal with Lauren in her work as well as on a personal level. Jack
thinks Lauren and the NSC are after Sydney. In Chapter 4, Marshall is
given a bit of the video showing Sydney killing the Russian diplomat.
The music slams in Chapter 5 as Sydney gets into a face-off with
Oransky, the man selling information to Sark. Jack negotiates a
polymorphic worm that destroys the image Marshall is working on. Vaughn
and Sydney are reunited in the field to pursue Medusa, the SD-6 program
that Sark intends to use. Chapter 9 hits a high note with action and
music that thumps through the surround sound system, as well as a
barrage of gunfire. The end of the episode features a touching moment
between Weiss and Sydney that underscores how her life encompasses
extreme points at either end of the emotional spectrum.
Episode 4 takes a real turn for the worse in Sydney Bristow’s life.
After a world-threatening bioweapon is stolen, Sydney and Vaughn takes
up the chase. In Chapter 4, Simon Walker, an international thief, calls
Sydney “Julia,” the name that Lazarey, the Russian diplomat, called out
just before Sydney killed him. This episode is rich on character arcs
and plot twists and the audio enjoyment (and visual action) remains on
a low level. However, Chapter 6 pushes events into adrenal overload
when Sydney has to break into a hotel and steal a necklace from a Greek
princess to earn Walker’s trust. She has to dive into a swimming pool
from several stories up. The sound of Sydney hitting the water sounds
like a cannon detonation. In Chapter 7, Vaughn gets wise to the fact
that Sydney is working another angle and keeping secrets (which is
something the show keeps as its central focus). Chapter 11 features
driving music again to push the action, then ends in a cliffhanger
because Sydney has to stab Vaughn to save his life.
Episode 5 dials in the viewer by picking up on Sydney’s efforts to save
Vaughn after she stabbed him. Sydney stays with Walker, but is betrayed
and cut out of the loop when Walker sells the bioweapon to Sark. Sark
uses the bioweapon against a prison holding a man named Abasi Bomani
(Djimon Hounsou). Bomani is an African arms dealer with ties to Arvin
Sloane. In Chapter 4, Sydney and Lauren arrive in Mexico to see Sloane
just as he is kidnapped. The two women work well together during one of
the most exciting car chases of the season. The sound of racing engines
pours through the surround sound system. At the same time, Walker calls
with the offer of another job. The dream sequence in Chapter 6 when
Vaughn dreams of Sydney is way over the top, but the fans who are
pulling for the Sydney/Vaughn relationship will find hope there. Jack
works a sting against Walker and ends up in danger while killing
another lead to Sydney’s missing past. Sloane says he negotiated his
release by giving information to a Yakuza computer virus. The CIA goes
into action to destroy the computer program, sending Sydney and
Marshall into the field. Chapter 9 is a highlight of the episode as
Marshall and Sydney work undercover in the casino. The remix of Kenny
Rogers’ “The Gambler” sounds awesome through the surround sound system.
Episode 6 opens with driving music as Sydney races through the park and
ends up meeting Sloane. Sloane works Sydney, coercing her into becoming
his handler. Vaughn and Weiss play hockey. The smack of the puck
detonates the subwoofer. This episode also brings back Alison, the evil
double of Francie (Merrin Dungey), Sydney’s roommate who was murdered
in Season Two. Sloane’s information indicates that the Covenant has
access to an interface that gives them access to Russia’s nuclear
arsenal. Sydney works to intercept Sark. Chapter 4 hammers out
thundering music during the casino scene. Marshall’s x-ray camera that
identifies plastic surgery is way beyond current technology, but
possible, which is another of the show’s strengths. The gunplay is
choreographed extremely well. In Chapter 7, Lauren receives a clue that
leads her to Julia Thorn, the identity that Sydney had at least for a
while during her missing two years. Chapter 10 features a drum solo by
Marshall that is just too funny and lightens the mood of the episode.
Drumming underscores Sydney’s fight with Alison. However, Alison
escapes and remains a threat.
Episode 7 jars the viewer with a shocking special effects sequence in
which Sydney reaches into her mysterious scar and yanks out yards of
bloody tubes in another dream sequence. Later, Sydney gets assigned to
go with Sloane to deactivate a Chinese superweapon with Sloane’s help.
Lauren and Vaughn have been assigned to interview Javier, one of
Walker’s henchmen who has ended up in Mexican custody. Jack tries to
get Vaughn to impede the investigation. The juxtaposition between the
characters is great in this episode. Everyone has his or her secrets.
Chapter 5 offers an interesting sequence that features Sydney fighting
with sais. (For those unfamiliar with the weapon, they are the ones
Garner used as Elektra in the film “Daredevil” and will fight with
again in January in “Elektra,” the spin-off film.) Jack defeats
Lauren’s investigation and Sloane gives Sydney a mysterious key from a
letter that is obviously her own handwriting. At the end of the
episode, Lauren receives a picture from Sark that shows Sydney killed
Lazarey. Sydney has to flee the country.
Episode 8 begins with Sydney’s capture by the Rome police. The
encounter is forceful and explosive. Chapter 2 has a helicopter sweep
in from the left and the rotorwash mirrors the movement through the
surround sound system. Movement figures into this episode in a big way
as Jack and Vaughn pull out all the stops to rescue Sydney from NSC
clutches. Dixon is relieved from duty as a result. Vaughn and Lauren
are at each other’s throats. In Chapter 3, another helicopter screams
across the screen, and the shock treatment Sydney is subjected to is
loud and chilling. Lauren has to make the choice whether she is going
to stand with Vaughn and Sydney after the NSC reveals that they’re
going to torture Sydney. Chapter 5 features Jack in full undercover
mode to sabotage a government installation to get into blueprints of
the holding facility where Sydney is. The Motown music is totally
awesome and infuses the scene with dynamic energy. Sloane gets shot
while protecting Jack in Chapter 6. The bloody battle in Chapter 7
brings about a resolution to a lot of issues while putting a fine edge
on others. Sydney’s missing memory has become even more important than
ever.
Episode 9 starts out with Sydney in a meeting with Jack, Vaughn,
Lauren, and Sloane as they all conspire to come up with one story to
cover their guilt in her extraction. They decide to run a con that will
make it seem like the Covenant is holding Sydney in exchange for the
Rambaldi device. Once they get their stories straight, Sydney and Jack
go on a question while Dixon is arrested and his children taken into
custody. Inside a box buried in the ground, Sydney and Jack find an
amputated hand crawling with maggots. Sydney follows up on the lucent
dreaming therapy Sloane suggests. Chapter 4 offers really weird and
staggering images from Sydney’s subconscious mind as she returns to the
night she killed Alison. Sydney is shown as a child. The graphic images
confuse and jar at the same time, and the strange music pouring through
the surround sound system make the insanity even more potent.
“Matrix”-style action ensues as Lauren strangles Sydney in the dream
and almost kills her. Then Lauren morphs and becomes another version of
Sydney, pitting her against herself. Ultimately, one dream Sydney kills
the other, but Sydney has no idea what this means.
In Episode 10, Sydney pursues the St. Aidan clue she received in the
lucent dreaming therapy sessions. She pulls Will (former regular
Bradley Cooper) out of the Witness Protection program and gets
information from him. The question also comes up as to whether Sydney
might have been a willing participant in her memory loss. Jack thinks
this is possible. In Chapter 3, Sydney confronts Will and he pulls a
pistol on her. The scene is tense and the music plays to that. Later in
the chapter, Sloane has a dramatic scene in the rain, which echoes all
around the surround sound system. Sark confronts the memory doctor
(David Cronenberg) in Chapter 4. Later, Sark kills the doctor after
finding out more about Sydney. Seeing Jack deck a malevolent colleague
in Chapter 5 really feels good. Gunplay breaks out and hammers the
surround sound system. Will and Sydney sleep together after getting
slightly drunk. The driving rock score in Chapter 11 fuels their
undercover efforts.
Episode 11 is a pivotal turning point for the series. At the beginning
of this episode, Sydney goes to check on the Rambaldi Cube she
recovered Graz. Unfortunately, the Department of Special Research takes
the Cube before they can get a clue as to its nature. Sydney begins her
personal research but is interrupted in the middle of the night,
tranquilized, and wakes up on a jet. In Chapter 2, the viewer learns
about what happened to Sydney during her missing years, via flashbacks
aided by narration from Kendall (Terry O’Quinn). The musical score amps
up the tension. Sydney finds out she chose to eradicate her own memory.
Explosions, gunplay, and breaking glass fill Chapter 6 during the
attack.
Episode 12 starts out in North Korea with Vaughn and Sydney in a prison
cell awaiting execution. Lauren continues her betrayal of the CIA by
helping Sark take out the pilot and co-pilot of Sydney’s jet. Much of
the remainder of the episode unfolds in flashback. In Chapter 3,
missiles whiz around, rocketing from left to right, then back again
through the surround sound system. The explosion of the missiles
meeting lights up the subwoofer. Sydney and Vaughn crashland. Jack
immediately begins using his resources to locate his daughter, ending
up talking with his fugitive wife over e-mail. After Sydney and Vaughn
make their meeting, they’re taken into custody by the North Korean
police. Jack links up with Katya (Isabella Rossellini), a sister-in-law
he has never met before. Chapter 6 shows Jack at one of his action
bests, underscored by driving music.
Episode 13 returns to a driving run of the awesome action that is
“Alias.” Chapter 2 thrums with music and the sound of the drill used to
install the camera comes out so true it can set a viewer’s teeth on
edge. The wind whistles as characters parachute away from the mountain.
Acting on information they got from the Covenant defector last episode,
Weiss and Sydney go after the female criminal brainiac that created the
security system guarding a microdisc called the Doleac Agenda. Jack and
Sloane have a moment of truth. In Chapter 4, Sark links up with Lauren.
The two of them agree to go after the six heads of the Covenant, taking
them out and replacing them. In Chapter 6, the music underscores Sydney
and Weiss’s approach to taking on the security system designer. The
action in Chapter 7 slams onto the screen as Sydney and Vaughn plan to
employ Marshall’s electronic toys to get by the lethal response
systems. Lauren and Sark track and kill the six cell leaders in a
violent display of murderous ambition. The action turns hot and heavy
in Chapter 9 as Sydney and Vaughn bypass lethal booby-traps. McKennas
Cole (Quentin Tarantino), who was once with SD-6, now turns up as part
of the Covenant.
Episode 14 is an interesting bit. Two stories are told in this episode
as the story rolls first through Vaughn’s eyes, then through Lauren’s
in a vicious kind of He Said, She Said. Both sides of the mirror are
shown as they jockey for the same prize and end up nearly killing each
other. The driving radio music in Chapter 2 plays muted in the
background at first, then jumps to full-blown heat as the action kicks
up. This chapter also has a bit of bald merchandizing here as Sydney
calls out to Vaughn that they should take the Ford F150 as a pursuit
vehicle to chase the bad guys’ Ford Mustang. The car wrecks light the
subwoofer up. Sloane tried to control his counselor (Patricia Wettig)
in Chapter 3, only to get totally shut down. Chapter 4 shows Vaughn and
Sydney’s assault on a ship that turns ballistic as they’re confronted
by masked assailants. Chapter 5 starts the sequence of events over
again, this time from Lauren’s point of view, adding in extra layers to
the characters and the plot. By the time the story comes full circle in
Chapter 7, with all the secrets about to get spilled, the tension has
reached fever pitch.
Episode 15 centers around Daniel Ryan (Ricky Gervais of “The Office”),
a terrorist bomb designer. Chapter 2 introduces the viewer to
incredible tension in just seconds, painting characters with tight
dialogue, like the bomb disposal expert confronted with a multitude of
colored wires telling the other man his son’s favorite color is red. In
Chapter 3, Sydney, posing as a Covenant, is assigned to contact Ryan.
By Chapter 8, Sark and Vaughn are trapped in the same plane that can’t
descend below a certain altitude without detonating an onboard device.
Ryan activates the bomb on the plane as well as the one in Marshall’s
office, starting the deadly countdown. Jack turns totally vicious in
Chapter 9, stunning Sydney with a blast of fierce violence directed at
Ryan.
Episode 16 opens with Sark getting transported back to the United
States. Dixon’s children are kidnapped. Sirens scream across the desert
as police arrive to find Sark’s transport plane downed with no trace of
Sark himself. The music throbs in Chapter 4 as the team searches for
Dixon’s kids. The scene between Sydney and Dixon is powerful. Music
throbs all through Chapter 6 as Sydney begins an insertion op and Dixon
has to break through the security for her.
Vaughn and Weiss talk about Vaughn’s conflicted relationships in
Episode 17’s Chapter 2. Vaughn gets a phone call that tells him where
the key to the Rambaldi box may be. At the same time, Dixon tells
Lauren that her father has started an investigation into the
disappearance of a crucial artifact. In Chapter 3, Sydney finds out
that Bomani, the African arms runner from an earlier episode, has
discovered a bioweapon. In Chapter 4, Vaughn tells Lauren that he wants
to separate, which triggers a huge fight. Lauren runs to Sark’s arms
and he gives her a surprising order. The action sequence in Chapter 9
opens up with the thunder of a low-flying helicopter and quickly moves
into the bubbly rush of undersea sleds and pinging sonar as Vaughn and
Sidney go in search of the key. Four enemy divers arrive, including
Bomani. Explosions and gunfire quickly rock the surround sound system
as the fight breaks out.
Episode 18 opens with Sloane dealing with his own mortality. Sloane
negotiates to talk to Jack. In Chapter 2, Vaughn and Sydney are
assigned to track down a computer hacker known as the Cypher. Bomani
and Sark get tense, and things between Lauren and Vaughn get
disastrous. In Chapter 3, Sydney and Vaughn make the meet with the
Cypher to the deep throbbing beat of industrial music. Clad in tight
clothes and a Goth wig, Lauren is in disguise and also on hand. Lauren
kills the hacker as the music amps up. Chapter 6 finds Jack meeting
with a contact in the rain. The sound echoes through the surround sound
system. Lauren starts looking for the Passenger, the mysterious part of
the Rambaldi device, while Sydney and Vaughn are doing the same.
Chapter 9 rocks and rolls with gunfire and fighting. Lauren sees Vaughn
about to break in on her while Sydney continues fighting.
Episode 19 opens with Sark attacking a monk (David Carradine) in the
Order of Rambaldi to gain information and a manuscript. Chapter 3 steps
up the action as Vaughn and Sydney overtake the caravan transporting
the monk. Despite their best efforts, the monk is killed by Sark. With
his last breath, the monk gasps that the Passenger is Sydney’s hitherto
unknown sister. Chapter 7 slams and rocks the surround sound system as
Sloane face execution and Sydney goes ballistic to retrieve the device
known as the Hourglass. Playing his own game, Jack revives Sloane.
Episode 20 opens with Dixon telling Vaughn that Lauren is too valuable
as a source of unwitting information to bring in, so Vaughn must
maintain the façade that he loves and trusts his wife. Jack reveals
that he saved Sloane. Sloane says that he found out the Passenger will
be able to channel a message he left: his daughter. Sloane smashes the
Hourglass with a great crash that lights up the subwoofer. Later, Sark
tortures Vaughn, and the falling water cycles through the surround
sound system. In Chapter 5, Vaughn is allowed to escape. The sound of
the 18-wheeler crashing through cars, followed by the explosion, blasts
the subwoofer. Chapter 6 is filled with martial arts mayhem as Sydney
fights to free the young woman they believe is the Passenger.
Episode 21 begins with Sloane administering the Rambaldi elixir to his
newly-found daughter –- and Sydney’s half-sister – Nadia (Mia Maestro)
in attempt to get the message Rambaldi left. Nadia manages to get free
long enough to destroy the elixir, but she can’t escape Sloane. The
Cuban music in Chapter 8 sets up the action, moving it quickly as
Sydney and Vaughn invade the safehouse of the Chinese torturer (Ric
Young) from the very first “Alias” episode. Chapter 9 has one of the
best Marshall scenes as he’s offered a job by wicked but sexy Toni
Cummings (Viveca A. Fox). Chapter 10 opens up with a blast of
helicopter rotors that echo through the surround sound system.
Drumbeats drive the action as the CIA team advances into Sloane’s
stronghold. All the stops for action are pulled out in Chapter 11 as
the mother of all gun battles and fights begin. Lauren unleashes a
rocket launcher that destroys a truck and blasts the subwoofer.
Episode 22 brings the season to a close with a “Mission: Impossible”
opening where Sydney turns out to be Lauren in disguise. Cell phones
distributed throughout the HQ blast through the subwoofer and through
the surround sound system. Vaughn goes after Lauren to kill her. It
ends on an “Alias” season cliffhanger — tight, punchy, with the viewer
not knowing what’s going to happen next, though we can bet that next
season is going to be loaded with twists and turns and surprises.
The extras contained on the set are a little lean. The commentaries are
fun and informative, as well as giving an idea of how entertaining it
must be to work on the “Alias” set. The animated sequence is crisp and
cool, but looks more like a video pitch for “Alias: The Animated
Series” or a comic book publisher than a standalone effort in its own
right, because it doesn’t really deliver much about the missing two
years of Sydney’s life. The blooper reel is a gas, and the laughter
evidenced by the cast becomes infectious. The documentaries on props is
interesting, as is the stunt work segment. But the piece that will blow
most fans away is “Burbank to Barcelona.” The way that the design team
carries off the illusion of Sydney traveling around the world while
never leaving California is absolutely amazing. Most viewers probably
think the directors simply cut in stock footage and never know how
heavily the series relies on computer-generated images to carry off the
scene. Not only do they bring in existing scenes to overlay, but they
also create them from other images, masking over masking till a
brilliant cohesive whole is achieved.
“Alias: The Complete Third Season” is an excellent buy for fans of the
show who have been waiting impatiently. Audiophiles are served well by
the sound effects. And the convenience of having all 22 episodes at
hand (even though the season cliffhanger will almost kill a viewer)
saves on frustration levels as we eagerly anticipate what’s going to
happen next. Be warned: once you start viewing this season, you’re
likely to be glued into your seat for 900+ minutes. Strap in and gear
up for another exciting plunge through television’s most rewarding spy
world.
| more details |
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sound format:
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Dolby Digital 5.1 Surround Sound |
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aspect ratio(s):
|
Widescreen (1.78:1) Enhanced For 16x9 Televisions |
| special features: |
The
Animated Alias: Tribunal—An Unknown Chapter Of Sydney’s Missing Two
Years Revealed; Alias Up Close—Behind The Scenes With The Cast And
Crew; Deleted Scenes; Blooper Reel; Monday Night Football Teaser; Actor
And Filmmaker Commentaries; The Museum Of Television &
Radio—Creating Characters; ScriptScanner (DVD-ROM) |
| comments: |
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| reference system |
| DVD player: |
Pioneer DV-C302D |
| receiver: |
RCA RT2280 |
| main speakers: |
RCA RT2280 |
| center speaker: |
RCA RT2280 |
| rear speakers: |
RCA RT2280 |
| subwoofer: |
RCA RT2280 |
| monitor: |
42-inch Toshiba |
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