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Boxer, The (Collector's Edition) |
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Wednesday, 08 July 1998 |
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title:
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The Boxer |
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studio:
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Universal Home Video |
| MPAA rating: |
PG-13 |
| starring: |
Daniel Day-Lewis, Emily Watson, Brian Cox, Ken Stott |
| release year: |
1997 |
| film rating: |
Three stars |
| reviewed by: |
Abbie Bernstein |
Despite its title, ‘The Boxer’ is ultimately less about pugilism than
about the combative footwork of politics in North Ireland.
The title character, 32-year-old Danny Flynn (Daniel Day-Lewis), is
newly released after having spent 14 years in jail for his part in RA
violence. Danny has long since turned his back on the cause, but his
refusal to name names to the police means that he is grudgingly
tolerated by his former compatriots. Danny almost immediately gets in
new trouble, however. He supports his old trainer Ike (Ken Stott) in a
plan to establish a non-sectarian gymnasium in the heart of Catholic
Belfast and he wants to woo back his old sweetheart Maggie (Emily
Watson). Maggie is not only the daughter of a high-ranking IRA official
(Brian Cox), but she’s also the wife of Danny’s still-imprisoned former
best friend. Prisoners’ wives are local heroines – but only as long as
they remain "above reproach." Danny also dreams of resuming the boxing
career that ended when he went behind bars.
Director Jim Sheridan and his co-writer Terry George present a
persuasive view of a culture that is in some ways universally urban and
conservative,, yet one in which the rule of the gun is an open secret.
There’s a hint of the gangster movie to ‘The Boxer,’ with its threat of
far more than social censure lying in wait for those who transgress
against the unwritten laws.
The romantic angle of the story is appealing, both because Day-Lewis
and Watson are charismatic performers and because, after a period of
adjustment, the characters address each other with becoming candor. The
film also has conviction and clarity when dealing with the
multi-leveled, morally ambiguous climate of a cease-fire between the
various factions on all sides. Sheridan and George illustrate, for
instance, how the gift of a few t-shirts and boxing gloves to
underprivileged children can throw a whole neighborhood into an uproar
of controversy.
Boxing itself, however, is a more elusive metaphor than it should be
here. Perhaps viewers who are aficianados of the sport will see a
clearer connection between the sparring in the ring and the bobbing and
weaving done by Danny’s former associates, but apart from the obvious –
they’re both forms of fighting – the analogy remains murky. There’s a
discussion to be had about how the lack of rancor between boxing
contestants contrasts with the unforgiving fury on all sides of the
armed conflict in Belfast, but ‘The Boxer’ doesn’t engage in this on a
narrative level.
Visually, the DVD faithfully preserves the slate-blue hues of the
theatrical version, a steely look so pervasive that when the yellow of
a lamp or a splash of red blood appears, it’s almost as startling as
the little girl in the red coat in ‘Schindler’s List.’ The music
reproduction in Chapter 1 is powerful, with deep, round medieval bell
tones providing a literal note of ancient roots to the surrounding
mournful techno-pop. The sound levels jump a bit at times – the music
fades down to accommodate dialogue in a bar scene, then leaps to
compete with the noise of a helicopter when the next shot is of a
prison perimeter. Chapter 4 is the most egregious example of abrupt
level changes between shots within the same scene – it’s not enough to
require volume adjustment (at least, it wasn’t for this viewer), but
it’s noticeable.
Chapter 5 has an interesting and startling effect when a distant bomb
goes off – a thud that we and the characters register without being
overwhelmed, rather than something more dramatic but less realistic.
Chapters 7 and 10 have arguably the most sinister swooshing jump-rope
noises to be heard this side of a martial-arts film; it’s only training
practice, but the amped-up whistling of the rope through the air
creates a relentless, menacing aural image. The film is at its loudest
in Chapter 20, with a more traditional-sounding explosion than the one
in Chapter 5; however, music soon sweeps in the muffle all but the
initial moments of uproar.
We become emotionally involved in Danny’s adventures because he’s a
principled and ultimately likable man and we are gripped by his milieu
because it is brought to convincing life, but ‘The Boxer’ seems to be
trying to invest the sport with a symbolic significance that eludes it
here.
| more details |
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sound format:
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DTS 5.0 Surround; Dolby Surround |
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aspect ratio(s):
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1.66:1 |
| special features: |
Chapter Search |
| comments: |
email us here... |
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| reference system |
| DVD player: |
Kenwood DV-403 |
| receiver: |
Kenwood VR-407 |
| main speakers: |
Paradigm Atom |
| center speaker: |
Paradigm CC-170 |
| rear speakers: |
Paradigm ADP-70 |
| subwoofer: |
Paradigm PDR-10 |
| monitor: |
27-inch Toshiba |
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