DVD reviews
This Month's Featured Equipment Reviews
ZenWave Cables and SurgeX ZenWave Edition Review
REDGUM BLACK RGi35ENR Integrated Amplifier Review
Linear Tube Audio MicroZOTL 2.0 Headphone Amp & Preamp Review
iFi Micro iUSB 3.0 & Gemini USB Cable Reviews
Marantz M-CR611 Network CD Receiver Review
Latest AV News
Most Popular DVD Reviews
Past DVD Hardware / Software News
Finding Neverland Print E-mail
Tuesday, 22 March 2005

Finding Neverland
Miramax Home Entertainment
MPAA rating: PG
starring: Johnny Depp, Kate Winslet, Julie Christie, Radha Mitchell, Dustin Hoffman, Freddie Highmore
film release year: 2004
DVD release year: 2005
film rating: Four Stars
sound/picture rating: Three-and-a-Half Stars
reviewed by: Abbie Bernstein

Almost everybody in Western civilization knows the story of Peter Pan, but relatively few people know much about Peter’s creator, the writer J.M. Barrie, or the circumstances that inspired him to bring into being one of the most iconic figures in modern children’s literature. Based on Alan Knee’s play “The Man Who Was Peter Pan,” “Finding Neverland” is a sensitive, smart and creative look at an idiosyncratic author with unconventional emotional ties.

The movie introduces us to James Barrie (Johnny Depp), a Scotsman living in London in 1903, when he is enjoying some success as a playwright even as his marriage to aspiring socialite Mary (Radha Mitchell) grows more unworkable by the day. On an outing to the park with his big dog, James encounters the widowed Sylvia Llewellyn-Davies (Kate Winslet) and her four young sons. James impulsively plays his part in the boys’ game of make-believe and is slowly captivated by the experience. Gradually, James, Sylvia and the boys befriend each other – the writer and the children are drawn together by their varied sense of invention and ability to make their imaginary worlds come to life, while the ailing Sylvia is warmed by the blossoming of her sons, who have largely shut down since their father’s death. Of course, the friendship of a married man and a widow with children doesn’t exactly go unnoticed – by Sylvia’s stern mother (Julie Christie), by society or by the increasingly threatened Mary. But for James, the joy of the experience trumps disapproval enough for him to translate it, in disguised form, into a story about a boy who wouldn’t grow up. Even as we see the logistics and hazards of producing a West End play with elements like waters, fairies and flight, all colossal headaches for James’ long-suffering producer (Dustin Hoffman), Sylvia’s health becomes more fragile and James’ relationship to the Llewellyn-Davies family becomes ever more crucial for all concerned.

“Finding Neverland” won an Oscar for Jan A.P. Kaczmarek’s delicate yet soaring score and was nominated for Best Picture, Best Actor, Best Supporting Actress and Best Adapted Screenplay, along with editing, costume design and art direction. It’s easy to understand why, even though – or, more accurately, precisely because – this isn’t the showiest of last year’s offerings. Director Marc Forster, screenwriter David Magee and leading man Depp all do a fairly amazing job of treading a line between whimsy, emotion and restraint that sustains a wonderful mood throughout, allowing us to travel into and out of various levels of reality along with James. A pirate adventure played on grass moves effortlessly into the characters’ minds on stagelike wooden waves that kick up real drenching spray; faeries fly through the air, wearing theatrical paint. The film evolves into a real tear-jerker, but it doesn’t feel overly manipulative, and there is a sense of droll humor rolling throughout.

Depp, doing a persuasive Scots accent, conveys the sense of an unusual agile yet still sane mind. Winslet does truly fine work, maternal with the children, responsive yet careful with Depp and beautifully calibrated opposite the formidable but still human Christie. Mitchell finds sympathy as the self-absorbed but honestly bewildered wife and Hoffman is wittily low-key as the impresario. The boys are all very natural and convincing. Unless one reads the credits and recognizes actor Ian Hart, it’s just about impossible to know that James’ supportive friend is meant to be Sherlock Holmes creator Sir Arthur Conan Doyle, but it’s a solid performance in any case.

“Finding Neverland” is beautiful to look at, but – in what may be a deliberate effect – the 2004 theatrical release looks a bit as though it was shot in the late ‘60s/’70s. Some scenes have beautiful color saturation, while others look very slightly faded. In Chapter 3, there’s the tiniest bit of bleed from a boy’s light hair into the white sky behind him. Sound effects and mix with the score are generally good, with some especially realistic effects during the destruction of a backyard theatre in Chapter 7, though the center and mains dominate. The rears primarily support what’s going on up front, though in sequences with opening night audiences, they supply some discrete crowd sounds.

The supplemental features here are enjoyable. The commentary by director Forster, screenwriter Magee and producer Richard N. Gladstein is agreeable, with discussion of the development process. The making-of featurette is pleasant if standard. “Creating Neverland,” a shorter look at some of the film’s special effects, is eye-opening, as it makes us aware of the extraordinary amount of work it takes to make it look as though all the elements simply exist together without us thinking twice about it in the final shot. “On the Red Carpet” features interviews with most of the cast and filmmakers – and Hilary Clinton! – at several of the film’s premieres and the outtakes reel is pretty funny, especially a sequence where, according to the onscreen notes, Depp was responsible for bringing in a hidden machine that makes unpredictable fart noises.

“Finding Neverland” is a lovely, involving film that displays the creativity of its own makers in a very well-done exploration of one man’s notable creative process.

more details
sound format:
English Dolby Digital 5.1 Surround; French Dolby Surround; Spanish.1 Dolby Surround
aspect ratio(s):
2.35:1, Enhanced for Widescreen TVs
special features: Audio Commentary by Director Marc Forster, Producer Richard Gladstein and Screenwriter David Magee; “Making Of” Featurette; Special Effects Featurette; “On the Red Carpet” Interviews; Deleted Scenes With Optional Filmmaker Commentary; Outtakes; French and Spanish Subtitles; English Closed-Captioning
comments: email us here...
reference system
DVD player: Kenwood DV-403
receiver: Kenwood VR-407
main speakers: Paradigm Atom
center speaker: Paradigm CC-170
rear speakers: Paradigm ADP-70
subwoofer: Paradigm PDR-10
monitor: 27-inch Toshiba

Like this article? Bookmark and share with any of the sites below.
Digg!Reddit!Del.icio.us!Google!StumbleUpon!Yahoo!Free social bookmarking plugins and extensions for Joomla! websites!

  home theater news  |  equipment reviews 
  blu-ray reviews  |  dvd  |  theatrical reviews  
  music download reviews  |  music disc reviews
  contact  |  about-us  |  careers   |  brands 
  RSS   |  AVRev Forums
  front page  |  virtual tours  |  dealer locator
  how to features  |   lifestyle & design articles
  Want Your Home Theater Featured on MHT?
   CE Partners: HDD  |  HDF  |  VGT  |  SD  |  DVD
  Advertise with Us | Specs | Disclaimer | Sponsors
  privacy policy | cookie policy | terms of use
  909 N. Sepulveda Blvd. El Segundo, CA 90245
  Ads: 310.280.4476 | Contact Us
  Content: 310.280.4575 | Mike Flacy